{"id":37267,"date":"2001-12-14T00:00:00","date_gmt":"2001-12-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/standards-practices\/"},"modified":"2001-12-14T00:00:00","modified_gmt":"2001-12-14T00:00:00","slug":"standards-practices","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/standards-practices\/","title":{"rendered":"Standards &#038; Practices"},"content":{"rendered":"<p>You may remember the California punk rock band, Face to Face<br \/>\nfrom their one hit, &#8220;Disconnected&#8221; back in the mid-90&#8217;s. The hits<br \/>\nmay be gone, but they are still making good music. Their latest CD<br \/>\nis called<br \/>\n<i>Standards &#038; Practices<\/i> because the entire CD is nothing<br \/>\nbut covers of some of the bands favorite artists.<\/p>\n<p>Before I even heard a note from this CD, looking at the songs<br \/>\nthey covered, I realize this band has one cool music collection.<br \/>\nThe usual suspects are there for a punk rock band with songs by the<br \/>\nRamones and Sugar, as well as unsung punk bands like Jawbreaker,<br \/>\nFugazi, and unsung at least in the United States, the Jam.<\/p>\n<p>However, it is the non-punk artists that are covered here that<br \/>\nmake<br \/>\n<i>Standards &#038; Practices<\/i> such a fascinating CD. The opening<br \/>\nsong is &#8220;What Difference Does It Make?&#8221; by the Smiths. This version<br \/>\nis quite a revelation not only because the Smiths, who are famous<br \/>\nfor mellow, somewhat precious Brit-pop, would seem like the<br \/>\nunlikeliest band to be covered by punkers, but because Face to Face<br \/>\nrock it up without losing sight of Morrissey&#8217;s clever lyric<br \/>\nwriting. They wisely do not play it too hard and fast, saving that<br \/>\nkind of fury for the real punk songs.<\/p>\n<p>Among the other surprises are their treatments of &#8220;Sunny Side Of<br \/>\nThe Street&#8221; by the Irish folk-rock band the Pogues, and &#8220;Heaven&#8221; by<br \/>\nthe Psychedelic Furs. Again, both covers are winners because the<br \/>\nemphasis is on the songs themselves, and singer Trever Keith<br \/>\ncaptures the nuances, even in these more rock-oriented<br \/>\nversions.<\/p>\n<p>All that said, Face to Face do crank it up for much of<br \/>\n<i>Standards &#038; Practices<\/i>. Not only do they wisely match the<br \/>\nbluster of Fugazi&#8217;s &#8220;Merchandise&#8221;, the loopiness of the Pixies<br \/>\n&#8220;Planet Of Sound&#8221;, and the campiness of the Ramones &#8220;The KKK Took<br \/>\nMy Baby Away&#8221;, but they add a great deal of raw energy to the INXS<br \/>\nsong, &#8220;Don&#8217;t Change&#8221;.<\/p>\n<p>Of course, there is bound to be a cover that isn&#8217;t quite so<br \/>\nsuccessful. In this case, it is their version of Sugar&#8217;s &#8220;Helpless&#8221;<br \/>\nwhich is a a little too straightforward, neither kicking it up a<br \/>\nnotch sonically or vocally. Keith cannot match Bob Mould&#8217;s vocal<br \/>\nintensity, and sequencing this song after the blistering<br \/>\n&#8220;Merchandise&#8221;, makes it seem even a little tired.<\/p>\n<p>At ten songs (with quite a few of them clocking in under three<br \/>\nminutes),<br \/>\n<i>Standards &#038; Practices<\/i> seems way too short. The time<br \/>\nflies especially because this band sound like they are having a lot<br \/>\nof fun. The song choices are great, and for the most part, the<br \/>\nperformances are inspired. Even if you have all the original songs<br \/>\nin your collection, this CD is worth picking up.<\/p>\n","protected":false},"author":17,"featured_media":26056,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6673],"rating":[5617],"class_list":["post-37267","review","type-review","status-publish","has-post-thumbnail","artist-face-to-face","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37267"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37267\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26056"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37267"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37267"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}