{"id":37330,"date":"2002-02-25T00:00:00","date_gmt":"2002-02-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cake-and-pie\/"},"modified":"2002-02-25T00:00:00","modified_gmt":"2002-02-25T00:00:00","slug":"cake-and-pie","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cake-and-pie\/","title":{"rendered":"Cake And Pie"},"content":{"rendered":"<p>For Lisa Loeb, her hit song &#8220;Stay&#8221; has been both a blessing and<br \/>\na curse. Yes, Loeb became the first unsigned artist to top the<br \/>\n<i>Billboard<\/i> singles charts (thanks to its inclusion on the<br \/>\n<i>Reality Bites<\/i> soundtrack), but ever since, it&#8217;s felt like<br \/>\nLoeb has been either trying to repeat that success or has been<br \/>\nchasing after it.<\/p>\n<p>\n<i>Cake And Pie<\/i>, the third full-length effort from Loeb (and<br \/>\nher first in about five years) suggests that Loeb is finally<br \/>\nbeginning to feel comfortable with her role as a singer-songwriter<br \/>\nwithout the need to repeat &#8220;Stay&#8221;. Yet she comes off sounding a bit<br \/>\nrusty after all this time.<\/p>\n<p>For the most part, the &#8220;frightened little girl&#8221; vocal style that<br \/>\ndrove &#8220;Stay&#8221; and Loeb&#8217;s subsequent hit &#8220;Do You Sleep?&#8221; seems to be<br \/>\nput on the shelf, rearing its head only when things get incredibly<br \/>\nbogged down in their own pretentiousness. Instead, we&#8217;re treated to<br \/>\nthe sound of a wonam who has grown in many ways over the past few<br \/>\nyears &#8211; though, as one can hear in the should-be single &#8220;We Could<br \/>\nStill Belong Together,&#8221; not much has changed on the romantic front.<br \/>\nThis particular song does continue a pattern which Loeb started<br \/>\nwith &#8220;I Do&#8221; off her last album<br \/>\n<i>Firecracker<\/i>, in that she moves out of the pop-rock sound and<br \/>\ndares to put some musical oomph behind her. It works well.<br \/>\nLikewise, the XTC-like guitar line on &#8220;You Don&#8217;t Know Me&#8221; is sheer<br \/>\nbrilliance; too bad the weak chorus sinks this one.<\/p>\n<p>Loeb also tries to call attention to anorexia in the album&#8217;s<br \/>\ncloser &#8220;She&#8217;s Falling Apart&#8221;. It&#8217;s interesting in that she&#8217;s able<br \/>\nto get the message across without clubbing the listener over the<br \/>\nhead with preachy messages &#8211; that said, I do wish this one had<br \/>\noffered some ray of hope (maybe in the form of suggesting there is<br \/>\nhelp) rather than simply painting the bleak picture of how this<br \/>\ndisease affects those who love the person suffering from it. Still,<br \/>\nLoeb&#8217;s heart was in the right place.<\/p>\n<p>For all the strengths of<br \/>\n<i>Cake And Pie<\/i>, there&#8217;s far too many weak moments that drag<br \/>\nthis disc down. &#8220;Drops Me Down&#8221; is far too sleepy of a song, losing<br \/>\nthe listener almost from the moment it starts. Likewise, &#8220;Kick<br \/>\nStart&#8221; needs a kick, all right &#8211; though I could argue for one in<br \/>\nthe songwriting, one in the energy level, and one in the incredibly<br \/>\nbland lyrics. &#8220;Bring Me Up&#8221; is a track which I&#8217;m not certain just<br \/>\nwhat Loeb was trying to do with it, but it lacks any real<br \/>\ncatchiness, while &#8220;Everyday&#8221; is a track which needs to grow on the<br \/>\nlistener (though I&#8217;ll still argue the repeating of the song&#8217;s title<br \/>\nin the chorus is annoying).<\/p>\n<p>All of this said,<br \/>\n<i>Cake And Pie<\/i> does turn out to be Loeb&#8217;s best album to date &#8211;<br \/>\nhaving listened to<br \/>\n<i>Tails<\/i> and<br \/>\n<i>Firecracker<\/i> before writing this review, I know. But for all<br \/>\nthe promise that this disc holds in its outstanding tracks, there&#8217;s<br \/>\nenough to show that Loeb still hasn&#8217;t reached the upper echelon of<br \/>\nsinger-songwriters yet.<\/p>\n","protected":false},"author":2,"featured_media":26115,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6711],"rating":[5614],"class_list":["post-37330","review","type-review","status-publish","has-post-thumbnail","artist-lisa-loeb","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37330"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37330\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26115"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37330"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37330"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}