{"id":37384,"date":"2002-04-23T00:00:00","date_gmt":"2002-04-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/always-take-me-back\/"},"modified":"2002-04-23T00:00:00","modified_gmt":"2002-04-23T00:00:00","slug":"always-take-me-back","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/always-take-me-back\/","title":{"rendered":"Always Take Me Back"},"content":{"rendered":"<p>John Cowan has never respected musical boundaries much. Starting<br \/>\nhis career in rock bands in Louisville, Kentucky, he became a part<br \/>\nof New Grass Revival (NGR) in 1974. For those new at this, NGR is<br \/>\nthe newgrass band &#8212; setting the acoustic traditional world on its<br \/>\near for years by breaking new ground in newgrass. Other members<br \/>\nincluded the great Sam Bush and Bela Fleck, so we&#8217;re not talking<br \/>\nlightweights here.<\/p>\n<p>When NGR broke up in 1990, Cowan began a career that can best be<br \/>\ndescribed as relaxed and eclectic, including a second band, The Sky<br \/>\nKings, and two solo recordings for Sugar Hill Records &#8212; one of<br \/>\nwhich,<br \/>\n<i>Soul&#8217;d Out<\/i>, is a collection of Cowan&#8217;s favorite soul tunes.<br \/>\nHeady stuff for a blue-eyed bluegrass vocalist &#8212; so one expects<br \/>\nhis latest release,<br \/>\n<i>Always Take Me Back<\/i>, will be pretty eclectic.<\/p>\n<p>Eclectic. Check. Damn good? Also check.<\/p>\n<p>What else can you call an album with a bluegrass cover of Yes&#8217;<br \/>\n&#8220;Long Distance Runaround&#8221; paired up with the spiritual &#8220;Someone<br \/>\nGive Me A Stone&#8221;? (Fact is, I prefer the cover to the original,<br \/>\nmostly because it has Cowan&#8217;s precise, articulate vocals rather<br \/>\nthan John Anderson&#8217;s quacking.)<\/p>\n<p>\n<i>Always Take Me Back<\/i> is a brilliant piece of work. There are<br \/>\na number of powerful, powerful pieces on this CD, and they always<br \/>\nkeep you guessing. Cowan appears to delight in mixing metaphors;<br \/>\nhow else do you explain a blues-rock spiritual search on the<br \/>\nOklahoma City bombing (&#8220;Read On&#8221;), a blow-the-doors-off jam on<br \/>\nbeing permanently down and out (&#8220;Two Quarts Low&#8221;), or a traditional<br \/>\nbluegrass take on growing a few illegal crops so you don&#8217;t lose<br \/>\nyour farm (&#8220;Monroe&#8217;s Mule&#8221;)? Mix in powerful reflections on family<br \/>\nlike &#8220;They Always Take Me Back&#8221; and &#8220;18 Years&#8221; and you have a CD<br \/>\nwhose power is in the words and the music &#8212; and what a lot of<br \/>\npower there is.<\/p>\n<p>The highlights by far are two tracks &#8212; the bittersweet,<br \/>\nhaunting &#8220;Blood&#8221; and &#8220;Love Alone&#8221;, both of which have real, deep<br \/>\nemotional impact. (I must have played &#8220;Blood&#8221; twenty, thirty times<br \/>\nthis week.) These are great songs, the kind that don&#8217;t come along<br \/>\nvery often, and to have two of them on any CD makes up for a few<br \/>\nweak spots (the aforementioned &#8220;Stone&#8221; and &#8220;Call Me&#8221; drag a<br \/>\nlittle).<\/p>\n<p>John Cowan is a unique voice; he blazes his own trail, and in<br \/>\nthe day and age of the Corporate Music Zombies, that&#8217;s a great<br \/>\nthing. Don&#8217;t miss out on this CD.<\/p>\n","protected":false},"author":18,"featured_media":26165,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6739],"rating":[5613],"class_list":["post-37384","review","type-review","status-publish","has-post-thumbnail","artist-john-cowan","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37384"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37384\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26165"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37384"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37384"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37384"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}