{"id":37162,"date":"2001-09-09T00:00:00","date_gmt":"2001-09-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/talking-book\/"},"modified":"2001-09-09T00:00:00","modified_gmt":"2001-09-09T00:00:00","slug":"talking-book","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/talking-book\/","title":{"rendered":"Talking Book"},"content":{"rendered":"<p>Everybody who has never heard &#8220;You Are the Sunshine of My Life&#8221;<br \/>\ncan stop reading right now. &#8216;Fraid we cater to a bit more<br \/>\nwell-versed crowd sometimes, and this review of<br \/>\n<i>Talking Book<\/i>, Stevie Wonder&#8217;s 1972 release, isn&#8217;t going to<br \/>\nfocus on either of the two radio songs &#8211; &#8220;Sunshine&#8221; and<br \/>\n&#8220;Superstition.&#8221; Yeah, they&#8217;re good songs &#8211; but the rest of this<br \/>\nalbum is so amazing, it&#8217;s hard to imagine that these were the only<br \/>\nsongs that made it to mainstream radio.<\/p>\n<p>&#8220;Maybe Your Baby&#8221; is a long, sometimes rambling song with<br \/>\namazing funk keyboards and some very interesting things done on<br \/>\nguitar by Ray Parker Jr. The drums are also quite interesting, with<br \/>\nsome unexpected rhythms slammed out on the cymbals. The whole thing<br \/>\nseems to be an instrumental jam with lyrics slapped on top,<br \/>\nrepeated ad infinitum by the background vocalists. The booklet<br \/>\ndoesn&#8217;t list any names &#8211; I don&#8217;t have the remastered version &#8211; so<br \/>\nI&#8217;m curious whether that&#8217;s Wonder or stock crooning.<\/p>\n<p>&#8220;You And I&#8221; is one of the most heartfelt, low-key songs I&#8217;ve<br \/>\nheard in a long time; particularly from 1971 Motown. It&#8217;s not<br \/>\noverdone, it&#8217;s not even approaching funk, and it&#8217;s honest. I find<br \/>\nit to be very beautiful, with a bit of a theremin style vibe in the<br \/>\nbackground somewhere. &#8220;Tuesday Heartbreak&#8221; isn&#8217;t terrible, but it&#8217;s<br \/>\na bit passable. More up-tempo than &#8220;You And I,&#8221; but not quite a<br \/>\n&#8220;rocker,&#8221; it sits nicely in the middle as a funk-oriented<br \/>\nshuffle.<\/p>\n<p>&#8220;You&#8217;ve Got It Bad Girl&#8221; features Wonder&#8217;s keyboard playing<br \/>\nabilities pretty well, and his voice returns to the emotional, but<br \/>\nit doesn&#8217;t sound as raw and meaningful as some of the other songs<br \/>\non the album.<\/p>\n<p>Ok, at this point, I really should pay attention to<br \/>\n&#8220;Superstition,&#8221; which, despite being overplayed, is amazingly good.<br \/>\nListen to Stevie Funk It Up! With &#8220;Big Brother&#8221; we hear keyboards<br \/>\nthat, the first time I listened, I would have *sworn* were guitar.<br \/>\nThey do some interesting things, sounding very similar to<br \/>\nre-processed acoustic strumming. Wonder returns to soulful singing<br \/>\nagain, from slightly smug on the previous cut. He continues with<br \/>\nthis into &#8220;Blame It On The Sun,&#8221; another great cut.<\/p>\n<p>The last two songs segue directly, and it certainly is a good<br \/>\nexperience to hear them do so. I gushed about &#8220;I Believe (When I<br \/>\nFall In Love It Will Be Forever)&#8221; in another review, for the<br \/>\n<i>High Fidelity<\/i> soundtrack, and here it fits so much better &#8211;<br \/>\n&#8220;Lookin&#8217; For Another Pure Love&#8221; seems fulfilled by the ending<br \/>\ntrack. Both are filled with great performances, and &#8220;Lookin'&#8221; even<br \/>\nhas Jeff Beck on guitar.<\/p>\n<p>This album is definitely greater than the sum of its parts;<br \/>\nwhich, in retrospect, is probably why only two tracks are still<br \/>\nheard frequently on the radio. This is my first Stevie Wonder<br \/>\npurchase, but it certainly won&#8217;t be my last.<\/p>\n","protected":false},"author":28,"featured_media":25956,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6336],"rating":[5617],"class_list":["post-37162","review","type-review","status-publish","has-post-thumbnail","artist-stevie-wonder","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37162"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37162\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25956"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37162"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37162"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37162"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}