{"id":37047,"date":"2001-02-16T00:00:00","date_gmt":"2001-02-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/high-adventure\/"},"modified":"2001-02-16T00:00:00","modified_gmt":"2001-02-16T00:00:00","slug":"high-adventure","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/high-adventure\/","title":{"rendered":"High Adventure"},"content":{"rendered":"<p>Kenny Loggins is often given a bad rap for being one of the<br \/>\nposter children for the cultural rock and roll revolution gone<br \/>\ncorporate. Having begun his career as a long-haired sensitive<br \/>\nfolkie and half of the duo with Poco&#8217;s Jim Messina, he discovered<br \/>\nin the mid-&#8217;80s that writing movie themes is really where the money<br \/>\nis at, and he&#8217;s never really been the same since.<\/p>\n<p>But the career of Kenny Loggins as an independent movie-less<br \/>\nsongwriter ended with a bang. Unlike his late &#8217;70s solo releases<br \/>\n(which aren&#8217;t bad, don&#8217;t get me wrong, but can get awfully<br \/>\ndepressing at times),<br \/>\n<i>High Adventure<\/i> is brimming with energy and vitality. From<br \/>\nthe opening heavy metal-like intro to &#8220;Don&#8217;t Fight It,&#8221; a duet with<br \/>\nJourney&#8217;s Steve Perry that was a minor hit, to the exotic new-wave<br \/>\ninfluenced synthesizers of &#8220;It Must Be Imagination,&#8221; this album has<br \/>\n1982 written all over it.<\/p>\n<p>And as can be expected from an early &#8217;80s pop album, the hits<br \/>\nwere all classics. &#8220;Don&#8217;t Fight It&#8221; is an exciting romp featuring,<br \/>\nas previously mentioned, some blistering guitar work and both<br \/>\nLoggins and Perry screeching their hearts out like there was no<br \/>\ntomorrow. &#8220;Welcome To Heartlight&#8221; (not to be confused with Neil<br \/>\nDiamond&#8217;s theme from<br \/>\n<i>E.T.<\/i> which was a hit around the same time) features a<br \/>\ncampfire-like verse leading unexpectedly into more blistering<br \/>\nguitar work in the chorus. A children&#8217;s choir rounds out the final<br \/>\nrefrain &#8211; campy, indeed.<\/p>\n<p>But the most classy of the classics was undoubtedly &#8220;Heart To<br \/>\nHeart,&#8221; one of the great singles of the &#8217;80s that has mysteriously<br \/>\nbeen lost to time. The jazz-pop influences of Loggins&#8217; many<br \/>\ncollaborations with the Doobie Brothers&#8217; Michael McDonald (more on<br \/>\nthat later) are quite apparent here, in fact you can even hear<br \/>\nMcDonald singing backup, but unlike most of Loggins&#8217; lame attempts<br \/>\nat a musical sequel to &#8220;What A Fool Believes&#8221; (a song he and<br \/>\nMcDonald co-wrote and both recorded, but McDonald ended up with the<br \/>\nversion that became a platinum-selling single, whereas Loggins&#8217;<br \/>\nversion most definitely did not), this one actually stands on its<br \/>\nown as a terrific song, pop perfectionism at its finest, not a note<br \/>\nwasted as it meanders through its seamless sections of<br \/>\nstructure.<\/p>\n<p>As for the rest of the album, it is the other McDonald<br \/>\ncollaboration, &#8220;I Gotta Try,&#8221; that stands out. Again, McDonald&#8217;s<br \/>\nversion was the hit, but in this case Loggins&#8217; version is the<br \/>\nsuperior one, as he sings it with so much enthusiasm that you<br \/>\nalmost forget how stale the subject matter is (whoop-de-doo,<br \/>\nanother song about believing in yourself\u2026) And like &#8220;Heart<br \/>\nTo Heart,&#8221; this is a fun song to play on the piano, too. &#8220;If That&#8217;s<br \/>\nNot What You&#8217;re Looking For&#8221; is the other monster cut, fat &#8217;80s<br \/>\nsynthesizers, dense, multi-tracked vocals, and yet more blistering<br \/>\nguitar work all rolled into one fun-filled package. Todd Rundgren<br \/>\nwould be proud.<\/p>\n<p>But as much as the upbeat songs had improved from their<br \/>\ncounterparts on Loggins&#8217; late &#8217;70s records like<br \/>\n<i>Nightwatch<\/i> and<br \/>\n<i>Keep The Fire<\/i>, Loggins had simultaneously lost his ability<br \/>\nto write a good ballad. &#8220;It Must Be Imagination&#8221; is kind of Duran<br \/>\nDuran lite, if such a thing is possible, all effects, but very<br \/>\nrepetitive and little of lasting substance. &#8220;Only A Miracle,&#8221; an<br \/>\node to his newborn son, may have an applaudable subject for a song,<br \/>\nbut it doesn&#8217;t take from its extreme sappiness. And &#8220;The More We<br \/>\nTry,&#8221; on which Loggins apparently had forgotten how to sing above a<br \/>\nwhisper or write more than one verse, is also way, way too drenched<br \/>\nin synthesized strings for its own good. The sweeping, soulful<br \/>\ntextures of the slow songs on his earlier records like &#8220;Set Me<br \/>\nFree,&#8221; &#8220;Who&#8217;s Right, Who&#8217;s Wrong,&#8221; or even the duet with Stevie<br \/>\nNicks &#8220;Whenever I Call You Friend,&#8221; are nowhere to be seen on<br \/>\n<i>High Adventure<\/i>, and they are sorely missed.<\/p>\n<p>All in all, it&#8217;s mostly a wash, and whether<br \/>\n<i>High Adventure<\/i> is a better or worse record than other<br \/>\nLoggins records depends entirely on what mood you&#8217;re in. This is an<br \/>\neasy album to like, full of ear candy, and if you have the vinyl<br \/>\nversion, the slow songs are conveniently at the end of each side<br \/>\nfor easy skipping. And although much of it hasn&#8217;t aged as nicely as<br \/>\none might hope, as a period piece or simply something to play air<br \/>\nguitar or drums to, it&#8217;s hard to beat.<\/p>\n","protected":false},"author":25,"featured_media":25841,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6580],"rating":[5615],"class_list":["post-37047","review","type-review","status-publish","has-post-thumbnail","artist-kenny-loggins","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37047"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37047\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25841"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37047"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37047"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37047"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}