{"id":37106,"date":"2001-07-22T00:00:00","date_gmt":"2001-07-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-voyage-into-trance-mixed-by-paul-oakenfold\/"},"modified":"2001-07-22T00:00:00","modified_gmt":"2001-07-22T00:00:00","slug":"a-voyage-into-trance-mixed-by-paul-oakenfold","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-voyage-into-trance-mixed-by-paul-oakenfold\/","title":{"rendered":"A Voyage Into Trance: Mixed By Paul Oakenfold"},"content":{"rendered":"<p>I never was one who got into the club scene. My wardrobe was<br \/>\nsuch that I would never make the cover of<br \/>\n<i>GQ<\/i> &#8211; it&#8217;s not often a cover model is overweight and<br \/>\nunshaven, wearing an Anthrax &#8220;Not Man&#8221; t-shirt and ripped, faded<br \/>\njeans, as I did in college. I don&#8217;t dance; as my wife would attest<br \/>\nto at our wedding reception, I have what&#8217;s called &#8220;terminal white<br \/>\nman&#8217;s disease&#8221;. And with the stories of ecstacy being passed around<br \/>\nraves like a bottle of Boone&#8217;s Farm on Skid Row, I would definitely<br \/>\nnot fit in, since the only drug I abuse is caffiene.<\/p>\n<p>So why do I like<br \/>\n<i>A Voyage Into Trance<\/i>, a disc self-proclaimed as &#8220;a non-stop<br \/>\nDJ mix&#8221; handled by turntable sensei Paul Oakenfold? Maybe because<br \/>\nthe music is indeed hypnotic, which is what the ultimate goal of<br \/>\nthis genre is to become. Maybe it makes me think of what a work<br \/>\nlike<br \/>\n<i>Tubular Bells<\/i> would have sounded like had it been written in<br \/>\n2001. Maybe it is because Oakenfold does know just how to create a<br \/>\ngroove using the records in his crates to keep the energy going.<br \/>\nWhatever the case, this is a surprisingly good disc.<\/p>\n<p>To credit this disc strictly to Oakenfold is incorrect; all he<br \/>\ndoes is take the work of 11 &#8220;trance&#8221; artists and spins them into an<br \/>\nalmost symmetrical pattern (with the occasional brief outro here<br \/>\nand there). Besides, to proclaim Oakenfold the hero here would do<br \/>\nan injustice to the artists whose music is featured.<\/p>\n<p>But what&#8217;s interesting is that who originally performed the<br \/>\nmusic becomes second nature &#8211; and that&#8217;s not intentional on<br \/>\nOakenfold&#8217;s part. If anything, the work of such artists as Genetic<br \/>\n(&#8220;Trancemission&#8221;), Total Eclipse (&#8220;Aliens&#8221;), The Infinity Project<br \/>\n(&#8220;Feeling Weird&#8221;) and Man With No Name (&#8220;Sly-ed,&#8221; &#8220;Teleport&#8221;) flows<br \/>\nso well together that the groove becomes all-important. No<br \/>\ndisrespect is meant towards any artist featured.<\/p>\n<p>\n<i>A Voyage Into Trance<\/i> is a unique disc in that you don&#8217;t have<br \/>\nto be into dance or trance music to appreciate what&#8217;s going on<br \/>\nwithin the boundaries of this disc. Yes, the structures of the<br \/>\nsongs and the instrumentation is minimal, but there is something<br \/>\nabout the music that lures you in and wins your mind over. It&#8217;s<br \/>\nquite refreshing, really.<\/p>\n<p>I can&#8217;t say that<br \/>\n<i>A Voyage Into Trance<\/i> will make me go clubbing &#8211; hell, I<br \/>\n<i>still<\/i> wouldn&#8217;t make it up to the velvet ropes, much less<br \/>\npast them. But Oakenfold&#8217;s work on the turntables will make any<br \/>\nlistener &#8211; long-time followers of trance or first-time visitors &#8211;<br \/>\nsmile, and it makes this disc that much more special.<\/p>\n","protected":false},"author":2,"featured_media":25900,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5827],"rating":[5617],"class_list":["post-37106","review","type-review","status-publish","has-post-thumbnail","artist-various-artists","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37106"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37106\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25900"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37106"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37106"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37106"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}