{"id":37107,"date":"2001-07-23T00:00:00","date_gmt":"2001-07-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/leonardo-the-absolute-man\/"},"modified":"2001-07-23T00:00:00","modified_gmt":"2001-07-23T00:00:00","slug":"leonardo-the-absolute-man","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/leonardo-the-absolute-man\/","title":{"rendered":"Leonardo &#8211; The Absolute Man"},"content":{"rendered":"<p>Ever heard something so incredibly wonderful it put you in a<br \/>\nstate of shock?<\/p>\n<p>You&#8217;ve got to hand it to Trent Gardner of Magellan; this guy has<br \/>\ncojones the size of grapefruit. As a side project, he&#8217;s put<br \/>\ntogether a cast of prog-rock luminaries to do a rock opera on the<br \/>\nlife of one of the most gifted men in history, Leonardo da Vinci.<br \/>\nThe cast list includes James LaBrie of Dream Theater, Chris Shryack<br \/>\nof Under The Sun, Steve Walsh of Kansas, Mike Baker of Shadow<br \/>\nGallery, and most of Dali&#8217;s Dilemma as the backup band. This is not<br \/>\njust something you throw together on a weekend. It&#8217;s ambitious,<br \/>\nit&#8217;s complex, it&#8217;s daring&#8230;<\/p>\n<p>&#8230;and to quote Keith Jackson, oh mah LORDY it&#8217;s good.<\/p>\n<p>\n<i>Leonardo: The Absolute Man<\/i> is the best rock opera I&#8217;ve heard<br \/>\nsince the first time I heard<br \/>\n<i>Chess<\/i>, which was longer ago than I care to remember. The<br \/>\nmusicianship is superb, the music moving back and forth from<br \/>\nstraight-ahead progressive metal to operatic fillips and flourishes<br \/>\n(yes, that is a trombone on &#8220;This Time, This Way&#8221;).<\/p>\n<p>Specific kudos have to go to the drumwork of Jeremy Colson, who<br \/>\ndid what some would call impossible: he learned an entire CD of<br \/>\ndrum machine parts, then turned them into &#8220;live&#8221; drum parts, adding<br \/>\nhis own flourishes. It certainly resulted in some killer drum work,<br \/>\nespecially in the vicious, thrashing thrumming percussion on<br \/>\n&#8220;Inventions&#8221;. Wayne Gardner&#8217;s guitar is wonderful. Trent Gardner&#8217;s<br \/>\nkeyboards are outstanding. The production, contributed by longtime<br \/>\nRush producer Terry Brown, is flawless, the sound crisp and<br \/>\nunmuddied.<\/p>\n<p>As for performances, James LaBrie owns the part of Leonardo from<br \/>\nthe first line he sings. He&#8217;s alternately passionate, fierce, and<br \/>\nwondering, one of the best vocal performances I&#8217;ve heard. Chris<br \/>\nShryack and Steve Walsh, whose characters are strongly interlinked,<br \/>\nsing strong parts, including a powerful duet on &#8220;Inventions&#8221;. Lisa<br \/>\nBouchelle&#8217;s performance as Mona Lisa is perfect. All the other<br \/>\nperformers are excellent as well.<\/p>\n<p>There isn&#8217;t a bad vocal line on the CD, and the songs meet the<br \/>\nchallenge. &#8220;First Commission&#8221; is heartbreakingly beautiful,<br \/>\n&#8220;Inventions&#8221; is fierce and cynical, &#8220;Shaping The Invisible&#8221; is a<br \/>\nbrilliant solo, &#8220;Reins of Tuscan&#8221; is brutally honest&#8230;<\/p>\n<p>I begin to run out of adjectives here, and for good reason.<br \/>\n<i>Leonardo<\/i> is the best rock album I&#8217;ve heard this year. Waste<br \/>\nno time. Get a copy for yourself.<br \/>\n<i>The Absolute Man<\/i> is absolutely incredible.<\/p>\n","protected":false},"author":18,"featured_media":26827,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5791],"rating":[5646],"class_list":["post-37107","review","type-review","status-publish","has-post-thumbnail","artist-original-cast-recording","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37107"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37107\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26827"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37107"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37107"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37107"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}