{"id":37105,"date":"2001-07-20T00:00:00","date_gmt":"2001-07-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-very-best-of-jethro-tull\/"},"modified":"2001-07-20T00:00:00","modified_gmt":"2001-07-20T00:00:00","slug":"the-very-best-of-jethro-tull","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-very-best-of-jethro-tull\/","title":{"rendered":"The Very Best Of Jethro Tull"},"content":{"rendered":"<p>Ho hum. Another greatest hits album. Why bother? Ian Anderson<br \/>\nhimself talks in the liner notes about how he always thought that<br \/>\ngreatest hits compilations were rather like cheating. So why<br \/>\nrelease one at all? Well, ask Anderson himself in his own words,<br \/>\n&#8220;to get a flavour of a band with whom I was only partially<br \/>\nfamiliar&#8221;. Fair enough.<\/p>\n<p>I was only partially familiar with Jethro Tull myself I&#8217;ve more<br \/>\nthan a passing acquaintance with<br \/>\n<i>Aqualung<\/i> and<br \/>\n<i>Songs From The Wood<\/i>, but couldn&#8217;t name a track off<br \/>\n<i>War Child<\/i> or<br \/>\n<i>Rock Island<\/i> if you paid me. If the purpose of a greatest<br \/>\nhits CD is to give you a taste of things, then<br \/>\n<i>The Very Best Of Jethro Tull<\/i> works. It&#8217;s like the sampler<br \/>\nplate at a Greek restaurant varied, interesting, and leaving you a<br \/>\nbit hungry for more, or at least for a few pieces of pita<br \/>\nbread.<\/p>\n<p>The tracks on<br \/>\n<i>The Very Best Of<\/i> are varied in tone and tempo, much like all<br \/>\nof Jethro Tull&#8217;s work. More importantly, however, they&#8217;ve been<br \/>\nremastered, and not since Alan Parsons&#8217;<br \/>\n<i>Definitive Collection<\/i> can I remember a compilation that<br \/>\nimproved so much on the originals. Tracks like &#8220;Aqualung&#8221;, &#8220;Living<br \/>\nIn The Past&#8221; and &#8220;Locomotive Breath&#8221; snap and chime with new life,<br \/>\nand even the overly-produced &#8220;Steel Monkey&#8221; has a new life and<br \/>\ninsistent energy to it. &#8220;Songs From The Wood&#8221;, &#8220;The Whistler&#8221; and<br \/>\n&#8220;Bouree&#8221; are more delicate, clear, and harmonic.<\/p>\n<p>The big winner, though, is &#8220;Broadsword&#8221;. I know I&#8217;ve heard this<br \/>\ntrack before, and I remember it as being boring and bombastic, a<br \/>\nbad example of adolescent Dungeons-and-Dragons-rock. On<br \/>\n<i>The Very Best Of<\/i>, it practically reaches out, grabs you, and<br \/>\nforces you to listen to what has turned into an eerily fascinating<br \/>\nsong with insistent, building energy.<\/p>\n<p>Unfortunately, not even remastering could save &#8220;A New Day<br \/>\nYesterday&#8221; (which I had not heard before, and I question why<br \/>\nexactly it was included. It doesn&#8217;t sound like Tull, and it&#8217;s not<br \/>\nvery good). Anderson made what he called necessary edits on<br \/>\n&#8220;Minstrel In The Gallery&#8221;, &#8220;Too Old To Rock And Roll; Too Young To<br \/>\nDie&#8221;, and &#8220;Heavy Horses&#8221;. I&#8217;m not that familiar with the original<br \/>\ntracks, but the edits seem cohesive and complete on their own.<\/p>\n<p>Overall,<br \/>\n<i>The Very Best Of Jethro Tull<\/i> does what it&#8217;s supposed to do;<br \/>\nsummarize one of the most varied and idiosyncratic bands of the<br \/>\nlast 30 years in one CD of tracks designed to make you look deeper.<br \/>\nI found myself thinking that perhaps I need to own some more Jethro<br \/>\nTull therefore, it&#8217;s a success, and recommended.<\/p>\n","protected":false},"author":18,"featured_media":25899,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5643],"rating":[5613],"class_list":["post-37105","review","type-review","status-publish","has-post-thumbnail","artist-jethro-tull","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37105"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37105\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25899"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37105"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37105"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37105"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}