{"id":37338,"date":"2002-03-06T00:00:00","date_gmt":"2002-03-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-hillbilly-tribute-to-ac-dc\/"},"modified":"2002-03-06T00:00:00","modified_gmt":"2002-03-06T00:00:00","slug":"a-hillbilly-tribute-to-ac-dc","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-hillbilly-tribute-to-ac-dc\/","title":{"rendered":"A Hillbilly Tribute To AC\/DC"},"content":{"rendered":"<p>On paper, I should absolutely hate Hayseed Dixie. Touted in the<br \/>\npress as a novelty act, this group of anonymous pickers took a<br \/>\nbunch of songs I&#8217;ve spent my entire adult life listening to and<br \/>\ncountry-fried them. I should be outraged at what they did to AC\/DC,<br \/>\nundoubtedly one of<br \/>\n<b><br \/>\n<i>the<\/i><br \/>\n<\/b> best rock bands to ever drag their knuckles on this planet. I<br \/>\nshould be disgusted at the twists these ten songs have taken.<\/p>\n<p>I should&#8230; but the truth is, I love this album. I do, however,<br \/>\nhate that Hayseed Dixie is being treated like an inbred cousin in<br \/>\nthe press.<\/p>\n<p>Okay, the concept of a bluegrass band covering hard rock is<br \/>\nfunny &#8211; and the bio that introduces Hayseed Dixie to the world has<br \/>\ntongue firmly planted in cheek &#8211; right there next to the wad of Red<br \/>\nMan tobacco. But<br \/>\n<i>A Hillbilly Tribute To AC\/DC<\/i> works as well as it does<br \/>\nbecause of three factors.<\/p>\n<p>First, Hayseed Dixie, for all their peculiarities, take this<br \/>\nmusic seriously. They don&#8217;t ever forget that there is an aspect of<br \/>\nfun to AC\/DC&#8217;s music, and they absolutely capture it in their<br \/>\nrenditions. They also keep things surprisingly close to the<br \/>\noriginals, meaning that songs like &#8220;Highway To Hell&#8221; and &#8220;Let&#8217;s Get<br \/>\nIt Up&#8221; keep a lot of the flavor of the original songs.<\/p>\n<p>Second, Hayseed Dixie may or may not be a novelty act, but these<br \/>\nguys can absolutely play bluegrass with the best of them. I&#8217;m<br \/>\nwilling to bet the normal 14-year-old metalhead wouldn&#8217;t listen to<br \/>\na bluegrass CD if they were offered a night with a swimsuit model,<br \/>\nyet they will probably latch onto Hayseed Dixie pretty quickly, if<br \/>\nonly because they&#8217;re covering AC\/DC. The fact is, such a disc might<br \/>\nawaken an interest in a musical genre that one otherwise might not<br \/>\nbe willing to try &#8211; and Hayseed Dixie does it amazingly well, from<br \/>\nthe acoustic guitar to the mandolin and violin.<\/p>\n<p>Third, Hayseed Dixie never takes themselves too seriously. There<br \/>\nis a loose feel to this disc &#8211; which is exactly what the subject<br \/>\nmatter calls for. Hayseed Dixie is comfortable enough in their own<br \/>\nskin to take chances; let&#8217;s all thank God for that.<\/p>\n<p>All of this said, there are two minor points of contention I&#8217;ll<br \/>\nraise &#8211; both bordering on nitpickng. Only two covers &#8211; &#8220;Moneytalks&#8221;<br \/>\nand &#8220;T.N.T.&#8221; &#8211; don&#8217;t quite have the same spark or stay as close to<br \/>\nthe bone as their compatriots. It&#8217;s a minor disappointment, though,<br \/>\nand Hayseed Dixie more than compensates for it.<\/p>\n<p>\n<i>A Hillbilly Tribute To AC\/DC<\/i> is a surprisingly good disc<br \/>\nfrom a band who deserve to be taken seriously. After all, if Dolly<br \/>\nParton can cover Collective Soul and be respected, why can&#8217;t these<br \/>\nlovable country bumpkins?<\/p>\n","protected":false},"author":2,"featured_media":26123,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6715],"rating":[5613],"class_list":["post-37338","review","type-review","status-publish","has-post-thumbnail","artist-hayseed-dixie","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37338"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37338\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26123"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37338"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37338"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37338"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}