{"id":37028,"date":"2001-01-31T00:00:00","date_gmt":"2001-01-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/innocent-victim\/"},"modified":"2001-01-31T00:00:00","modified_gmt":"2001-01-31T00:00:00","slug":"innocent-victim","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/innocent-victim\/","title":{"rendered":"Innocent Victim"},"content":{"rendered":"<p>By all accounts, I should hate<br \/>\n<i>Innocent Victim<\/i>, the eleventh studio album from British<br \/>\npopsters Uriah Heep (and their second release in 1977). The second<br \/>\nof three albums with vocalist John Lawton, there are more<br \/>\npop-oriented songs on this disc and less of the heavy space-rock<br \/>\nthat the band had become known for.<\/p>\n<p>Yet I don&#8217;t hate this album; despite everything I&#8217;ve heard about<br \/>\nit and read from other critics, I actually<br \/>\n<b><br \/>\n<i>like<\/i><br \/>\n<\/b> this album. I should know; I spent almost an entire day<br \/>\nlistening to nothing else but the re-release of this album, and I<br \/>\nstill don&#8217;t hate it. Are mistakes made on this disc? Yes. Are they<br \/>\nas fatal as some people would like you to believe? No.<\/p>\n<p>Lawton and crew showed they were moving in a slightly different<br \/>\ndirection on Uriah Heep&#8217;s previous disc<br \/>\n<i>Firefly<\/i> &#8211; the first of their albums I had enjoyed in a<br \/>\nwhile. Innocent Victim builds on those changes, and helps to cement<br \/>\nthe band&#8217;s direction a bit. The end result, I think, is a better<br \/>\nalbum.<\/p>\n<p>Besides, it&#8217;s unfair for people to say that<br \/>\n<i>Innocent Victim<\/i> abandons the rock that Uriah Heep had become<br \/>\nknown for. Take &#8220;Free &#8216;n&#8217; Easy,&#8221; for example. Mick Box&#8217;s guitars<br \/>\nlet you know that this track has all of the power that Uriah Heep<br \/>\nhad become known for. And while &#8220;Keep On Ridin'&#8221; and &#8220;Flyin&#8217; High&#8221;<br \/>\nmight not have had the sonic crunch that a track like &#8220;Easy Livin'&#8221;<br \/>\nhad in their early days, these songs also prove themselves to be<br \/>\nmore than enjoyable.<\/p>\n<p>And now, for the mistakes. They number two &#8211; the first being<br \/>\n&#8220;Free Me,&#8221; which is just too light and disjointed to have any real<br \/>\nmusical muscle. It&#8217;s not a bad try, but it&#8217;s just not Uriah Heep,<br \/>\nand it sounds as uncomfortable as a wetsuit made from burlap. The<br \/>\nsecond mistake is &#8220;Cheat &#8216;n&#8217; Lie,&#8221; which follows in the<br \/>\npseudo-ballad-rocker vein that &#8220;Free Me&#8221; does. One of the bonus<br \/>\ntracks, &#8220;Masquerade,&#8221; would have done a better job than either of<br \/>\nthese tracks.<\/p>\n<p>For that matter, had both been eliminated and &#8220;Illusion&#8221;<br \/>\nstretched out to include &#8220;Masquerade&#8221; (as it does on the included<br \/>\nbonus track),<br \/>\n<i>Innocent Victim<\/i> would have been a better album originally.<br \/>\nAs bonus material, it just makes me wonder what could have<br \/>\nbeen.<\/p>\n<p>If<br \/>\n<i>Innocent Victim<\/i> is guilty of anything, it might be trying<br \/>\ntoo hard to break new ground. Sometimes, it works (&#8220;The Dance,&#8221;<br \/>\n&#8220;Roller&#8221;); other times, it doesn&#8217;t (&#8220;Free Me&#8221;). But Uriah Heep did<br \/>\nproduce an enjoyable album in<br \/>\n<i>Innocent Victim<\/i>, even if I&#8217;m one of the handful of people<br \/>\nwho will come out and say so.<\/p>\n","protected":false},"author":2,"featured_media":25822,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6348],"rating":[5615],"class_list":["post-37028","review","type-review","status-publish","has-post-thumbnail","artist-uriah-heep","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37028"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37028\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25822"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37028"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37028"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37028"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}