{"id":37304,"date":"2002-01-30T00:00:00","date_gmt":"2002-01-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/crossing-muddy-waters-2\/"},"modified":"2002-01-30T00:00:00","modified_gmt":"2002-01-30T00:00:00","slug":"crossing-muddy-waters-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/crossing-muddy-waters-2\/","title":{"rendered":"Crossing Muddy Waters"},"content":{"rendered":"<p>This CD, featuring an almost exclusively acoustic set of blues<br \/>\nby John Hiatt, is evocative, emotional, and utterly successful.<br \/>\nFrom the opening, road-trip strains of &#8220;Lincoln Town&#8221; to the<br \/>\nclosing of &#8220;Before I Go,&#8221; it is a set of music that inspires the<br \/>\nsoul and brings tears to the eyes.<\/p>\n<p>The aforementioned &#8220;Lincoln Town&#8221; feels like a tribute to a<br \/>\nplace of decadence, a weekender place for relaxation from worry.<br \/>\n&#8220;Crossing Muddy Waters&#8221; is restrained and emotional, about<br \/>\ndesertion and love and choices &#8211; Hiatt&#8217;s deftly navigated guitar<br \/>\nplays nice counterpoint to the words. The first truly melancholy<br \/>\ntrack, &#8220;What Do We Do Now&#8221; features the title as a mantra, a<br \/>\nquestion to a partner and to oneself; its honesty, raw and brutal,<br \/>\nis shocking &#8211; hopelessness is just barely countered by the subtle<br \/>\nindications of a yearning, a yearning for a return to simpler times<br \/>\nand simpler loves; when complicated issues were other people&#8217;s<br \/>\nproblems. &#8220;Only The Song Survives&#8221; is much more upbeat, a playful<br \/>\nstring of seemingly nonsensical, but wonderful verses. It feels<br \/>\nlike a song to sing in the rain, holding hands.<\/p>\n<p>&#8220;Lift Up Every Stone&#8221; is the first track to (prominently)<br \/>\nfeature electric guitar. It features stingingly distorted guitar,<br \/>\nwith Hiatt singing like he was angry, and a chorus that drills into<br \/>\nthe mind. Of particular fun is the stripped down vocals around two<br \/>\nand a half minutes in. &#8220;Take It Down&#8221; is another restrained, sad<br \/>\nsong. Much like &#8220;What Do We Do Now&#8221; it features a sad, simple<br \/>\nrefrain; but the background sounds are augmented by deeper voices<br \/>\nand instruments, which further reinforce the atmosphere. This song<br \/>\nis far more sad than &#8220;What Do We Do Now,&#8221; which is at least<br \/>\ntempered by hope. It also features a particularly evoking guitar<br \/>\nsolo, which I found to be one of the simplest, shortest, and best<br \/>\nsolos on the disc.<\/p>\n<p>Again, we&#8217;re given a fun and playful track following bleakness.<br \/>\n&#8220;Gone&#8221; is energetic and delightful, belying the subject of the<br \/>\nlyrics. &#8220;Take It Back&#8221; is fun but not outstanding; it&#8217;s a simple<br \/>\nsong, with simple lyrics, but not bad. The guitar licks toward the<br \/>\nend are interesting, as well. &#8220;Mr. Stanley&#8221; is the only track I<br \/>\nregularly skip. It&#8217;s long, drawn out, and I honestly don&#8217;t like the<br \/>\nway the voice sounds &#8211; it&#8217;s far too whiny, too mournful.<\/p>\n<p>&#8220;God&#8217;s Golden Eye&#8221; is rich and lush; far more so than most of<br \/>\nthe tracks on the album. That song and &#8220;Before I Go&#8221; complete the<br \/>\nalbum very nicely, bringing closure to some of the issues we felt<br \/>\nearlier on.<\/p>\n<p>With the close of the album, I always feel like starting it over<br \/>\nagain &#8211; it is wonderful, fulfilling. This is what music should be;<br \/>\nhonest and raw, without being depressing or elating. Just pure.<\/p>\n","protected":false},"author":28,"featured_media":25832,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5850],"rating":[5646],"class_list":["post-37304","review","type-review","status-publish","has-post-thumbnail","artist-john-hiatt","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37304"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37304\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25832"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37304"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37304"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37304"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}