{"id":37091,"date":"2001-07-06T00:00:00","date_gmt":"2001-07-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bbc-live-in-concert\/"},"modified":"2001-07-06T00:00:00","modified_gmt":"2001-07-06T00:00:00","slug":"bbc-live-in-concert","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bbc-live-in-concert\/","title":{"rendered":"BBC Live In Concert"},"content":{"rendered":"<p>Chances are, you know the British rock group Procol Harum from<br \/>\none of only two songs &#8211; &#8220;A Whiter Shade Of Pale&#8221; or the live,<br \/>\norchestral version of &#8220;Conquistador&#8221;. Although the band, led by<br \/>\npianist\/vocalist Gary Brooker, enjoyed some level of success on<br \/>\nboth sides of the pond in the late &#8217;60s\/early &#8217;70s, their legacy<br \/>\nhas not necessarily stood the test of time since then.<\/p>\n<p>So one might rightfully wonder whether we should get excited<br \/>\nabout the release of<br \/>\n<i>BBC Live In Concert<\/i>, the first non-orchestral live release<br \/>\nfrom the band. Interestingly enough, the answer to this disc is<br \/>\n&#8220;yes&#8221;&#8230; even though it takes a little too long for things to<br \/>\nreally get rolling for the group.<\/p>\n<p>Recorded in 1974, Procol Harum was at the twilight of their<br \/>\nfirst stint together. Two integral members from the original<br \/>\nlineup, guitarist Robin Trower and keyboardist Matthew Fisher, had<br \/>\nleft the stable for some time. Procol Harum was about two years<br \/>\nremoved from their final big hit, the version of &#8220;Conquistador&#8221;<br \/>\nrecorded with the Edmonton Symphony Orchestra. And the audience,<br \/>\nwhile respectful, often sounds like they&#8217;re providing courtesy<br \/>\napplause for some of the tracks.<\/p>\n<p>Early on, one can&#8217;t blame them. The version of &#8220;Conquistador&#8221;<br \/>\nwhich opens the disc doesn&#8217;t have the greatest sound (Brooker takes<br \/>\nsome time before the levels for his vocals are set right), and the<br \/>\nsong feels like the life has been sucked out of it. In a similar<br \/>\nvein, &#8220;Whaling Stories&#8221; just drags on for far too long, almost<br \/>\nboring the listener to tears.<\/p>\n<p>Then, out of the blue, the magic kicks in, and the listener is<br \/>\nintroduced to several strong selections they might not be as<br \/>\nfamiliar with&#8230; though they&#8217;ll undoubtedly wonder why this is so.<br \/>\nTracks like &#8220;New Lamps For Old&#8221; and &#8220;As Strong As Samson&#8221; show<br \/>\ntheir power though their gentle, beautiful melodies that are driven<br \/>\nhome by Brooker&#8217;s vocals. Likewise, tracks such as &#8220;Beyond The<br \/>\nPale&#8221; and &#8220;The Idol&#8221; all quickly win over the listener. The disc&#8217;s<br \/>\nclosers, &#8220;Butterfly Boys&#8221; (once seen as a slap in the face against<br \/>\nChrysalis, the band&#8217;s label at the time) and &#8220;Nothing But The<br \/>\nTruth,&#8221; both do a great job in hammering Procol Harum&#8217;s influence<br \/>\nhome.<\/p>\n<p>Only one track, &#8220;Grand Hotel,&#8221; comes close to taking the wind<br \/>\nout of the band&#8217;s sails; though it has its moments, this track just<br \/>\ndoesn&#8217;t seem to fit in with the atmosphere that Brooker and company<br \/>\nwere creating during this concert.<\/p>\n<p>Chances are that<br \/>\n<i>BBC Live In Concert<\/i> will really appeal mostly to the diehard<br \/>\nProcol Harum fans out there&#8230; but if you&#8217;re someone who wants to<br \/>\nlearn more about the band than just the two songs played to death<br \/>\non classic rock radio, this might just be the best place to turn to<br \/>\nlearn about a band who have been neglected in music&#8217;s history.<\/p>\n","protected":false},"author":2,"featured_media":25885,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6603],"rating":[5615],"class_list":["post-37091","review","type-review","status-publish","has-post-thumbnail","artist-procol-harum","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37091"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37091\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25885"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37091"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37091"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37091"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}