{"id":37036,"date":"2001-02-05T00:00:00","date_gmt":"2001-02-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dont-look-back\/"},"modified":"2001-02-05T00:00:00","modified_gmt":"2001-02-05T00:00:00","slug":"dont-look-back","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dont-look-back\/","title":{"rendered":"Don&#8217;t Look Back"},"content":{"rendered":"<p>When Tom Scholz was locked in his battle with Epic Records back<br \/>\nin the &#8217;80s, he claimed he was being rushed into creating Boston<br \/>\nrecords by his former label, and he wasn&#8217;t about to put out<br \/>\nsomething substandard.<\/p>\n<p>Too bad he didn&#8217;t take such a stance with<br \/>\n<i>Don&#8217;t Look Back<\/i>, the 1978 follow-up to Boston&#8217;s self-titled<br \/>\nmega-smash. The formula sounds old (after just two years between<br \/>\nalbums), the songwriting sounds forced, and the overall picture is<br \/>\nthat the success Boston had might have been a fluke.<\/p>\n<p>Have you ever wondered why &#8220;Feelin&#8217; Satisfied&#8221; and &#8220;Don&#8217;t Look<br \/>\nBack&#8221; are the only songs you ever hear from this disc on the radio,<br \/>\nwhile almost all of<br \/>\n<i>Boston<\/i> is played to death? Simple &#8211; these are the only two<br \/>\nsongs worth their mettle on<br \/>\n<i>Don&#8217;t Look Back<\/i>. Even there, it sometimes feels like Scholz<br \/>\nand company are re-treading on sacred ground; &#8220;Feelin&#8217; Satisfied&#8221;<br \/>\nsounds similar to &#8220;Rock &#038; Roll Band&#8221; in more than one way.<\/p>\n<p>Yet there is something about these two songs that does make them<br \/>\nstand out &#8211; namely, they<br \/>\n<i>are<\/i> well-written and suggested that Boston might have been<br \/>\non track to another smash album&#8230; that is, had they taken the time<br \/>\nto get it right. The rest of the disc runs from forgettable to crap<br \/>\nyou won&#8217;t be able to scrape off your shoes.<\/p>\n<p>C&#8217;mon, let&#8217;s be honest &#8211; had Scholz been given free rein to make<br \/>\nan album with no time restraints, would a song like &#8220;Party&#8221; ever<br \/>\nhave made it onto an album? Hell, no; he&#8217;d have been erasing over<br \/>\nthat like Nixon&#8217;s secret White House tapes. This is a half-baked<br \/>\nsong that has every indication it was a rush job.<\/p>\n<p>Meanwhile, &#8220;It&#8217;s Easy&#8221; is a failed attempt to capture the Boston<br \/>\nmagic (hey, there&#8217;s a name for a new sports franchise&#8230; no, wait,<br \/>\nOrlando&#8217;s already using it), down to the intro piece &#8220;The Journey&#8221;.<br \/>\n(Hmm&#8230; anyone thinking sequel to &#8220;Foreplay&#8221; \/ &#8220;Long Time&#8221; from<br \/>\n<i>Boston<\/i>?) &#8220;Used To Bad News&#8221; and &#8220;Don&#8217;t Be Afraid,&#8221; which<br \/>\nclose out the disc, are castaways that never develop into anything<br \/>\nspecial.<\/p>\n<p>There is one spectacular failure on<br \/>\n<i>Don&#8217;t Look Back<\/i>, meaning Scholz was starting to experiment<br \/>\nwith the formula. And had he been given some more time, &#8220;A Man I&#8217;ll<br \/>\nNever Be&#8221; probably would have been a great track. As it sits here,<br \/>\nit doesn&#8217;t feel complete, but at least it shows that Scholz was<br \/>\nwilling to take chances with his music. So while I might not like<br \/>\nthis song, I&#8217;m willing to take my hat off to Scholz. (He would<br \/>\neventually get the power ballad right with &#8220;Amanda&#8221; from<br \/>\n<i>Third Stage<\/i>.)<\/p>\n<p>The world would not hear from Boston again for almost a decade,<br \/>\nwhile Scholz kept honing his craft and fought to have the right to<br \/>\nrelease an album on a different record label &#8211; a fight he would<br \/>\nwin. And while people joke about the time it takes between Boston<br \/>\nalbums (and I count myself in this group),<br \/>\n<i>Don&#8217;t Look Back<\/i> suggests there&#8217;s more than a little method<br \/>\nto Scholz&#8217;s madness. If this is what we get when he&#8217;s rushed, then<br \/>\ntake all the time you need, Tom.<\/p>\n","protected":false},"author":2,"featured_media":25830,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5689],"rating":[5619],"class_list":["post-37036","review","type-review","status-publish","has-post-thumbnail","artist-boston","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37036","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37036"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37036\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25830"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37036"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37036"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37036"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}