{"id":37280,"date":"2002-01-01T00:00:00","date_gmt":"2002-01-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/rebirth\/"},"modified":"2002-01-01T00:00:00","modified_gmt":"2002-01-01T00:00:00","slug":"rebirth","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/rebirth\/","title":{"rendered":"Rebirth"},"content":{"rendered":"<p>Someone should buy Peter Tagtgren a fish tank&#8230; a jigsaw<br \/>\npuzzle&#8230; a<br \/>\n<i>Where&#8217;s Waldo<\/i> book&#8230;<br \/>\n<i>something<\/i> to give this guy a hobby other than music. I lost<br \/>\ncount a long time ago of how many bands Tagtgren&#8217;s working with<br \/>\n(the best known undoubtedly Hypocrisy), and how many groups he&#8217;s<br \/>\nproduced in the last few years. In terms of staying busy, Tagtgren<br \/>\nis the Frank Zappa of extreme metal.<\/p>\n<p>Yet Tagtgren has a side to his music that wants to break out of<br \/>\nthe death\/speed\/grind-core aspect &#8211; which is what Pain is for.<br \/>\nEssentially a one-man band, Tagtgren shows on Pain&#8217;s latest effort<br \/>\n<i>Rebirth<\/i> that the most qualified person to do a musical<br \/>\nmarriage of electronic rock and metal is someone who has their<br \/>\nroots firmly grounded in the metal scene. And, for the most part,<br \/>\nTagtgren does things amazingly well. If only he had that one<br \/>\nmissing element which would keep the listener hooked into every<br \/>\nbeat and note.<\/p>\n<p>For someone who is almost legendary in the metal community,<br \/>\nTagtgren is to be commended for staying in the world of<br \/>\nindustrial\/electronic rock as much as he does with these 11 songs.<br \/>\nIt would have been far too easy for Tagtgren to have relied on<br \/>\nlightning-fast rhythms and crunching guitar parts to carry Pain&#8217;s<br \/>\nsound. Instead, he focuses on keyboards and his own vocals, and<br \/>\ndelivers results which may pleasantly surprise even his most loyal<br \/>\nfans.<\/p>\n<p>It&#8217;s not the easiest transition, though. While the opening track<br \/>\n&#8220;Supersonic Bitch&#8221; is a pleasant enough outing, it doesn&#8217;t have the<br \/>\nhook musically which is able to keep someone&#8217;s interest throughout<br \/>\nthe entire song. It&#8217;s not that Tagtgren doesn&#8217;t know how to seal<br \/>\nthe deal musically &#8211; &#8220;End Of The Line,&#8221; &#8220;Breathing In, Breathing<br \/>\nOut&#8221; and &#8220;She Whipped&#8221; are stellar examples of how good this genre<br \/>\ncan be. But this particular track is missing something which could<br \/>\nhave pushed it over the edge and into the upper echelon of songs on<\/p>\n<p><i>Rebirth<\/i> &#8211; and I don&#8217;t pretend to have the answer to that<br \/>\nmystery.<\/p>\n<p>Indeed, there is not a bad song on<br \/>\n<i>Rebirth<\/i> &#8211; though I admit I&#8217;m at a loss to explain the<br \/>\ntransitional piece &#8220;12:42&#8221; and what it was meant to accomplish. Yet<br \/>\nthere are times when Tagtgren falls just short of the bullseye, and<br \/>\nthere are times when he sends the musical dart clean through the<br \/>\nboard. Why a track like &#8220;Suicide Machine&#8221; succeeds and another like<br \/>\n&#8220;Dark Fields Of Pain&#8221; doesn&#8217;t measure up as well, I don&#8217;t know<br \/>\nexactly.<\/p>\n<p>\n<i>Rebirth<\/i> also includes a video for &#8220;End Of The Line&#8221; &#8211; just<br \/>\ndon&#8217;t ask me to explain what the hell is going on in it, because I<br \/>\ncan&#8217;t even begin to decipher it. (Obviously, Tagtgren has seen a<br \/>\nfew Nine Inch Nails videos.)<\/p>\n<p>Everyone needs some side project to vent off a little steam from<br \/>\none&#8217;s day job, and<br \/>\n<i>Rebirth<\/i> is proof that Pain is a great project for Tagtgren.<br \/>\nEven with my quibbles (which are minor), it&#8217;s well worth the time<br \/>\nto check this one out.<\/p>\n","protected":false},"author":2,"featured_media":26069,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6288],"rating":[5617],"class_list":["post-37280","review","type-review","status-publish","has-post-thumbnail","artist-pain","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37280"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37280\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26069"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37280"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37280"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37280"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}