{"id":37298,"date":"2002-01-21T00:00:00","date_gmt":"2002-01-21T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/headstrong\/"},"modified":"2002-01-21T00:00:00","modified_gmt":"2002-01-21T00:00:00","slug":"headstrong","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/headstrong\/","title":{"rendered":"Headstrong"},"content":{"rendered":"<p>It was bound to happen, I guess. Some band was going to clone<br \/>\nthe formula used by Linkin Park.<\/p>\n<p>I have yet to warm up to the concept of merging pseudo-rapped<br \/>\nverses with harmonized choruses &#8211; and I recognize that Linkin Park<br \/>\ndoes about as much singing as there is pseudo-rapping. Now, from<br \/>\nthe depths of Canada rises Headstrong, whose self-titled debut<br \/>\nalbum (scheduled for release in February) tries to capitalize on<br \/>\nthat formula with more than a touch of Rage Against The Machine<br \/>\nthrown in. (I&#8217;m working from an advance, &#8220;radio-friendly&#8221; version<br \/>\nof the disc for this review.)<\/p>\n<p>Musically, Headstrong is a tight unit who are able to pound out<br \/>\na very solid melody which is catchy. However, vocalist Kinna<br \/>\npossibly does this band the greatest disservice by insisting on the<br \/>\nconstant raps &#8211; a shame, really, since the harmonization is<br \/>\nexcellent. Listen to the first track (and song which launched the<br \/>\ngroup on FarmClub) &#8220;All Of The Above,&#8221; and discover the absolute<br \/>\npower of the sung choruses. Admittedly, this track is a powerhouse,<br \/>\nand rightfully won the group a load of fans &#8211; but it gets<br \/>\nrepetitive far too quickly on this disc.<\/p>\n<p>I&#8217;m not suggesting that<br \/>\n<i>Headstrong<\/i> is a bad disc. Indeed, far from it. There are<br \/>\nmoments on this disc which make me curious to see how far the group<br \/>\nwill go, as on &#8220;Swing Harder&#8221; and &#8220;Open Season&#8221;. But Headstrong<br \/>\nisn&#8217;t able to keep the momentum going as long as they&#8217;d like to,<br \/>\nand a good reason this is so is because the spoken-word vocals just<br \/>\ndon&#8217;t pack the same kind of power as even some of Headstrong&#8217;s<br \/>\ncontemporaries, like Rage Against The Machine. Tracks like<br \/>\n&#8220;Adriana&#8221; and &#8220;Hoodies And Hoods&#8221; sometimes feel like they&#8217;re<br \/>\ntrying to hold up the burden of living up to Headstrong&#8217;s early<br \/>\nhype, a burden which is proving to be almost Herculean in size.<\/p>\n<p>I&#8217;m also not suggesting that the pseudo-raps be banished in the<br \/>\nfuture. I<br \/>\n<i>will<\/i>, however, suggest that Headstrong not rely on them as<br \/>\nheavily as they do. Sometimes, a message can be delivered with an<br \/>\neven sharper edge if the message is wrapped in a powerful harmony.<br \/>\nIn Headstrong&#8217;s case, it&#8217;s something worth trying.<\/p>\n<p>Fans of Linkin Park and Rage Against The Machine will<br \/>\nundoubtedly be drawn to<br \/>\n<i>Headstrong<\/i>, though after a while, the listener might get the<br \/>\nfeeling that they&#8217;ve heard this all before. It&#8217;s worth hearing, but<br \/>\nI don&#8217;t think this disc has the power it could have had &#8211; and<br \/>\nthat&#8217;s what would keep people listening to it again and again.<\/p>\n","protected":false},"author":2,"featured_media":26085,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6692],"rating":[5614],"class_list":["post-37298","review","type-review","status-publish","has-post-thumbnail","artist-headstrong","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37298"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37298\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26085"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37298"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37298"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37298"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}