{"id":37128,"date":"2001-08-10T00:00:00","date_gmt":"2001-08-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cat-scratch-fever\/"},"modified":"2001-08-10T00:00:00","modified_gmt":"2001-08-10T00:00:00","slug":"cat-scratch-fever","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cat-scratch-fever\/","title":{"rendered":"Cat Scratch Fever"},"content":{"rendered":"<p>You all probably know the old saying, &#8220;The third time&#8217;s the<br \/>\ncharm.&#8221; In the case of rocker Ted Nugent, that&#8217;s kind of a<br \/>\nmisnomer. After all, his self-titled debut and<br \/>\n<i>Free-For-All<\/i> were hardly failures, both creatively and<br \/>\ncommercially. If anything,<br \/>\n<i>Cat Scratch Fever<\/i> continued in the vein of success for<br \/>\nNugent, capping what quite possibly was the best period of his<br \/>\ncareer.<\/p>\n<p>What&#8217;s interesting about this particular disc is that it&#8217;s only<br \/>\nknown for two songs, the title track and &#8220;Wang Dang Sweet<br \/>\nPoontang,&#8221; a song which sometimes I&#8217;m still surprised gets<br \/>\n<i>any<\/i> airplay for the use of that one word. (No, I&#8217;m not<br \/>\noffended by it, but there are people who could find something<br \/>\nsexually suggestive in a dial tone who probably could organize a<br \/>\nbunch of like-minded closed-minded people to boycott a station who<br \/>\nplayed it.) Granted, there&#8217;s some filler on this album &#8211; but the<br \/>\nsame could be said for Nugent&#8217;s two previous releases. But there&#8217;s<br \/>\nsome strong material on<br \/>\n<i>Cat Scratch Fever<\/i> that&#8217;s just as worthy of your attention as<br \/>\nthe two hits.<\/p>\n<p>Take &#8220;Death By Misadventure,&#8221; a track featuring the lead vocals<br \/>\nof Derek St. Holmes. (By this time, Nugent was the unquestioned<br \/>\nleader of the band, in both guitar work and vocals.) If this track<br \/>\nproved anything, it&#8217;s that sometimes a different singer was perfect<br \/>\nfor the material, giving the Nuge the opportunity to grab his<br \/>\nGibson Byrdland and shred the absolute daylights out of it. While I<br \/>\nadmit I&#8217;m still in the process of re-educating myself in all things<br \/>\nNugent, this could possibly be his most underrated song and<br \/>\nperformance.<\/p>\n<p>Likewise, tracks such as &#8220;A Thousand Knives&#8221; and &#8220;Home Bound&#8221;<br \/>\n(the latter an instrumental) show off the songwriting skills of<br \/>\nNugent strongly. You can think what you want of the man, his<br \/>\npolitics and his sexual bravado, but it&#8217;s songs like these that<br \/>\nprove Nugent to be a songsmith.<\/p>\n<p>With claims like that, it&#8217;s a shame that<br \/>\n<i>Cat Scratch Fever<\/i> has any filler&#8230; but it indeed does.<br \/>\nTracks like &#8220;Live It Up,&#8221; &#8220;Fist Fightin&#8217; Son Of A Gun&#8221; and &#8220;Workin&#8217;<br \/>\nHard, Playin&#8217; Hard&#8221; are okay, but hardly measure up to the<br \/>\ngreatness encased on this disc. &#8220;Sweet Sally&#8221; is cut from the exact<br \/>\nsame musical pattern as &#8220;Wang Dang Sweet Poontang&#8221; &#8211; if you&#8217;re<br \/>\ngonna copy your own licks, fine, just don&#8217;t do it on the same<br \/>\nalbum.<\/p>\n<p>Still, on<br \/>\n<i>Cat Scratch Fever<\/i>, the positives outweigh the negatives, and<br \/>\nstands as one of Nugent&#8217;s best albums in his career. If you can<br \/>\nonly own one of Nugent&#8217;s platters, at this stage in my exploration<br \/>\nof his work, I&#8217;d gladly take this one in a heartbeat.<\/p>\n","protected":false},"author":2,"featured_media":25922,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5798],"rating":[5617],"class_list":["post-37128","review","type-review","status-publish","has-post-thumbnail","artist-ted-nugent","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37128"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37128\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25922"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37128"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37128"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37128"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}