{"id":37237,"date":"2001-11-07T00:00:00","date_gmt":"2001-11-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tenacious-d\/"},"modified":"2001-11-07T00:00:00","modified_gmt":"2001-11-07T00:00:00","slug":"tenacious-d","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tenacious-d\/","title":{"rendered":"Tenacious D"},"content":{"rendered":"<p>Before I started writing this review, I listened to this album<br \/>\nbetween forty and fifty times &#8211; over and over and over. I&#8217;d listen<br \/>\nto it in the shower, while studying, while reading, and even<br \/>\novernight once or twice. I also reread all of my previous reviews,<br \/>\nlooking for a couple key phrases, none of which I found. I&#8217;d never<br \/>\nlabeled a band in that oh-so-pretentious manner of &#8220;Not Being True<br \/>\nTo Their Origins.&#8221;<\/p>\n<p>Well, as it turns out, Tenacious D really hasn&#8217;t been true to<br \/>\ntheir previous identity. They were a side-splittingly crude,<br \/>\nostensibly Satan-empowered acoustic duo based around power chords.<br \/>\nThey&#8217;re still most of those things, but what they&#8217;ve become is an<br \/>\nultra-polished rock band, with help from a couple notables from the<br \/>\nmusic community. Is this bad? Well, no, not really &#8211; but it&#8217;s<br \/>\ndifferent than I expected, and it loses a bit of novelty.<\/p>\n<p>The album starts out really nicely &#8211; JB and KG (Jack Black and<br \/>\nKyle Gass) are chatting, being themselves, and they burst into<br \/>\nsong. It&#8217;s all fairly laid-back, candor-filled dialogue that works<br \/>\nwell for bringing a bit of charm. The songs start to diverge from<br \/>\nthe familiar versions when the electric guitars drop in heavily on<br \/>\n&#8220;Tribute&#8221; (which, as they say, isn&#8217;t the greatest song in the world<br \/>\n&#8211; just a tribute!) and Explosivo.<\/p>\n<p>&#8220;Wonderboy&#8221; &#8211; which has evidently gotten a lot of radio play<br \/>\nlately &#8211; is a neat song about super heroes. It&#8217;s followed up by one<br \/>\nof the most crude bits of dialogue I&#8217;ve ever heard, and then just<br \/>\nafterward is &#8220;Fuck Her Gently&#8221; &#8211; one of the most beautiful, lovely<br \/>\nsongs about having rough intercourse I&#8217;ve ever heard. &#8220;Dio&#8221; is a<br \/>\nplea to Dio to set aside the torch &#8211; Gass and Black want in on the<br \/>\naction.<\/p>\n<p>Track nine, &#8220;Inward Singing,&#8221; features the &#8220;Greatest invention<br \/>\nsince yodeling&#8221; &#8211; singing on the breath-in cycle. It concludes with<br \/>\nBlack laying out a stream of profanities ending in his frustrated<br \/>\nfiring of Gass, setting up the next song, &#8220;Kyle Quit the Band.&#8221;<br \/>\nDon&#8217;t worry, they get back together by track 11. From there on, the<br \/>\ndialogue gets a bit confused and I&#8217;m not sure how it all fits<br \/>\ntogether. More infighting occurs, punctuated by the peculiarly<br \/>\ncombative songs.<\/p>\n<p>&#8220;Double Team&#8221; is surprise highlight, featuring seductive Jack<br \/>\nBlack, acoustic funk lines and the utterly dynamic interjection<br \/>\n&#8220;&#8230;here me and KG come naked, out of the side hatch!&#8221; If you<br \/>\nchoose to buy the album, I want you to immediately find the photo<br \/>\nof Gass and Black in their underpants and then think of this line.<br \/>\n&#8220;City Hall,&#8221; the epic ending song, is a testament to the<br \/>\npseudo-pomp in which<br \/>\n<i>Tenacious D<\/i> is drenched.<\/p>\n<p>One of the major aspects of Tenacious D is that they aren&#8217;t rock<br \/>\nstars. They are just two guys &#8211; yeah, Black has been in a couple<br \/>\nmovies &#8211; that think they&#8217;re hot shit. But they aren&#8217;t. They sing<br \/>\nsongs about groupies and having sex and &#8220;rocking your socks off,&#8221;<br \/>\nbut they&#8217;re really just two guys playing acoustic guitar in a bar.<br \/>\nDid they lose that with this album? A little bit, yeah &#8211; but it&#8217;s<br \/>\nstill a great listen. It&#8217;s fun, in that George Carlin type way, and<br \/>\nit&#8217;s good music, but it&#8217;s not as ironic as the stage shows<br \/>\nwere.<\/p>\n","protected":false},"author":28,"featured_media":26026,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6658],"rating":[5617],"class_list":["post-37237","review","type-review","status-publish","has-post-thumbnail","artist-tenacious-d","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37237"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37237\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26026"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37237"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37237"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37237"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}