{"id":37096,"date":"2001-07-10T00:00:00","date_gmt":"2001-07-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hypothetical\/"},"modified":"2001-07-10T00:00:00","modified_gmt":"2001-07-10T00:00:00","slug":"hypothetical","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hypothetical\/","title":{"rendered":"Hypothetical"},"content":{"rendered":"<p>Progressive rock is starting to get really interesting to me<br \/>\nagain.<\/p>\n<p>Oh, sure, despite what hundreds of Yes fans might believe, I<br \/>\nnever fell out of love with the genre over the years. I just became<br \/>\nbored with the direction it seemed to be heading &#8211; namely, a fusion<br \/>\nof prog-rock&#8217;s technical precision and the crunching sound of<br \/>\nmetal. But a few discs I&#8217;ve heard of late have really started to<br \/>\nrestore my faith in the genre, even if it&#8217;s still pretty much<br \/>\nentrenched in the metal style.<\/p>\n<p>The latest such disc is<br \/>\n<i>Hypothetical<\/i> from London-based Threshold. Combining a knack<br \/>\nfor solid songwriting with exquisite musical precision and<br \/>\nwell-placed vocal harmonies, vocalist Andrew &#8220;Mac&#8221; McDermott and<br \/>\ncrew create a disc that, despite an energy sag in the middle, acts<br \/>\nas an alarm clock for all of us, waking us up to the fact that<br \/>\nprog-rock is alive and well.<\/p>\n<p>\n<i>Hypothetical<\/i> kicks off as strongly as one could ever hope<br \/>\nfor with two killer tracks. &#8220;Light And Space&#8221; is just complicated<br \/>\nenough to lure the traditional prog-rock fan while maintaining a<br \/>\nhook level that could easily get this track airplay. The two-guitar<br \/>\nattack of Nick Midson and Karl Groom help to propel this track into<br \/>\nthe stratosphere.<\/p>\n<p>Although one could easily draw a parallel to genremates Dream<br \/>\nTheater on many occasions, who would have expected comparisons to<br \/>\nthe Scorpions on &#8220;Turn On Tune In&#8221;? Indeed, the vocal lines are so<br \/>\npowerful that they make me think this is what the German metal band<br \/>\ncould have sounded like if they went progressive. The solid rhythm<br \/>\nsection of keyboardist Richard West, bassist Jon Jeary and drummer<br \/>\nJohanne James are key to this track working as well as it does.<\/p>\n<p>Although<br \/>\n<i>Hypothetical<\/i> is filled with longer songs whose time seems to<br \/>\nfly by, the album unexpectedly suffers an energy lag around the<br \/>\none-third mark. &#8220;The Ravages Of Time&#8221; is a pretty enough track, but<br \/>\nit lacks the delicate balance of vocals and instrumental work that<br \/>\nmakes the other tracks soar. (No, I&#8217;m not complaining about the<br \/>\ntrack&#8217;s length. &#8220;Narcissus,&#8221; which closes the album, is just under<br \/>\na minute longer, and is more cohesive.) Likewise, &#8220;Oceanbound&#8221; and<br \/>\n&#8220;Long Way Home&#8221; don&#8217;t live up to the same expectations.<\/p>\n<p>Interestingly enough, the one nod towards commercial airplay,<br \/>\n&#8220;Keep My Head,&#8221; isn&#8217;t a bad effort, though it, too, screams for the<br \/>\nrich instrumentation that quickly becomes a hallmark of Threshold&#8217;s<br \/>\nsound. &#8220;Sheltering Sky&#8221; and &#8220;Narcissus&#8221; both fill that void, and do<br \/>\nit well.<\/p>\n<p>It&#8217;s interesting that Threshold is able to hook the listeners in<br \/>\nwith the first two tracks, but often can&#8217;t live up to that level of<br \/>\nmagic on<br \/>\n<i>Hypothetical<\/i>. Still, this is hardly a bad album, and ranks<br \/>\nup there with some of the best prog-rock I&#8217;ve ever heard. This is<br \/>\ndefinitely a worthwhile album to check out &#8211; and that&#8217;s factually<br \/>\nspeaking.<\/p>\n","protected":false},"author":2,"featured_media":25890,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6606],"rating":[5617],"class_list":["post-37096","review","type-review","status-publish","has-post-thumbnail","artist-threshold","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37096"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37096\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25890"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37096"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37096"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}