{"id":37053,"date":"2001-02-26T00:00:00","date_gmt":"2001-02-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-houston-kid\/"},"modified":"2001-02-26T00:00:00","modified_gmt":"2001-02-26T00:00:00","slug":"the-houston-kid","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-houston-kid\/","title":{"rendered":"The Houston Kid"},"content":{"rendered":"<p>I remember working at a country music radio station in the late<br \/>\neighties and not being terribly impressed with Rodney Crowell.<br \/>\nAbout the only thing that stuck in my head is that he was married<br \/>\nfor a while to Roseanne Cash; his music was, to me, eminently<br \/>\nforgettable. As I get older, I&#8217;ve become more interested in country<br \/>\nand western and other forms of American roots music, but I admit<br \/>\nthat had you told me two weeks ago I&#8217;d be saying kind things about<br \/>\na Rodney Crowell CD, I&#8217;d be surprised.<\/p>\n<p>Guess what, kids? This review is going to be chock-full of kind<br \/>\nthings.<\/p>\n<p>\n<i>The Houston Kid<\/i> is one of the more enjoyable musical stories<br \/>\nI&#8217;ve ever had told to me. Crowell turns an unflinching eye on<br \/>\ngrowing up poor in Houston, telling his own stories as well as the<br \/>\nstories of others he knew. He&#8217;s not asking for sympathy, and he&#8217;s<br \/>\nnot excusing his behavior; he&#8217;s merely documenting life in dark and<br \/>\nlight shades. Comparisons can be made to Bruce Springsteen, or Tom<br \/>\nPetty, or even Harry Chapin, but this is Crowell&#8217;s story, told in<br \/>\nCrowell&#8217;s voice, and needs to be treated as such.<\/p>\n<p>The thing that impacted the most on first listen was the brutal<br \/>\nhonesty of the music. The sharp edge of alcoholism, poverty, abuse,<br \/>\nand prejudice is only rarely sheathed; songs like &#8220;The Rock Of My<br \/>\nSoul&#8221; and &#8220;Topsy Turvy&#8221; are almost tangibly painful, Crowell&#8217;s<br \/>\nsmooth voice and easy musicianship at odds with the glass-studded<br \/>\nwires of the lyrics. &#8220;Why Don&#8217;t We Talk About It&#8221; is a<br \/>\ntongue-in-cheek documentation of Crowell looking in the mirror at<br \/>\nbeing who he is. The brutal counterpoint of &#8220;I Wish It Would Rain&#8221;<br \/>\nand &#8220;Wandering Boy&#8221;, the stories of two twin brothers who walked<br \/>\nvery different paths, is the musical equivalent of a freight train.<br \/>\nThis is not music for the faint of heart; Crowell&#8217;s world and past<br \/>\nhave been downright ugly in places, and he isn&#8217;t interested in<br \/>\npulling his punches.<\/p>\n<p>It&#8217;s not all darkness, though. &#8220;I Walk The Line Revisited&#8221; is a<br \/>\nsweet, well-written tribute to the first time Crowell heard Johnny<br \/>\nCash, and it&#8217;s a clever, heartfelt snapshot of a single moment in<br \/>\ntime. &#8220;U Don&#8217;t Know How Much I Hate U&#8221; is one of the funniest<br \/>\nback-handed love songs I&#8217;ve ever heard, and &#8220;Banks Of The Old<br \/>\nBandera&#8221; is a wistful bit of nostalgia. The CD closes with the<br \/>\nrough-hewn benediction of &#8220;I Know Love Is All I Need&#8221;, and you know<br \/>\nthat no matter how battered the singer or how rough the road, for a<br \/>\nmoment there&#8217;s peace. And in a way, that&#8217;s all you can ask for.<\/p>\n<p>\n<i>The Houston Kid<\/i> is a CD of stories, in a way that very<br \/>\nlittle music manages today. It hearkens back to the best of the<br \/>\nmodern bards. There is no question that it&#8217;s worth adding to your<br \/>\ncollection.<\/p>\n","protected":false},"author":18,"featured_media":25847,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6409],"rating":[5646],"class_list":["post-37053","review","type-review","status-publish","has-post-thumbnail","artist-rodney-crowell","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37053"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37053\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25847"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37053"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37053"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37053"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}