{"id":37322,"date":"2002-02-17T00:00:00","date_gmt":"2002-02-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dicks-picks-volume-five\/"},"modified":"2002-02-17T00:00:00","modified_gmt":"2002-02-17T00:00:00","slug":"dicks-picks-volume-five","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dicks-picks-volume-five\/","title":{"rendered":"Dick&#8217;s Picks Volume Five"},"content":{"rendered":"<p>Some time ago, I used to be the director of communications for a<br \/>\nsuburban Chicago Catholic high school. It was pretty common<br \/>\nknowledge, among the faculty and some of the students (especially<br \/>\nthose I mentored with the school newspaper) that I was a Deadhead &#8211;<br \/>\nI liked to call myself a<br \/>\n<i>nouveau<\/i> Deadhead, since I&#8217;ve never done drugs or followed<br \/>\nthe band around the country. One of the coaches at the time, Bill<br \/>\nLech, asked me for fun if I knew how to get my hands on a<br \/>\nparticular show &#8211; one he said had amazing energy, as well as a<br \/>\nversion of &#8220;Uncle John&#8217;s Band&#8221; that was left unfinished in the<br \/>\nsecond set, only to be returned to at the encore to wrap things<br \/>\nup.<\/p>\n<p>Several weeks later, Bill was surprised when I handed him a<br \/>\ncassette tape of that set he was looking for &#8211; December 26, 1979, a<br \/>\nshow at the Oakland Auditorium Arena. Of course, I kept a copy for<br \/>\nmyself to see just how magical it was.<\/p>\n<p>You no longer have to be in the taping or trading scene to hear<br \/>\nthis particular show &#8211; in 1996,<br \/>\n<i>Dick&#8217;s Picks Volume Five<\/i> was released, featuring the entire<br \/>\nconcert. As far as Dead shows go, it&#8217;s kind of a mixed bag, but it<br \/>\ndoes indeed have that energy that I was told about. (While this one<br \/>\nwas available in stores a few years ago, it appears you can only<br \/>\norder it through the Dead&#8217;s<br \/>\n<a href=\"http:\/\/www.dead.net\">Web site<\/a> right now.)<\/p>\n<p>1979 was a year of transition for the Dead; Keith and Donna<br \/>\nGodchaux had made their exit from the band, and new keyboardist<br \/>\nBrent Mydland was still finding his place with the group. This<br \/>\nparticular show, on the surface, has some unremarkable moments &#8211;<br \/>\nJerry Garcia committing one of his famous lyrical flubs during<br \/>\n&#8220;Brown-Eyed Women&#8221;, both Garcia and Bob Weir missing vocal cues<br \/>\nmore often than usual. But these were almost expected parts of Dead<br \/>\nshows, so I&#8217;m not necessarily knocking them.<\/p>\n<p>But there are times where I&#8217;m wondering why the band sounds<br \/>\nlethargic. I&#8217;ll be the first to admit I never warmed up to the<br \/>\nballad-like delivery of &#8220;Friend Of The Devil&#8221;; I always liked the<br \/>\nlivelier, bluegrass delivery that you can find on<br \/>\n<i>American Beauty<\/i>. But two of the Dead&#8217;s late-&#8217;70s staples,<br \/>\n&#8220;Alabama Getaway&#8221; and &#8220;Shakedown Street,&#8221; are surprisingly sleepy<br \/>\nin their performance. Granted, Mydland&#8217;s willingness to use more<br \/>\nkeyboards than piano (which allegedly was the big disagreement<br \/>\nKeith Godchaux had) does add a new level of interest to &#8220;Shakedown<br \/>\nStreet,&#8221; a Dead song I&#8217;ve always liked. But one would have expected<br \/>\nthese to absolutely sizzle, especially with new blood injected into<br \/>\nthe lineup.<\/p>\n<p>Indeed, Mydland&#8217;s presence is strongly felt in this show. He is<br \/>\ngiven ample room to display his talents through keyboard solos &#8211;<br \/>\nand sometimes it seems like he&#8217;s been miked up in this particular<br \/>\nrecording. (That, by the way, is not a complaint.)<\/p>\n<p>Lest someone think I&#8217;m slamming<br \/>\n<i>Dick&#8217;s Picks Volume Five<\/i>, of the first sextet of releases<br \/>\nfrom this series, this is the volume I continually find myself<br \/>\ndrifting back to. The versions of &#8220;Dire Wolf,&#8221; &#8220;Estimated Prophet,&#8221;<br \/>\n&#8220;He&#8217;s Gone&#8221; and &#8220;Brokedown Palace&#8221; are easily enough to recommend<br \/>\nthis set to those wondering what the live Dead experience was like.<br \/>\nAnd, yes, the way the band is able to move out of &#8220;Uncle John&#8217;s<br \/>\nBand&#8221; into &#8220;Estimated Prophet&#8221; &#8211; and later, out of &#8220;Shakedown<br \/>\nStreet&#8221; back to finish &#8220;Uncle John&#8217;s Band&#8221; &#8211; is amazing. This was<br \/>\nthe Dead&#8217;s skill at its best.<\/p>\n<p>There&#8217;s a reason why someone like Bill had me looking for this<br \/>\nshow through the tape trading network, and there&#8217;s a reason why<br \/>\nmystique still surrounds the show captured on<br \/>\n<i>Dick&#8217;s Picks Volume Five<\/i>. Although it&#8217;s occasionally<br \/>\nlethargic in its delivery, the heart of the Grateful Dead is still<br \/>\nbeating strong in this show, and this concert captures the Dead at<br \/>\nan interesting time in their career which must be heard to be<br \/>\nunderstood.<\/p>\n","protected":false},"author":2,"featured_media":26107,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5668],"rating":[5615],"class_list":["post-37322","review","type-review","status-publish","has-post-thumbnail","artist-grateful-dead","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37322"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37322\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26107"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37322"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37322"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37322"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}