{"id":37328,"date":"2002-02-22T00:00:00","date_gmt":"2002-02-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/strictly-diesel\/"},"modified":"2002-02-22T00:00:00","modified_gmt":"2002-02-22T00:00:00","slug":"strictly-diesel","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/strictly-diesel\/","title":{"rendered":"Strictly Diesel"},"content":{"rendered":"<p>I&#8217;ve always had a taste for the harder side of music, so when an<br \/>\nacquaintance recommended the band Spineshank, I promptly headed out<br \/>\nto the nearst music supplier and bought Spineshanks&#8217; first album<br \/>\n<i>Strictly Diesel<\/i>, released in 1998 on Roadrunner Records.<br \/>\nUpon first listen, I was not impressed. Harsh drum beats, power<br \/>\nchord guitar riffs and electronic bleeps add a certain something to<br \/>\nthe general feel of this powerhouse quartet, but this album as a<br \/>\nwhole hasn&#8217;t jumped out at me as THE underground metal album of the<br \/>\ncurrent era.<\/p>\n<p>Granted this does seem to be an experimental album for the band,<br \/>\nand from the research I&#8217;ve done on the band, there wasn&#8217;t a single<br \/>\nreleased from the album that was really pushed. They had a few<br \/>\nsmall mentions in<br \/>\n<i>Kerrang!<\/i> magazine but they quickly fell into the melee of<br \/>\nanother one of &#8220;those&#8221; bands. Jonny Santos&#8217; vocals are of the<br \/>\nquality that switching quickly and constantly from gutteral<br \/>\nscreaming and howling to full-vocaled note-holding without so much<br \/>\nas a crack, but Santo&#8217;s vocals are drowned out by Souren &#8220;Mike&#8221;<br \/>\nSarkisyan&#8217;s Guitar riffs. The perfect tone in the songs seems the<br \/>\ncomplimenting bass riffs dealt out by Rob Garcia, and harmonize<br \/>\nwith the guitar and vocals brilliantly. Tom Decker&#8217;s drum fills and<br \/>\nelectronic sampling add the perfect amount of new-age-feel to the<br \/>\nmusic, which in itself separates it from the mass of bands trying<br \/>\nto make it big in recent years in this genre.<\/p>\n<p>The most powerful song on the album is &#8220;Where We Fall&#8221;, and<br \/>\nprobably the only one I&#8217;ll so much as tap my foot along to. Santos&#8217;<br \/>\nvocals dominate the song, and as well they should. There&#8217;s minimal<br \/>\ngutteral wailing, and more flowing straight-from-the-stomach<br \/>\nsinging, which is certainly what I appreciate most. &#8220;Where We Fall&#8221;<br \/>\nstands out from the rest of the songs, the guitars are different<br \/>\nfrom the average three-power-chord songs and the lyrics are about<br \/>\nsomeone else for a change, instead of describing how black the<br \/>\nlyricist always feels inside.<\/p>\n<p>The worst song is Spineshank&#8217;s rendition of &#8220;While My Guitar<br \/>\nGently Weeps&#8221;. I assure you, there is no gentle weeping happening<br \/>\nin this cover, they might as well have renamed the classic Beatles<br \/>\ntune &#8220;While My Cat Painfully Dies&#8221;. The song is a disgrace to the<br \/>\noriginal, and has gone beyond experimentation, it&#8217;s just pure<br \/>\nbrutality.<\/p>\n<p>Are Spineshank likely to become a top ten of hard-metal? Not<br \/>\nlikely, unless they learned a hard lesson from the feedback of the<br \/>\nrelease of<br \/>\n<i>Strictly Diesel<\/i>.<\/p>\n","protected":false},"author":32,"featured_media":26113,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6709],"rating":[5619],"class_list":["post-37328","review","type-review","status-publish","has-post-thumbnail","artist-spineshank","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37328"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37328\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26113"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37328"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37328"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37328"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}