{"id":37206,"date":"2001-10-11T00:00:00","date_gmt":"2001-10-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/groovenics\/"},"modified":"2001-10-11T00:00:00","modified_gmt":"2001-10-11T00:00:00","slug":"groovenics","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/groovenics\/","title":{"rendered":"Groovenics"},"content":{"rendered":"<p>Everybody wants to be Fred Durst &#8211; may God have mercy on us.<\/p>\n<p>The latest band to enter the already-too-crowded fray,<br \/>\nGroovenics, mixes angst and rap with a touch of pop sensibility &#8211;<br \/>\nor at least the band&#8217;s version thereof. Led by vocalist K*rl<br \/>\nMichaels (no, that&#8217;s not a typo, the star replaces an &#8220;a&#8221; in his<br \/>\nname), Groovenics&#8217; self-titled debut is a disarrayed collective of<br \/>\ntracks featuring a band uncertain as to which musical direction<br \/>\nthey wish to go.<\/p>\n<p>The band &#8211; Michaels, guitarists Jim Austin and Matt Swig,<br \/>\nbassist Pete Carmichael, keyboardist Josh Mullenix and drummer Mike<br \/>\nDarookie &#8211; plows through 13 songs trying their best to create some<br \/>\ntype of cross between Limp Bizkit and Nine Inch Nails, never really<br \/>\ncapturing the essence of either band well enough to pull things<br \/>\noff. By rote, the band is competent enough on their respective<br \/>\ninstruments &#8211; all well and good, but the material is pretty much<br \/>\ndevoid of emotional attachment for the listener.<\/p>\n<p>I&#8217;m not certain where the problem lies &#8211; either in songwriting<br \/>\nor execution &#8211; but therein lies the key to unlock the potential for<br \/>\nsuccess for Groovenics. Songs like &#8220;Just Right,&#8221; &#8220;Spooy&#8221; and<br \/>\n&#8220;Superstar&#8221; all potentially could have been something noteworthy,<br \/>\nbut the pursuit of a specific musical style (and not hitting the<br \/>\nmark) sinks these efforts.<\/p>\n<p>The pop influence comes on tracks like &#8220;She&#8217;s A Freak,&#8221; which<br \/>\nalmost tries to send<br \/>\n<i>Groovenics<\/i> into a Tone-Loc meets 2 Live Crew style of<br \/>\nsongwriting (without the sexual bragadoccio). It&#8217;s most definitely<br \/>\nan experiment &#8211; and one that fails to get off the ground creatively<br \/>\nor musically. The attempt to show hipness through sexuality (on<br \/>\n&#8220;Booty Barn&#8221;) is so out of place on this disc that it feels like an<br \/>\nafterthought &#8211; no, check that, it smacks of zero thought.<\/p>\n<p>Further attempts at pop stylings are heard on the group&#8217;s cover<br \/>\nof Def Leppard&#8217;s &#8220;Pour Some Sugar On Me&#8221; &#8211; an effort which is<br \/>\npretty well butchered. (Never mind the fact I always thought the<br \/>\noriginal track was a throwaway.) Maybe it was in the interpretation<br \/>\nthat this one faltered &#8211; or maybe it was the source material itself<br \/>\n&#8211; but it&#8217;s not the strongest way for a band to close the opening<br \/>\nstatement of their career.<\/p>\n<p>\n<i>Groovenics<\/i> is an underdeveloped album featuring a group<br \/>\nwhich does not seem like they know what to do with themselves, and<br \/>\nwho have not found their own unique musical voice. Here&#8217;s hoping<br \/>\nthey&#8217;re pointed in the right direction soon; after all, those who<br \/>\nfollow flashes in the pan tend to have an even shorter shelf<br \/>\nlife.<\/p>\n","protected":false},"author":2,"featured_media":25998,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6651],"rating":[11205],"class_list":["post-37206","review","type-review","status-publish","has-post-thumbnail","artist-groovenics","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37206"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37206\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25998"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37206"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37206"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37206"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}