{"id":37366,"date":"2002-04-07T00:00:00","date_gmt":"2002-04-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/18-tracks\/"},"modified":"2002-04-07T00:00:00","modified_gmt":"2002-04-07T00:00:00","slug":"18-tracks","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/18-tracks\/","title":{"rendered":"18 Tracks"},"content":{"rendered":"<p>To paraphrase another review, this release is a bit<br \/>\ndisappointing.<\/p>\n<p>Is the music bad? No. Far from it.<\/p>\n<p>Is the packaging bad? Nope. Comes with lyrics, some comments,<br \/>\ngood pictures.<\/p>\n<p>The disappointment comes when you step back and look at the<br \/>\npurpose of the release. It&#8217;s a collection of some of the &#8220;best&#8221;<br \/>\ntracks on the four-disc set he released called, well,<br \/>\n<i>Tracks<\/i>.<br \/>\n<i>Tracks<\/i> is a huge amount of music, from a huge amount of time<br \/>\n&#8211; choosing just 18 songs from it is not easy, and it&#8217;s probably not<br \/>\na good review to criticize the actual choices.<\/p>\n<p>But, that&#8217;s what I&#8217;m going to do. The choices focus much more on<br \/>\nthe shorter, radio friendly selections &#8211; which isn&#8217;t a bad thing,<br \/>\nexcept that several of the more interesting and risk-taking pieces<br \/>\nwere left off; namely, most of the tracks on the first disc. That&#8217;s<br \/>\nnot to say that the choices are bad; they just aren&#8217;t very<br \/>\nrisk-taking.<\/p>\n<p>We get some very good insights into the process of song-writing<br \/>\n&#8211; the demo of &#8220;Growin&#8217; Up&#8221; is a bit stripped down, and the version<br \/>\nof &#8220;Born In The USA&#8221; on this album is from the early days of the<br \/>\nsong, probably when it was still slated for the<br \/>\n<i>Nebraska<\/i> album. &#8220;Seaside Bar Song&#8221; is vaguely familiar<br \/>\nsounding, and sounds like it&#8217;s from the same era that produced<br \/>\nfeel-good classics like &#8220;Rosalita.&#8221; &#8220;I Wanna Be With You&#8221; shows<br \/>\njust how carefully Springsteen guarded his music; this song could<br \/>\nhave easily shot to the top of the charts &#8212; it&#8217;s got a simple<br \/>\nchorus, good lyrics, and a great rhythm. Why this was never<br \/>\nreleased is one of the great mysteries.<\/p>\n<p>&#8220;Lion&#8217;s Den&#8221; sounds like Phil Spector-ish wall-of-sound with<br \/>\nbiblically infused lyrics, all layered on top of a relentless<br \/>\nup-and-down beat. It fits nicely in the middle, particularly<br \/>\nbetween &#8220;My Love Will Not Let You Down,&#8221; a song I really don&#8217;t care<br \/>\nfor, and &#8220;Pink Cadillac.&#8221;<\/p>\n<p>One thing bugs me about this album. It&#8217;s supposed to be a<br \/>\ncompanion to<br \/>\n<i>Tracks<\/i>, for all the fans that really don&#8217;t feel like<br \/>\ninvesting four to five hours immersing themselves in the Boss. But,<br \/>\nfor some reason, one of the most requested songs of Springsteen&#8217;s &#8211;<br \/>\n&#8220;The Fever&#8221; &#8212; was only included in this sampler platter. I felt<br \/>\nlike a schmuck buying this CD, but I did anyway &#8212; and I think that<br \/>\nthe three new tracks, &#8220;The Fever,&#8221; &#8220;The Promise,&#8221; and &#8220;Trouble<br \/>\nRiver&#8221; are worth the nine dollars I paid for it. &#8220;The Fever,&#8221; in<br \/>\nparticular, is a fairly long track, clocking in at seven and a half<br \/>\nminutes, despite being very sparse lyrically &#8212; it&#8217;s a slow, long,<br \/>\nlove song. I wouldn&#8217;t change a thing about it.<\/p>\n<p>All in all, this is a good disc to buy if you liked<br \/>\n<i>Born In The USA<\/i> more than<br \/>\n<i>The Wild, The Innocent And The E Street Shuffle<\/i>. It features<br \/>\nmuch more compact music than the boxed set does. But if you find<br \/>\nyourself wanting more creative, reaching musical landscapes, I<br \/>\nwould suggest picking up<br \/>\n<i>Tracks<\/i> instead.<\/p>\n","protected":false},"author":28,"featured_media":26148,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5832],"rating":[5615],"class_list":["post-37366","review","type-review","status-publish","has-post-thumbnail","artist-bruce-springsteen","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37366"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37366\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26148"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37366"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37366"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37366"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}