{"id":37051,"date":"2001-02-22T00:00:00","date_gmt":"2001-02-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/santana-iii\/"},"modified":"2001-02-22T00:00:00","modified_gmt":"2001-02-22T00:00:00","slug":"santana-iii","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/santana-iii\/","title":{"rendered":"Santana III"},"content":{"rendered":"<p>I&#8217;ll say it straight out; this is a fantastic album.<\/p>\n<p>I&#8217;m not at all familiar with most of Santana&#8217;s musical output,<br \/>\nbut I do know that he made a name for himself with a smashing<br \/>\nperformance in 1969 when he played at Woodstock, the same year his<br \/>\nfirst album was released. I also know that he has experienced real<br \/>\nhighs and lows throughout his long career, capped by a massive<br \/>\ncomeback in 1999 with his<br \/>\n<i>Supernatural<\/i> album, which I believe has actually become one<br \/>\nof the top 20 or 30 best selling albums of all time, and certainly<br \/>\nhis biggest triumph in the commercial sense.<\/p>\n<p>While<br \/>\n<i>Supernatural<\/i> certainly wasn&#8217;t bad, I personally don&#8217;t think<br \/>\nit comes close to the brilliant musicianship contained on this<br \/>\nself-titled effort, which was his third album and released in<br \/>\n1971.<\/p>\n<p>These early Santana albums were probably the first successful<br \/>\nmainstream fusion of Latin music and rhythms with hard rock; not a<br \/>\ngreat surprise considering Santana&#8217;s Mexican roots and American<br \/>\nupbringing. This album is a fascinating listen from start to<br \/>\nfinish&#8230;the blend of different styles experimented with just work<br \/>\ntogether magically.<\/p>\n<p>Just listen to the opening track, &#8220;Batuka,&#8221; one of the finest<br \/>\nrock instrumentals I&#8217;ve ever heard. Normally one would assume that<br \/>\nLatin influenced music is cheesy poppy stuff that people in Brazil<br \/>\nlike to grind to. Or people in North America stupidly consider the<br \/>\nlikes of Ricky Martin to be a &#8220;groundbreaking&#8221; crossover fusion of<br \/>\nlatin music with rock, which of course is complete poppycock.<\/p>\n<p>Yes, &#8220;Batuka&#8221; is a clear message that Latin music can actually<br \/>\nhave balls&#8230; just listen to the complex percussion accompanied<br \/>\nwith funky bass rhythms and a plethora of heavy guitar riffs<br \/>\ncourtesy of good &#8216;ol Carlos himself. He also liberally throws<br \/>\nhyperactive melodic solos around that are short and sweet enough to<br \/>\nremain an impressive showcase of his technical ability without<br \/>\nbecoming irritating endless wankfests as many other guitarists<br \/>\ntended to indulge in at the time. He certainly has a knack for<br \/>\nmelodic playing with great feel. Also, check out the addition of<br \/>\nthe crazy organ towards the end of the song, which reminds one of<br \/>\nthe best of Deep Purple!<\/p>\n<p>The rest of the album pretty much retains this high level of<br \/>\nsongwriting and musicianship, perfecting the blend of Latin rhythms<br \/>\nwith blues, soul, lounge, and of course the hard rock which cements<br \/>\nit all together. Some songs lean more heavily towards pure Latin<br \/>\nmusic even sung in Spanish, and then there&#8217;s others like<br \/>\n&#8220;Everybody&#8217;s Everything&#8221; which sound more like a &#8217;60s James Brown<br \/>\nsoul pop number. All the tracks are very melodic and interesting<br \/>\nwithout ever sounding too commercial&#8230; they perfectly reflect the<br \/>\nalbum cover in that listening to the album is like embarking on a<br \/>\njourney into a mystical land.<\/p>\n","protected":false},"author":29,"featured_media":25845,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5724],"rating":[5617],"class_list":["post-37051","review","type-review","status-publish","has-post-thumbnail","artist-santana","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37051"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37051\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25845"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37051"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37051"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37051"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}