{"id":37325,"date":"2002-02-19T00:00:00","date_gmt":"2002-02-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/songs-without-words-ii\/"},"modified":"2002-02-19T00:00:00","modified_gmt":"2002-02-19T00:00:00","slug":"songs-without-words-ii","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/songs-without-words-ii\/","title":{"rendered":"Songs Without Words II"},"content":{"rendered":"<p>The piano can be one of the most soothing and romantic<br \/>\ninstruments in the musical world. There is something about<br \/>\nlistening to those who have mastered the 88 keys, hearing them put<br \/>\nmusical visions into a form we can hear which captivates the senses<br \/>\nand tugs at the heartstrings.<\/p>\n<p>Maybe this is why I knew I was going to like<br \/>\n<i>Songs Without Words II<\/i>, the latest compilation of<br \/>\ninstrumental works from new age pianists, before I even heard the<br \/>\nfirst note. Even if I had only heard of a handful of the artists,<br \/>\nlike Jim Brickman, David Benoit and Janis Ian, I had an inkling<br \/>\nthat this was going to be a special disc.<\/p>\n<p>Thankfully, executive producer Benoit does not disappoint<br \/>\nthroughout this 45-minute, 11 song collection. Don&#8217;t let the term<br \/>\n&#8220;new age&#8221; or the fact this is released on Windham Hill fool you;<br \/>\nthese songs refuse categorization, wanting only to be accepted on<br \/>\ntheir own merits &#8211; of which, they have plenty.<\/p>\n<p>Interestingly enough, the duet between Brickman and Benoit<br \/>\n(&#8220;Glory&#8221;), while pretty, is not the highlight of this collection.<br \/>\nThat honor I&#8217;ll give to Barbara Higbie with her selection &#8220;Charlie<br \/>\nRiley&#8221;. Originally released on her CD<br \/>\n<i>Variations On A Happy Ending<\/i>, this tune captures the feel of<br \/>\nragtime blues locked in the body of Vince Guaraldi. It&#8217;s a lot of<br \/>\nfun to listen to, and makes me wonder why Higbie isn&#8217;t more<br \/>\nwell-known. It also makes me want to hear more of what she has to<br \/>\noffer.<\/p>\n<p>Simply put, though, there is not a bad song to be found on<br \/>\n<i>Songs Without Words II<\/i>. It is interesting to hear the<br \/>\ndifferent approaches to the keyboard that each artist brings to the<br \/>\ntable, realizing that these artists have more in common than you&#8217;d<br \/>\nthink. Of special note are the performances by Janis Ian (&#8220;Days<br \/>\nLike These&#8221;), Alan Pasqua (&#8220;To Love Again&#8221;), Brian Culbertson<br \/>\n(&#8220;You&#8217;re Not Alone&#8221;) and Taylor Eigsti (&#8220;Past Voices&#8221;). No slight<br \/>\nis meant towards any contributor I haven&#8217;t named individually &#8211;<br \/>\nfrankly, without their input, this disc might not have been as<br \/>\nmagical as it is.<\/p>\n<p>Time, then, for the sole complaint I have &#8211; this disc is so<br \/>\nenjoyable that 45 minutes seems too short. Still, a minor<br \/>\nquibble.<\/p>\n<p>\n<i>Songs Without Words II<\/i> is an exceptional collection of some<br \/>\nof the best pianists of this age, and is a disc that should appeal<br \/>\nto music lovers of all ages and styles. It kind of makes me wish I<br \/>\nhad reviewed this one for Valentine&#8217;s Day &#8211; but then again,<br \/>\nromance, like this disc, shouldn&#8217;t be bottled up for special<br \/>\noccasions.<\/p>\n","protected":false},"author":2,"featured_media":26110,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5827],"rating":[5646],"class_list":["post-37325","review","type-review","status-publish","has-post-thumbnail","artist-various-artists","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37325"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37325\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26110"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37325"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37325"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37325"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}