{"id":37323,"date":"2002-02-18T00:00:00","date_gmt":"2002-02-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ravage-and-savage\/"},"modified":"2002-02-18T00:00:00","modified_gmt":"2002-02-18T00:00:00","slug":"ravage-and-savage","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ravage-and-savage\/","title":{"rendered":"Ravage And Savage"},"content":{"rendered":"<p>I&#8217;ll make no bones about it right here in the beginning of this<br \/>\nreview: Boulder is a band who confuses me.<\/p>\n<p>On the surface, they seem to be your average stoner rock band &#8211;<br \/>\nespecially when on the cover of their latest release<br \/>\n<i>Ravage And Savage<\/i> they look like they&#8217;re connected to a bong<br \/>\nusing tubing you&#8217;d find at your local muffler shop. Yet listening<br \/>\nto the music on this disc &#8211; combining the new disc with their first<br \/>\nfull-length offering<br \/>\n<i>The Rage Of It All<\/i> &#8211; shows a group which is one part Queens<br \/>\nOf The Stone Age, one part Napalm Death and one part Helmet. The<br \/>\nend result is a bit messy, but isn&#8217;t disastrous like I might have<br \/>\nimagined when I heard the first notes.<\/p>\n<p>Boulder further confuses me by leaving out any information about<br \/>\nthe band in their liner notes &#8211; never mind the fact I&#8217;ve misplaced<br \/>\nthe bio sheet I was sent with the disc. Note to the group: If you<br \/>\nwant to be more well-known outside of Cleveland, how&#8217;s about<br \/>\ntelling us something about the group, like who&#8217;s in it, huh?<\/p>\n<p>Boulder seems to plow through songs like &#8220;Funeral Day,&#8221; &#8220;Ravage<br \/>\nAnd Savage&#8221; and &#8220;Two Track Mind&#8221; like a semi-trailer driving<br \/>\nthrough bubble wrap, though the band&#8217;s approach is a little<br \/>\nsloppier just in the tightness (or lack thereof) of the group. It<br \/>\nalso would have been nice had there been actual vocals, not just<br \/>\nscreams on top of the sonic soup. (That said, if you listen to this<br \/>\ndisc with headphones, the vocals come out a little clearer.)<\/p>\n<p>Here, then, is the curious thing about this disc. Had the album<br \/>\nended simply with<br \/>\n<i>Ravage And Savage<\/i>, things would have probably been a little<br \/>\nbetter. I understand the desire of Boulder to offer listeners a<br \/>\nslice of the band&#8217;s history by including<br \/>\n<i>The Rage Of It All<\/i>, but in all honesty, including the nine<br \/>\ntracks of this album (as well as &#8220;Scream Of The Iron Messiah&#8221; from<br \/>\na split 45) isn&#8217;t a benefit for the band. The only negative,<br \/>\nthough, is that sitting through 67 minutes&#8217; worth of muddied<br \/>\nmusical focus gets to be a bit taxing. Smaller doses would possibly<br \/>\nhave helped; I would have been happy to call<br \/>\n<i>Ravage And Savage<\/i> worthwhile of your entertainment dollar on<br \/>\nits own, warts and all.<\/p>\n<p>It&#8217;s the paradoxical Sword of Damocles that hung over Boulder&#8217;s<br \/>\nhead with this two-fer &#8211; and while there is enough on<br \/>\n<i>Ravage And Savage<\/i>&#8216;s 10 tracks that make me curious to hear<br \/>\nthe group&#8217;s upcoming outing (due a little later in 2002), taking<br \/>\nthis whole disc in one sitting is a bit too much.<\/p>\n","protected":false},"author":2,"featured_media":26108,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6706],"rating":[5614],"class_list":["post-37323","review","type-review","status-publish","has-post-thumbnail","artist-boulder","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37323"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37323\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26108"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37323"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37323"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37323"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}