{"id":37249,"date":"2001-11-21T00:00:00","date_gmt":"2001-11-21T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/weathered\/"},"modified":"2001-11-21T00:00:00","modified_gmt":"2001-11-21T00:00:00","slug":"weathered","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/weathered\/","title":{"rendered":"Weathered"},"content":{"rendered":"<p>Paging Scott Stapp and the remaining two members of Creed&#8230;<br \/>\nyour fifteen minutes of fame are about to expire.<\/p>\n<p>Harsh words to start the review of what is one of the most<br \/>\nanticipated albums of 2001, I know. Now, bear in mind, I happen to<br \/>\nlike Creed. They&#8217;ve produced some of the most powerful slabs of<br \/>\nhard-edged music in the last few years, and having seen them in<br \/>\nconcert in 2000, I know for fact they put on a killer live<br \/>\nshow.<\/p>\n<p>But<br \/>\n<i>Weathered<\/i>, the latest release from Creed (and the first<br \/>\nsince the sacking of bassist Brian Marshall), tries to copy the<br \/>\nsuccess that Creed&#8217;s first two albums captured. If only they had<br \/>\ngrasped the brass ring a third time around; where the other two<br \/>\ndiscs seemed to create their own magic, this disc feels like it&#8217;s<br \/>\nfollowing in their shadows.<\/p>\n<p>In a sense, it is; like so many other artists who have had to<br \/>\nfollow up massive successes, Creed is in the unenviable position of<br \/>\nbeing expected to top<br \/>\n<i>Human Clay<\/i>, or to create another song like &#8220;Higher&#8221; which<br \/>\nwill infest the pop charts. &#8220;My Sacrifice,&#8221; the first single, is<br \/>\ncut from that same block, though it is not as strong as its<br \/>\ncounterpart, musically or lyrically. From the instrumental opening,<br \/>\n&#8220;My Sacrifice&#8221; has the feel of a blotchy photocopy, and Stapp&#8217;s<br \/>\nlyric is nowhere near as powerful, despite seemingly being another<br \/>\npainful personal lesson from his life. (At least that&#8217;s the vibe I<br \/>\nget from reading the lyrics &#8211; and I can&#8217;t help wondering if Stapp<br \/>\nis lamenting any loss of friendship between himself and<br \/>\nMarshall.)<\/p>\n<p>What&#8217;s sad is not that &#8220;My Sacrifice&#8221; is not as strong a song as<br \/>\n&#8220;Higher&#8221; or &#8220;With Arms Wide Open&#8221;; Yahweh Himself would have a<br \/>\ndifficult time topping those. No, what&#8217;s sad is that &#8220;My Sacrifice&#8221;<br \/>\nranks as one of the better songs on<br \/>\n<i>Weathered<\/i>. While Stapp and crew try to take some chances<br \/>\nwith the songwriting, the bulk of the material starts to sound<br \/>\ncookie-cutter very quickly.<\/p>\n<p>Even the experimentation doesn&#8217;t always work. The<br \/>\nRage-meets-Pearl Jam vibe of &#8220;Bullets&#8221; is admittedly a different<br \/>\nway for Creed to have kicked this album off, but it doesn&#8217;t quite<br \/>\nsound like it&#8217;s the perfect match to their style of songwriting.<br \/>\n(This isn&#8217;t to say that Creed could never make such a combination<br \/>\nwork.) And while I do like the Native American touch to &#8220;Who&#8217;s Got<br \/>\nMy Back?&#8221; the song itself just has the air of underdevelopment to<br \/>\nit. Granted, had Stapp and guitarist\/bassist Mark Tremonti tried to<br \/>\nkeep the Indian vibe going, they might have failed on a grander<br \/>\nlevel, since this is one of the hardest styles of music for any<br \/>\nmusician to integrate into their work. (When they succeed, though,<br \/>\nit can be absolutely beautiful.)<\/p>\n<p>One experiment which does seem to work is using Stapp&#8217;s wife<br \/>\nAime as a backup vocalist on &#8220;Don&#8217;t Stop Dancing,&#8221; quite possibly<br \/>\nthe best track on<br \/>\n<i>Weathered<\/i>. Like integration of the Native American style,<br \/>\nthis could have been dangerous, but her vocals are integrated well<br \/>\n(and sparingly &#8211; they&#8217;re beautiful, but had they been overused, it<br \/>\ncould have been tragic).<\/p>\n<p>Sadly, the rest of<br \/>\n<i>Weathered<\/i> often sounds like these tracks were left over from<br \/>\nthe<br \/>\n<i>Human Clay<\/i> sessions. &#8220;Signs&#8221; and &#8220;One Last Breath&#8221; are two<br \/>\ntracks which smack of what could have been; by the time &#8220;Stand Here<br \/>\nWith Me&#8221; and the title track rolled around, I had personally begun<br \/>\nto lose hope with this disc. Even the disc&#8217;s closer, &#8220;Lullaby,&#8221;<br \/>\ntries to feed off the<br \/>\n<i>Human Clay<\/i> juggernaut, acting as a sequel to &#8220;With Arms Wide<br \/>\nOpen&#8221; as our hero sings to his daughter. (Yeah, just what I needed<br \/>\n&#8211;<br \/>\n<i>another<\/i> reminder of how lousy a parent I am.)<\/p>\n<p>It&#8217;s quite possible that Creed was rushed into putting out an<br \/>\nalbum to ride the wave of success they&#8217;ve been enjoying. It&#8217;s<br \/>\npossible that the band has not recovered from the dismissal of<br \/>\nMarshall, and Tremonti is trying to do too much as guitarist and<br \/>\nbassist. (Arguably, one of Creed&#8217;s trademarks at the start was<br \/>\nMarshall&#8217;s bass work.) Maybe Creed &#8211; God forbid &#8211; just put out a<br \/>\nsub-par album.<\/p>\n<p>Of course, with the demand that &#8220;My Sacrifice&#8221; has been getting,<br \/>\nthere&#8217;s no doubt that<br \/>\n<i>Weathered<\/i> will top the charts, and Creed will enjoy a level<br \/>\nof success with this disc. But it&#8217;s a matter of time before people<br \/>\nrealize that<br \/>\n<i>Weathered<\/i> is hardly the kind of quality album that people<br \/>\nshould have been expecting. A bad album? No. A disappointment?<br \/>\nYes.<\/p>\n","protected":false},"author":2,"featured_media":26038,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6399],"rating":[11204],"class_list":["post-37249","review","type-review","status-publish","has-post-thumbnail","artist-creed","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37249"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37249\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26038"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37249"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37249"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}