{"id":37022,"date":"2001-01-28T00:00:00","date_gmt":"2001-01-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cheap-thrills-2\/"},"modified":"2001-01-28T00:00:00","modified_gmt":"2001-01-28T00:00:00","slug":"cheap-thrills-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cheap-thrills-2\/","title":{"rendered":"Cheap Thrills"},"content":{"rendered":"<p>I think it says something that this compilation,<br \/>\n<i>Cheap Thrills<\/i>, begins with the self-parodying track &#8220;I Could<br \/>\nBe a Star Now&#8221; &#8211; an excerpt from the movie<br \/>\n<i>200 Motels<\/i>, in which a departing Mother of Invention is told<br \/>\n&#8220;What do you do? You join the Mothers! And you end up working for<br \/>\nZappa, and he MAKES you be a creep!&#8221;<\/p>\n<p>\n<i>Cheap Thrills<\/i> was the name of a scheme a few years ago to<br \/>\nput special prices on certain Zappa titles.<br \/>\n<i>Cheap Thrills<\/i> and<br \/>\n<i>Son Of Cheap Thrills<\/i> were two extra-low cost CDs that retail<br \/>\nfor about five or six dollars (don&#8217;t pay more than six!) that were<br \/>\nsampler packs, pulling tracks from various titles in the<br \/>\n<i>Cheap Thrills<\/i> line.<\/p>\n<p>This first one features mostly the more humorous and less<br \/>\ntechnically demanding pieces, especially when compared to<br \/>\n<i>Son Of Cheap Thrills<\/i>. The first musical track is the 1988<br \/>\nversion of &#8220;Catholic Girls,&#8221; which is certainly a very energized<br \/>\nversion of the original song. While the 1988 band didn&#8217;t exactly<br \/>\nhave the best chemistry, this track certainly shows that they did<br \/>\nknow how to play very well, as well as retain the original sense of<br \/>\nhumor off<br \/>\n<i>Joe&#8217;s Garage<\/i>.<\/p>\n<p>&#8220;Bobby Brown Goes Down&#8221; is my least favorite song on the album.<br \/>\nThe less said about it, the better. I remember one Zappa fan<br \/>\nreviewing it and saying &#8220;The best part is that FZ is laughing so<br \/>\nhard that you can&#8217;t hear what he&#8217;s saying.&#8221; It shows that he and<br \/>\nIke had a great time on stage, which is certainly very important,<br \/>\nbut I don&#8217;t consider this a great song, technically or<br \/>\nlyrically.<\/p>\n<p>&#8220;You Are What You Is&#8221; is taken from<br \/>\n<i>Thing-Fish<\/i>, not from the album of the same name.<br \/>\n<i>Thing-Fish<\/i> is a good album, but it stands up much better<br \/>\nwhen considered in and of itself &#8211; it contains mostly re-recordings<br \/>\nof older songs, or identical versions with minor shifts. This track<br \/>\nis one of the better re-productions, and it segues very nicely into<br \/>\nwhat may be my favorite FZ track of all time.<\/p>\n<p>&#8220;We Are Not Alone&#8221; features raunchy saxophone with incredible<br \/>\nmarimba work residing just underneath the top. It&#8217;s a song that<br \/>\nmakes me want to cruise through residential neighborhoods at 15 MPH<br \/>\nwith the windows down &#8211; baritone sax, Steve Vai zipping around on a<br \/>\nstrat, all interplayed wonderfully.<\/p>\n<p>The song &#8220;Cheap Thrills&#8221; is nice to listen to, but not something<br \/>\nto write home to mom about &#8211; it is taken from<br \/>\n<i>Cruisin&#8217; With Reuben And The Jets<\/i>, a doo-wop homage from the<br \/>\nlate 60&#8217;s. It features interesting musical progression underneath<br \/>\nan insidious set of lyrics that aren&#8217;t as innocent as they appear.<br \/>\nImmediately following is another piece of history from &#8220;The True<br \/>\nStory of 200 Motels,&#8221; &#8220;The Mudshark Interview&#8221;. It&#8217;s about 2:40 of<br \/>\npure conceptual continuity &#8211; an explanation of the obsession with<br \/>\nMudsharks, through an interview conducted with an apprehensive<br \/>\nhotel clerk.<\/p>\n<p>&#8220;Hot Plate Heaven At The Green Hotel&#8221; is a great song. It&#8217;s<br \/>\nunabashedly political, with a dynamite introduction and pure energy<br \/>\nstreaming off the stage. Problem is, this particular release<br \/>\nfeatures the only guitar solo FZ ever released that bored me half<br \/>\nto death. As blasphemous as that sounds, especially while using a<br \/>\nguitar tone that brought him unending praise, I do not enjoy the<br \/>\nsolo in this song at all. Thankfully it is followed by &#8220;Zomby<br \/>\nWoof,&#8221; a fast, difficult piece that belongs on any &#8220;Driving Music&#8221;<br \/>\ntape.<\/p>\n<p>&#8220;The Torture Never Stops&#8221; is the longest track on the sampler,<br \/>\nweighing in around 9:15, and possibly the least enjoyable to listen<br \/>\nto. It&#8217;s overlong and bluesy, two things that while in moderation<br \/>\nare good, spell disaster in this case.<\/p>\n<p>&#8220;Joe&#8217;s Garage,&#8221; as featured on this CD, is very fast, energized,<br \/>\nand far more<br \/>\n<i>fun<\/i> to listen to than the comparatively stately and<br \/>\norchestrated version found on the album of the same name. While<br \/>\nthey both have their merits, if I saw FZ in concert and had to<br \/>\nchoose, this style would be what I would hear. &#8220;My Guitar Wants To<br \/>\nKill Your Mama&#8221; is a highlight of this CD, succeeding in all<br \/>\nrespects.<\/p>\n<p>This CD serves as an introduction to the music of Zappa, and it<br \/>\nwas actually the first Zappa CD I bought, but frankly it could have<br \/>\nbeen done better. It&#8217;s not intended to be a &#8216;greatest hits,&#8217; but as<br \/>\nan intro even just to the<br \/>\n<i>Cheap Thrills<\/i> line of music it is certainly lacking &#8211; and,<br \/>\nby itself, it&#8217;s a very, very weak intro to his music.<br \/>\n<i>Son Of Cheap Thrills<\/i> was released later, and together they<br \/>\nform a more cohesive unit, but<br \/>\n<i>Cheap Thrills<\/i> on its own is priced about right &#8211; and while<br \/>\nit wouldn&#8217;t be a BAD introduction to Zappa&#8217;s music, it&#8217;s certainly<br \/>\nnot the best.<\/p>\n","protected":false},"author":28,"featured_media":25816,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5625],"rating":[5612],"class_list":["post-37022","review","type-review","status-publish","has-post-thumbnail","artist-frank-zappa","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37022"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37022\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25816"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37022"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37022"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37022"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}