{"id":37432,"date":"2002-07-04T00:00:00","date_gmt":"2002-07-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/marshall-crenshaw\/"},"modified":"2002-07-04T00:00:00","modified_gmt":"2002-07-04T00:00:00","slug":"marshall-crenshaw","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/marshall-crenshaw\/","title":{"rendered":"Marshall Crenshaw"},"content":{"rendered":"<p>Sometimes it&#8217;s the simplest pleasures that are the best. Often,<br \/>\nthis is true of music and Marshall Crenshaw is one writer where<br \/>\nthis definitely applies. Rhino Records has recently re-released<br \/>\nCrenshaw&#8217;s first album (which originally came out in 1982) with the<br \/>\nusual remastering and addition of bonus tracks.<\/p>\n<p>There is absolutely nothing fancy about this album and that is<br \/>\npart of its charm. This is simply a collection of short, catchy<br \/>\ntunes that are played well. One of the ideas behind the new wave<br \/>\nscene was that rock had lost its roots and it needed to get back to<br \/>\nthe straight and narrow. Crenshaw&#8217;s back to basic approach fit this<br \/>\nidea to a tee.<\/p>\n<p>Because Crenshaw makes it all seem so easy, I can see where<br \/>\npeople can take him for granted. And that is the only reason I can<br \/>\nthink of that the songs off this album weren&#8217;t all over the radio.<br \/>\nIn all fairness, the first single, which was the ultra-hooky<br \/>\n&#8220;Someday, Someway&#8221;, did crack the Top 40, but just barely.<\/p>\n<p>But that song only scratches the surface. There&#8217;s also the<br \/>\nclever second single, &#8220;Cynical Girl&#8221;, the bouncy &#8220;Rockin&#8217; Around In<br \/>\nNYC&#8221;, the light, the old school R&#038;B feel of &#8220;Brand New Lover&#8221;,<br \/>\nand even an anthem in the song &#8220;Girls&#8230;&#8221;. Crenshaw may tackle them<br \/>\nall with ease, but if it was so easy to come up so many wonderful<br \/>\nsongs, more people would be doing it.<\/p>\n<p>I know it wasn&#8217;t the retro feel of<br \/>\n<i>Marshall Crenshaw<\/i> that turned people off, or else how do you<br \/>\nexplain the success at that time of the Stray Cats? Then again,<br \/>\nCrenshaw&#8217;s retro feel here is a lot more subtle. There is<br \/>\ndefinitely a Buddy Holly vibe throughout<br \/>\n<i>Marshall Crenshaw<\/i>, but he has a way with a song that is<br \/>\nuniquely his own. The one exception might be his faithful rendition<br \/>\nof an old chestnut called &#8220;Soldier Of Love&#8221;.<\/p>\n<p>Country music could have made a hit out of &#8220;The Usual Thing&#8221;,<br \/>\nwhich was definitely a nod to the Everly Brothers in their glory.<br \/>\nOh yeah, but country music was going through one of its &#8220;slick&#8221;<br \/>\nphases at the time this album came out.<\/p>\n<p>Leave it to Rhino to add some great bonus tracks, which include<br \/>\nthe B Sides from this albums&#8217; two singles, songs that could have<br \/>\nbeen potential hits in their own right. In fact, &#8220;You&#8217;re My<br \/>\nFavorite Waste Of Time&#8221; has been covered by quite a few artists,<br \/>\nmost notably Bette Midler.<\/p>\n<p>There are quite a few live tracks included, and they are all<br \/>\ngems.Buddy Holly&#8217;s &#8220;Rave On&#8221; is an obvious choice, but its<br \/>\nCrenshaw&#8217;s soulful side on display in fantastic covers of &#8220;Stop Her<br \/>\nOn Sight (S.O.S)&#8221; and &#8220;Look At What I Almost Missed&#8221; that are the<br \/>\nhighlights.<\/p>\n<p>The bottom line is if you love pop oriented rock, then either<br \/>\n<i>Marshall Crenshaw<\/i> or his greatest hits package,<br \/>\n<i>This Is Easy: The Best Of Marshall Crenshaw<\/i>, are absolutely<br \/>\nessential. Crenshaw is just another example of the satisfaction of<br \/>\nsimple pleasures.<\/p>\n","protected":false},"author":17,"featured_media":26211,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6252],"rating":[5646],"class_list":["post-37432","review","type-review","status-publish","has-post-thumbnail","artist-marshall-crenshaw","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37432"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37432\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26211"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37432"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37432"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37432"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}