{"id":37166,"date":"2001-09-11T00:00:00","date_gmt":"2001-09-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/replugged-live\/"},"modified":"2001-09-11T00:00:00","modified_gmt":"2001-09-11T00:00:00","slug":"replugged-live","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/replugged-live\/","title":{"rendered":"Replugged Live"},"content":{"rendered":"<p>\n<i>Replugged Live<\/i> is the album that documents what most fans of<br \/>\nTesla thought they&#8217;d never get the chance to see. Once word came<br \/>\ndown a few years ago that Tesla had thrown in the towel (for<br \/>\nwhatever reasons were rumored &#8211; and there were a few), it seemed<br \/>\nlike there was too much bad blood between the five guys in the band<br \/>\nto ever get them back together. Ah, but times change, and the<br \/>\npublic&#8217;s cry for Tesla to come back together were finally heeded &#8211;<br \/>\nbut would the magic still be there?<\/p>\n<p>This two-disc set taken from various concerts during Tesla&#8217;s<br \/>\n2001 tour (including a selection of dates from LaCrosse, Wisconsin,<br \/>\none of the few cities singer Jeff Keith salutes from the stage)<br \/>\nshows a band who still have their chops musically, and still know<br \/>\nhow to put on one helluva show. It also occasionally shows the<br \/>\nweakness that could undermine the band, though those moments can<br \/>\ndiffer, depending on which period of Tesla&#8217;s career one thought was<br \/>\nweak.<\/p>\n<p>If you&#8217;re keeping score at home,<br \/>\n<i>Replugged Live<\/i> touches on all of the band&#8217;s releases,<br \/>\nincluding &#8220;What U Give,&#8221; which was only on the best-of<br \/>\n<i>Time&#8217;s Makin&#8217; Changes<\/i>. What&#8217;s interesting is not that the<br \/>\ngroup&#8217;s weakest effort<br \/>\n<i>Bust A Nut<\/i> only has one track culled from it, but that the<br \/>\nsong, &#8220;Mama&#8217;s Fool,&#8221; is one of the surprising points of the whole<br \/>\ndisc in its strength and the band&#8217;s performance. It&#8217;s almost as if<br \/>\nKeith and crew went out of their way to show the audience what they<br \/>\nmissed with this particular album.<\/p>\n<p>\n<i>Replugged Live<\/i> breathes new life into several songs in this<br \/>\nfashion. When<br \/>\n<i>Psychotic Supper<\/i> was released, I really didn&#8217;t appreciate<br \/>\nthe track &#8220;Song &#038; Emotion&#8221; as a real tribute to Steve Clark<br \/>\nfrom Def Leppard &#8211; but after years of wisdom (as well as watching<br \/>\nthe &#8220;Behind The Music&#8221; episode of Def Leppard more times than I&#8217;d<br \/>\nlike to admit), the true beauty of this song comes forth, and &#8220;Song<br \/>\n&#038; Emotion&#8221; is allowed to stand on its own. If only some other<br \/>\ntracks, like &#8220;Edison&#8217;s Medicine&#8221; and &#8220;The Way It Is,&#8221; had been<br \/>\ngranted the same magical touch.<\/p>\n<p>\n<i>Replugged Live<\/i> pulls many tracks off of Tesla&#8217;s two big<br \/>\nalbums,<br \/>\n<i>Mechanical Resonance<\/i> and<br \/>\n<i>The Great Radio Controversy<\/i>, but it&#8217;s what the kids want, so<br \/>\ngive it to &#8217;em. Besides, most of these turn out to be the best<br \/>\nmoments of the whole show, especially the numbers from<br \/>\n<i>Mechanical Resonance<\/i>. (I do wonder, though, why Tesla chose<br \/>\nto resurrect &#8220;We&#8217;re No Good Together&#8221; and why not, say, &#8220;Rock Me To<br \/>\nThe Top&#8221;.) Admittedly, some personal preference will come into play<br \/>\nfor the listener &#8211; I still haven&#8217;t totally warmed up to songs like<br \/>\n&#8220;Heaven&#8217;s Trail (No Way Out)&#8221; or &#8220;Hang Tough&#8221; &#8211; but there&#8217;s going<br \/>\nto be more than enough material on this disc to leave you smiling.<br \/>\n(And, yes, Virginia, drummer Troy Lucketta actually<br \/>\n<i>did<\/i> play a solo during the concert&#8217;s opening number &#8220;Cumin&#8217;<br \/>\nAtcha Live&#8221;. Why, I don&#8217;t know.)<\/p>\n<p>What&#8217;s interesting about this album is that while you&#8217;ll find<br \/>\ntracks you don&#8217;t particularly like, you can&#8217;t imagine<br \/>\n<i>Replugged Live<\/i> being as complete an effort without them. I<br \/>\ndon&#8217;t know how Tesla pulled that off, but a number of bands would<br \/>\nlike to know that secret.<\/p>\n<p>Where<br \/>\n<i>Replugged Live<\/i> hits snags is in two areas. First, some of<br \/>\nthe shows seem to feature the band when Keith&#8217;s voice sounded more<br \/>\nragged than it usually does. On songs like &#8220;EZ Come EZ Go&#8221; and<br \/>\n&#8220;Hang Tough,&#8221; sometimes it seems as if Keith is having difficulty<br \/>\nmaking it to the high notes a la Steven Tyler. Admittedly, I didn&#8217;t<br \/>\nexpect note-for-note precision &#8211; the guys in the band are 15 years<br \/>\nolder than the group which recorded<br \/>\n<i>Mechanical Resonance<\/i> &#8211; but one has to imagine there was at<br \/>\nleast one other show which had Keith sounding in better voice.<\/p>\n<p>The second is, ironically, the hardest to explain. While<br \/>\n<i>Replugged Live<\/i> has the feel of the most complete Tesla show<br \/>\none could imagine, it&#8217;s not the most engaging listen.<br \/>\nProduction-wise, it&#8217;s fine; performance-wise, it&#8217;s fine. But<br \/>\nenergy-wise, it&#8217;s too easy for the listener to push the disc to the<br \/>\nbackground and let their memory go onto auto-pilot. So while this<br \/>\nis a disc that fans have been begging for, it&#8217;s also one which<br \/>\nlisteners might only dig out from time to time.<\/p>\n<p>Don&#8217;t get me wrong;<br \/>\n<i>Replugged Live<\/i> is a welcome disc from a band who never got<br \/>\nthe credit they deserved, and is a nice stepping stone into the<br \/>\ngroup&#8217;s new future. But it&#8217;s also a disc which needed a little more<br \/>\nheart to keep the listener&#8217;s fists pumping in the air.<\/p>\n","protected":false},"author":2,"featured_media":25960,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6142],"rating":[5612],"class_list":["post-37166","review","type-review","status-publish","has-post-thumbnail","artist-tesla","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37166"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37166\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25960"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37166"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37166"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37166"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}