{"id":37223,"date":"2001-10-23T00:00:00","date_gmt":"2001-10-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/flaming-star\/"},"modified":"2001-10-23T00:00:00","modified_gmt":"2001-10-23T00:00:00","slug":"flaming-star","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/flaming-star\/","title":{"rendered":"Flaming Star"},"content":{"rendered":"<p>Let&#8217;s get one thing absolutely out in the open at the start:<br \/>\nSally Oldfield is not the same kind of musician as her brother<br \/>\nMike. If you&#8217;re expecting to hear a female version of<br \/>\n<i>Tubular Bells<\/i>, stop reading here, &#8217;cause you&#8217;re gonna be<br \/>\ndisappointed.<\/p>\n<p>\n<i>Flaming Star<\/i>, the latest disc from Oldfield, is kind of<br \/>\ndisappointing in itself. After a strong start, Oldfield dissolves<br \/>\ninto a weaker version of Peter Gabriel, albeit with a more<br \/>\nspiritual (not meaning religious) bend to the music. It&#8217;s tribal<br \/>\nand earthy at times, spacey at others &#8211; and it sometimes feels like<br \/>\nOldfield herself doesn&#8217;t quite know what to do with the grooves<br \/>\nbeing laid down.<\/p>\n<p>Oh, things start off in an amazing way with the title track. The<br \/>\nchants leading into Oldfield&#8217;s vocal line help drive the song<br \/>\nforward, and Oldfield herself has a sound that makes me think this<br \/>\nis what Madonna might have tried had she kept following the vein of<br \/>\nsongs like &#8220;Frozen&#8221;. But don&#8217;t think for a moment that Oldfield is<br \/>\na pop artist; she is more interested in exploring the music and its<br \/>\ndeeper, more spiritual side.<\/p>\n<p>In a way, this might be the flaw with<br \/>\n<i>Flaming Star<\/i>. Not that following a spiritual path with the<br \/>\nmusic is bad at all &#8211; indeed, many discs I&#8217;ve listened to of late<br \/>\nhave had a spiritual nature, and the music has been breathtaking.<br \/>\nBut Oldfield seems to be merely content as a voyager on this<br \/>\njourney, and not the captain of the ship. (I&#8217;d dare to call<br \/>\nmulti-instrumentalist Martin Savale, otherwise referred to as &#8220;Babu<br \/>\nStorn,&#8221; in control, even though Oldfield herself wrote the much of<br \/>\nthe music.)<\/p>\n<p>This willingness to let the music carry you to its own<br \/>\ndestination can be a dangerous thing in the wrong hands; I think of<br \/>\nthe jams the Grateful Dead got into in their concerts, and realize<br \/>\nthere were some where the band just didn&#8217;t have a clue where to<br \/>\ntake the music. This is the case with Oldfield; tracks like<br \/>\n&#8220;Samurai Of The Sun&#8221; all but scream for further development, and<br \/>\nfail to achieve what they could well have been. Others, like<br \/>\n&#8220;Ascension,&#8221; come a little closer to the mark, but without a strong<br \/>\nguiding hand, the listener is left adrift in the musical cosmos.<br \/>\nThis, I don&#8217;t believe, was Oldfield&#8217;s intention.<\/p>\n<p>The lyrics to much of<br \/>\n<i>Flaming Star<\/i> are supposed to lead the listener, as the<br \/>\ndisc&#8217;s liner notes say, to a &#8220;higher understanding&#8221;. Of what, I<br \/>\ndon&#8217;t know, since most of the lyrical work tends to become blended<br \/>\nwith the music. Even the remix of &#8220;Mirrors,&#8221; a song which was a hit<br \/>\nfor Oldfield, falls flat.<\/p>\n<p>Using music to uncover a new awareness of life and the world<br \/>\naround you is an ideal which many musicians have struggled to<br \/>\naccomplish for many years. I don&#8217;t doubt that Oldfield is sincere<br \/>\nin her quest, and that she has the talent to achieve that goal. But<br \/>\neven with the occasional strong performance,<br \/>\n<i>Flaming Star<\/i> suggests that even she could benefit from a<br \/>\nmusical road map.<\/p>\n","protected":false},"author":2,"featured_media":26013,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6654],"rating":[11204],"class_list":["post-37223","review","type-review","status-publish","has-post-thumbnail","artist-sally-oldfield","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37223"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37223\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26013"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37223"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37223"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37223"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}