{"id":37092,"date":"2001-07-07T00:00:00","date_gmt":"2001-07-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/junkyard\/"},"modified":"2001-07-07T00:00:00","modified_gmt":"2001-07-07T00:00:00","slug":"junkyard","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/junkyard\/","title":{"rendered":"Junkyard"},"content":{"rendered":"<p>Junkyard hoped to catch on through their sleaze-rock image in<br \/>\n1989 and they never did. They put out a CD after their debut and .<br \/>\n. . no one bought it.<\/p>\n<p>Their self-titled debut brings Faster Pussycat and AC\/DC to<br \/>\nmind: play a riff over and over and it becomes memorable. Why else<br \/>\ncan I remember the riff of &#8220;Don&#8217;t Change That Song&#8221; at a moment&#8217;s<br \/>\nnotice? You hate bands like this: they are not especially talented,<br \/>\nmeaning zines like Guitar World transcribe their songs so that<br \/>\nwould-be guitarists can learn the song and say, &#8220;I can play an<br \/>\nAC\/DC song.&#8221; And like the most exciting guitar duo (NOT!) in AC\/DC,<br \/>\nJunkyard is good transcription fodder. Transcribe the main riff,<br \/>\nadd a couple of variations, and you can transcribe the entire<br \/>\nCD.<\/p>\n<p>If I knew how to transcribe guitar.<\/p>\n<p>&#8220;Blooze&#8221; opens the CD with an up-tempo jaunt into boring. &#8220;Hot<br \/>\nRod&#8221; continues with stupid lyrics such as &#8220;Well, c&#8217;mon baby, take a<br \/>\nchance with me\/ Jump into my ride and see\/ Got a motor revvin&#8217;<br \/>\nunder my hood\/ Bigger than you&#8217;d ever believe.&#8221; Gee, those aren&#8217;t<br \/>\nsuggestive lyrics. Someone get the PMRC going again.<\/p>\n<p>The writing credit for &#8220;Simple Man&#8221; is given to Gates\/Roach, but<br \/>\nthey should have been honest and said, &#8220;Lynyrd Skynyrd.&#8221; Sounds<br \/>\nlike a cheap rip-off and it sucks. &#8220;Shot in the Dark&#8221; sounds like<br \/>\nFaster Pussycat.<\/p>\n<p>The CD&#8217;s lone redeeming quality is the single &#8220;Hollywood&#8221; which<br \/>\nis actually not bad. If I ever trade my Ludwig Vistalite drum set<br \/>\n(stacked in my basement) in for a guitar, I wouldn&#8217;t mind learning<br \/>\nthis riff after 1) &#8220;Jungle Love&#8221; by the Steve Miller Band, 2)<br \/>\n&#8220;China Groove&#8221; by the Doobie Brothers and 3) &#8220;Enter Sandman&#8221; by<br \/>\nMetallica. I might have to learn &#8220;Sunshine Of Your Love&#8221; just<br \/>\nbecause I&#8217;ve been listening to the Earth Crisis cover of it on<br \/>\n<i>The Oath That Keeps Me Free<\/i>. Before I think of other riffs I<br \/>\nwould want to learn, I&#8217;ll stop and say that &#8220;Hollywood&#8221; is the best<br \/>\nriff on this CD.<\/p>\n<p>The worst part of this CD is that the band has no real showcase<br \/>\nplayers. Vocalist David Roach isn&#8217;t especially talented, and the<br \/>\nguitar duo of Chris Gates and Brian Baker are boring and<br \/>\npredictable. Drummer Patrick Michael Muzingo reminds me of Phil<br \/>\nRudd. While he plays decently, I rarely hear aspiring drummers say,<br \/>\n&#8220;I want to play like Phil Rudd.&#8221; I wanted to sound like Neil Peart,<br \/>\nLars Ulrich, and Alex Van Halen.<\/p>\n<p>I definitely agree with part of a review I read for<br \/>\n<i>Junkyard<\/i> which says, in part: &#8220;. . . Junkyard&#8217;s 1989 debut<br \/>\nis a . . . disjointed[,] affair.&#8221; And if you think I was rough on<br \/>\n<i>this<\/i> piece of junk, wait until I get to the Dangerous Toys<br \/>\nrelase<br \/>\n<i>Hellacious Acres<\/i>. Just a hint: helacious is a good<br \/>\ndescription of the listener&#8217;s experience.<\/p>\n","protected":false},"author":10,"featured_media":25886,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6604],"rating":[11203],"class_list":["post-37092","review","type-review","status-publish","has-post-thumbnail","artist-junkyard","rating-rating-d-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37092"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37092\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25886"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37092"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37092"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37092"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}