{"id":37440,"date":"2002-07-16T00:00:00","date_gmt":"2002-07-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/embrace-oblivion\/"},"modified":"2002-07-16T00:00:00","modified_gmt":"2002-07-16T00:00:00","slug":"embrace-oblivion","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/embrace-oblivion\/","title":{"rendered":"Embrace Oblivion"},"content":{"rendered":"<p>Tearabyte is a mixed-bag that is more pleasure than pain.<\/p>\n<p>On one hand, the band wants to be taken very seriously as a<br \/>\nmetal band. As musical cousins to a Slayer or Anthrax, the band is<br \/>\na good to above-decent thrash band. Opening track &#8220;Road Rage&#8221;<br \/>\nborrows, thematically, from the Offspring&#8217;s &#8220;Bad Habit&#8221; (from<br \/>\n<i>Smash<\/i>), spinning a tale of &#8220;pedestrians scatter run for your<br \/>\nlives\/ won&#8217;t stop till your carcass\/ is my finish line&#8221; following<br \/>\nup with &#8220;you know I&#8217;ll run you down.&#8221;<\/p>\n<p>The title cut of this release follows and is a good example of<br \/>\nmetal done right. Guitarist Kevin Mead introduces an errie theme<br \/>\nbefore bassist\/vocalist Al Mead and drummer Jeff Owens come in to<br \/>\ndrive the song about the &#8220;downfall of man is what is in store.&#8221; The<br \/>\nvocals are melodic and, for such a serious subject, deliver the<br \/>\nmessage of a bleak outlook on life. The guitar solo is equally<br \/>\nmelodic, although short. Drummer Owens pounds a heavy backbeat with<br \/>\nsome tasty ride cymbal accents.<\/p>\n<p>Then, on the other hand, you get to the quad of songs that<br \/>\nfinish out the CD. &#8220;Screaming Pig&#8221; (the abbreviated title of the<br \/>\nactual title of this song) spits venom with its lyrics, so<br \/>\noutrageously vulgar, that I can&#8217;t help chuckle when I hear\/read<br \/>\nthem. It seems to be the result of a late night, alcohol- soaked,<br \/>\nbeer bong bonanza of &#8220;how much can we throw into a song.&#8221;<br \/>\nRemarkably, the song is a gem musically. The following track<br \/>\n&#8220;Pissing Contest&#8221; carries forward thematically the dissing of the<br \/>\nsubject as Al Mead questions, &#8221; . . . who cares\/ when you claim to<br \/>\nbe something your [sic] not\/ . . . friendship you&#8217;ll never know\/<br \/>\nmeaningless unworthiness\/ arrogance vengeance\/ trust a word you<br \/>\ndon&#8217;t understand\/ your best friends are arrogance and ego.&#8221;<br \/>\nObviously, this person is not on Mead&#8217;s top 100 list.<\/p>\n<p>The instrumental &#8220;Spear Of Destiny&#8221; is a good driving mid-tempo<br \/>\nof thrash metal done right. The melody is interesting and the drums<br \/>\nsynch with the change into a straight-ahead thrash tempo. When that<br \/>\nsong ends, you get &#8220;Ring Of Fire&#8221;, a Johnny Cash cover. Like<br \/>\n&#8220;Screaming Pig&#8221;, I can&#8217;t help chuckle at this song. It is<br \/>\nwell-done, musically.The CD tracks in at 50 minutes and at the end<br \/>\nof repeatedly listening to this CD, I am gathering this band&#8217;s<br \/>\nrehearsals would be a treat to sit on. They exhibit a sense of<br \/>\nhumor and can back it up with interesting music. I look forward to<br \/>\nthis band&#8217;s future releases.<\/p>\n","protected":false},"author":10,"featured_media":26219,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6769],"rating":[5617],"class_list":["post-37440","review","type-review","status-publish","has-post-thumbnail","artist-tearabyte","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37440"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37440\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26219"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37440"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37440"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37440"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}