{"id":37266,"date":"2001-12-13T00:00:00","date_gmt":"2001-12-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/walls-windows\/"},"modified":"2001-12-13T00:00:00","modified_gmt":"2001-12-13T00:00:00","slug":"walls-windows","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/walls-windows\/","title":{"rendered":"Walls &#038; Windows"},"content":{"rendered":"<p>It&#8217;s rare I get sent a CD for review that literally doesn&#8217;t<br \/>\nleave my CD player for weeks. When it happens, I know it&#8217;s<br \/>\nsomething special, and the latest CD from Irish-born song stylist<br \/>\nMaura O&#8217;Connell.<\/p>\n<p>O&#8217;Connell&#8217;s genre is almost impossible to pin down &#8212; at times<br \/>\nshe ranges from folk to country to traditional to pop &#8212; but her<br \/>\nvoice is powerful, expressive, and an absolute joy to listen to.<br \/>\n<i>Walls And Windows<\/i> (I will resist the temptation to make a<br \/>\nDan Fogleberg double-shot reference) is one of the single best CDs<br \/>\nI have ever heard for pure singing power, intensity, and delicacy<br \/>\nof interpretation. This is great stuff.<\/p>\n<p>O&#8217;Connell, the former lead singer of Irish pop band De Danaan<br \/>\n(who had considerable chart success in Europe in the mid-eighties<br \/>\nwith their CD<br \/>\n<i>Star-Spangled Molly<\/i>), walked away from that success in 1987,<br \/>\nemigrated to Nashville, and immersed herself in the American<br \/>\ntraditional and acoustic music scene, eventually recording with<br \/>\nsuch luminaries as Mark O&#8217;Connor, Bela Fleck, and other members of<br \/>\nthe &#8216;new acoustic&#8217; scene &#8212; bluegrass and country accented with<br \/>\njazz, rock, and ethnic notes.<\/p>\n<p>Her &#8216;second&#8217; recording career took off in 1988 with the release<br \/>\nof her debut album<br \/>\n<i>Just In Time<\/i>, and she&#8217;s been recording ever since in an<br \/>\neclectic, unique style. The influences of Celtic, pop, and American<br \/>\nacoustic result, not in a raucous blend like Canada&#8217;s Great Big Sea<br \/>\nor America&#8217;s Tempest, but in a more expressive, passionate vocal<br \/>\nstyle that at various times reminds me of Bonnie Raitt, Patsy<br \/>\nCline, and K.T. Oslin (remember her?). Yet none of these are really<br \/>\nfair comparisons, because Maura O&#8217;Connell has her own voice.<\/p>\n<p>Most amazing for me, it took me three weeks of listening to this<br \/>\nCD before I realized it&#8217;s about half covers. (Whoops.) O&#8217;Connell is<br \/>\nthat good at taking a song and making it hers, regardless of whose<br \/>\nname might be on the copyright. Her version of Eric Clapton&#8217;s &#8220;I<br \/>\nGet Lost&#8221; and Van Morrison&#8217;s &#8220;Crazy Love&#8221; give me chills, they&#8217;re<br \/>\nso good.<\/p>\n<p>Other tracks worth note: &#8220;Long Ride Home&#8221; with its twists of<br \/>\nphrase and odd subject matter; &#8220;The Blessing&#8221;, a jazz-tinged<br \/>\nversion of the traditional Irish blessing; the sheer power of<br \/>\n&#8220;Walls&#8221;; and the funny, thought-provoking &#8220;Don&#8217;t Ask Why&#8221;. There<br \/>\nisn&#8217;t a bad track on the CD, and as a bonus the musicianship and<br \/>\nproduction are impeccable. (Sugar Hill Records continues to impress<br \/>\nme by turning out the best sounding recordings out there.)<\/p>\n<p>\n<i>Walls And Windows<\/i> will definitely be on this year&#8217;s Top Ten<br \/>\nlist. Don&#8217;t waste time; grab it today.<\/p>\n","protected":false},"author":18,"featured_media":26055,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6672],"rating":[5646],"class_list":["post-37266","review","type-review","status-publish","has-post-thumbnail","artist-maura-oconnell","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37266"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37266\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26055"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37266"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37266"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37266"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}