{"id":37326,"date":"2002-02-20T00:00:00","date_gmt":"2002-02-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-last-hard-men\/"},"modified":"2002-02-20T00:00:00","modified_gmt":"2002-02-20T00:00:00","slug":"the-last-hard-men","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-last-hard-men\/","title":{"rendered":"The Last Hard Men"},"content":{"rendered":"<p>At some point between 1996 and 1997, former Skid Row frontman<br \/>\nSebastian Bach decided to put together a side project to create a<br \/>\ncover version of Alice Cooper&#8217;s &#8220;School&#8217;s Out&#8221; for the movie<br \/>\n<i>Scream<\/i>. Things between Bach and his pseudo-supergroup &#8211;<br \/>\nKelley Deal (The Breeders), Jimmy Chamberlin (Smashing Pumpkins)<br \/>\nand Jimmy Flemion (The Frogs) &#8211; supposedly went so well that the<br \/>\ngroup, now called &#8220;The Last Hard Men&#8221;, recorded a whole album.<\/p>\n<p>They needn&#8217;t have bothered.<br \/>\n<i>The Last Hard Men<\/i> is an album which has supposedly been tied<br \/>\nup in the red tape of major labels. Obviously someone at some major<br \/>\nlabel knew that their career would be over if this hit the market<br \/>\nlike so much bird shit on a car windshield.<\/p>\n<p>Sounding very much like an offshoot project of The Breeders (or<br \/>\neven The Pixies at times), Bach and crew take several musical<br \/>\ngenres, throw them together in a Mixmaster known as the band, and<br \/>\nproduce a final product which is about as appetizing as latex<br \/>\npaint. Without a definite idea where these songs should go<br \/>\nmusically, the end result is an absolute mess &#8211; so much so that I<br \/>\nseriously considered jostling the cribs of my newborn twins just so<br \/>\nI wouldn&#8217;t have to sit through the 53 messy minutes of this<br \/>\ndisc.<\/p>\n<p>I don&#8217;t have a problem with Bach not following the same musical<br \/>\nstyle as Skid Row&#8217;s &#8211; frankly, that would have been a poor<br \/>\ndecision, since it would have seemed like he was trying to ride on<br \/>\nthe coattails of his earlier success. But<br \/>\n<i>The Last Hard Men<\/i> doesn&#8217;t have a clear musical vision; one<br \/>\nminute, the group is rocking out without a solid anchor in chord<br \/>\nstructure, the next minute they&#8217;re doing Zappa-esque tracks which<br \/>\nwould be novelty in design if they weren&#8217;t meant to be serious.<\/p>\n<p>Get the picture so far? If only the band had seen the brick wall<br \/>\nthey were speeding towards. Tracks like &#8220;Satan&#8217;s In The Manger,&#8221;<br \/>\n&#8220;Fan Mail&#8221; and &#8220;If You Want To Rock, Go To The Quarry&#8221; either are<br \/>\ntrying to show the mastery of styles these artists have control<br \/>\nover &#8211; or they do the greatest injustice to bar bands who struggle<br \/>\nevery night to get their names out there. Whatever the case, the<br \/>\nconcepts were half-baked, and the music is barely stomachable, let<br \/>\nalone listenable.<\/p>\n<p>Oh &#8211; and the covers, which is what this band was gathered<br \/>\ntogether for? Don&#8217;t bother. Alice Cooper should consider suing for<br \/>\ndefamation of character for what they&#8217;ve done to &#8220;School&#8217;s Out,&#8221;<br \/>\nwhile the take on &#8220;I Enjoy Being A Girl&#8221; is only marginally<br \/>\nbetter.<\/p>\n<p>\n<i>The Last Hard Men<\/i> is an impotent collection of fluff which<br \/>\nis passed off as cutting-edge music, and it left me flaccid and<br \/>\nunable to perform my duties at home. Don&#8217;t let this happen to you;<br \/>\navoid this turkey.<\/p>\n","protected":false},"author":2,"featured_media":26111,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6708],"rating":[5620],"class_list":["post-37326","review","type-review","status-publish","has-post-thumbnail","artist-the-last-hard-men","rating-rating-f"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37326"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37326\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26111"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37326"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37326"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37326"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}