{"id":37346,"date":"2002-03-19T00:00:00","date_gmt":"2002-03-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blade-ii\/"},"modified":"2002-03-19T00:00:00","modified_gmt":"2002-03-19T00:00:00","slug":"blade-ii","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blade-ii\/","title":{"rendered":"Blade II"},"content":{"rendered":"<p>A few years ago,<br \/>\n<i>Blade<\/i> came out just as the comic-movie craze was becoming a<br \/>\nsaturated landfill in the theaters. Low-budget, smacking of B-movie<br \/>\ncharm, the movie was not expected to do well. However, Wesley<br \/>\nSnipes&#8217;s dead-on bad-ass performance and cutting-edge special<br \/>\neffects (those who saw<br \/>\n<i>The Matrix<\/i> were a little more prepared to be bowled over<br \/>\nafter seeing some of the scenes in<br \/>\n<i>Blade<\/i>), helped made the movie a modest hit. Now that the<br \/>\nvideo has been out for years, it has become a major cult hit.<\/p>\n<p>Of course, a sequel was inevitable. Only this time, the budget<br \/>\nis fatter than P-Diddy&#8217;s payroll and expectations are much larger.<br \/>\nHappy Walters, CEO of Immortal Records was put in charge of<br \/>\nassembling a soundtrack to fit the movie. He has manned the boards<br \/>\nfor such hip-hop-meets-heavy metal-collaborations as<br \/>\n<i>Judgment Night<\/i> and<br \/>\n<i>Spawn<\/i>.<\/p>\n<p>Much like his past two soundtracks, Walters aims to strike a<br \/>\nbalance between commercial and critical acclaim. For<br \/>\n<i>Blade II<\/i>, it seems that Walters is leaning toward the latter<br \/>\nbalance. The soundtrack features some of the most innovative<br \/>\nartists in trip-hop as well as hip-hop.<\/p>\n<p>The pairings are inspired: Mystical meets up with Moby; Redman<br \/>\nand Gorrillaz; Cypress Hill and Roni Size; The Roots and BT; Ice<br \/>\nCube and Paul Oakenfold, just to name a few. The dream combo in the<br \/>\nsoundtrack is a collaboration featuring trip-hop pioneers Massive<br \/>\nAttack and hip-hop visionary Mos Def.<\/p>\n<p>Much like all-star teams and superhero team-ups, some pairings<br \/>\nwork and some just seem to fall apart. Massive Attack&#8217;s spooky,<br \/>\natmospheric beats work perfectly with Mos Def&#8217;s confidant,<br \/>\nsmooth-flowing delivery. Even though the lyrics to &#8220;We Be Like<br \/>\nThis&#8221; may smack of hip-hop clich\u00e9s, the slamming beats<br \/>\nprovided by Jadakiss, Danny Saber and Fabolous are so infectious<br \/>\nthat you couldn&#8217;t care less.<\/p>\n<p>&#8220;Gorillaz On My Mind,&#8221; a fun, funky collaboration between<br \/>\nGorillaz and Redman brings out the best in both artists. For<br \/>\nRedman, an artist plagued by recent weak efforts, the<br \/>\ncomic-book-style energy provided by Gorillaz seemed to re-energize<br \/>\nRedman&#8217;s creative process. And Redman&#8217;s presence made Gorillaz seem<br \/>\nwell, less cartoonish.<\/p>\n<p>Of course, other experiments do not work nearly as well. &#8220;The<br \/>\nOne,&#8221; in insipid number featuring Busta Rhymes, Silkk The Shocker<br \/>\nand Danny Saber, is almost forgotten once &#8220;We Be Like This&#8221; comes<br \/>\non. It doesn&#8217;t help that Silkk&#8217;s limited lyrical and rapping skills<br \/>\nis matched up with Rhymes&#8217; furious, creative energy.<\/p>\n<p>Unlike other so-called mergers of different musical styles,<br \/>\n<i>Blade II<\/i> rarely feels like it&#8217;s contrived or rehearsed. The<br \/>\ndark, moody beats of many of these trip-hop artists mesh well and<br \/>\nactually give a good amount of depth to some of the hip-hop artists<br \/>\non the list. So what if the movie may turn out to be over-hyped,<br \/>\ninferior to the original and a big-budget disappointment? The<br \/>\nsoundtrack already ranks among the best in recent memory.<\/p>\n","protected":false},"author":7,"featured_media":26131,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6722],"rating":[5617],"class_list":["post-37346","review","type-review","status-publish","has-post-thumbnail","artist-original-soundtrack","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37346"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37346\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26131"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37346"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37346"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}