{"id":37449,"date":"2002-08-12T00:00:00","date_gmt":"2002-08-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-side\/"},"modified":"2002-08-12T00:00:00","modified_gmt":"2002-08-12T00:00:00","slug":"this-side","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-side\/","title":{"rendered":"This Side"},"content":{"rendered":"<p>Maybe they just couldn&#8217;t handle the pressure. I mean, let&#8217;s face<br \/>\nit; all it seems I&#8217;ve done for the last two years is tell you how<br \/>\ndamned good Nickel Creek and their solo incarnations &#8212; Chris Thile<br \/>\nand Sean Watkins &#8212; are. So I went into the second album from<br \/>\nnewgrass wunderkinder Nickel Creek,<br \/>\n<i>This Side<\/i>, expecting great things, and came away strangely<br \/>\nunsatisfied.<\/p>\n<p>Worst thing is, I can&#8217;t tell you why. A lot of things on here<br \/>\nare done right. The musicianship of Thile, Watkins, and Sara<br \/>\nWatkins is, as usual, stellar. So one supposes the answer needs to<br \/>\nlie somewhere else. After multiple listens &#8212; and I do mean<br \/>\nmultiple &#8212; I think, however, I have three possible answers.<\/p>\n<p>One, the overall sound of the album. I don&#8217;t know whether to<br \/>\nblame the engineer, the production, or the session bass players<br \/>\n(more about that in a moment), but the bottom end seems to have<br \/>\ngotten knocked out of<br \/>\n<i>This Side<\/i>. The production and engineering is competent, but<br \/>\nseems to shortchange the sound on the deep end of things. A track<br \/>\nlike &#8220;Smoothie Song&#8221;, the CD&#8217;s opener, rarely seems to really<br \/>\nresonate in the deep end of the harmonic range; there&#8217;s no damn<br \/>\ncojones to it.<\/p>\n<p>Second is the songwriting. There are some good band-penned songs<br \/>\non this CD (specifically &#8220;Speak&#8221;, &#8220;Seven Wonders&#8221; and &#8220;This Side&#8221;).<br \/>\nBut &#8220;Green and Gray&#8221; and &#8220;Brand New Sidewalk&#8221; just didn&#8217;t work for<br \/>\nme at all, and two of the three covers (&#8220;Hanging By A Thread&#8221; and<br \/>\nCarrie Newcomer&#8217;s &#8220;I Should&#8217;ve Known Better&#8221;) seem forced and<br \/>\nawkward. An uneven mix of songs at best; there&#8217;s no &#8220;Reasons Why&#8221;<br \/>\nor &#8220;When You Come Back Down&#8221; on<br \/>\n<i>This Side<\/i>.<\/p>\n<p>Finally is the bass sound &#8212; or the absence thereof. Bass was<br \/>\nprovided by what seems to be two session players; nowhere is it<br \/>\nreally featured, and often it&#8217;s drowned in the mix; again, the<br \/>\nalbum seems unsupported and thin in many areas. It&#8217;s interesting<br \/>\nthat they are touring with an entirely different bassist, Derek<br \/>\nJones; perhaps that&#8217;s why.<\/p>\n<p>There are a couple of excellent tracks on the CD. &#8220;Seven<br \/>\nWonders&#8221; is poignant and wistful, &#8220;Beauty And The Mess&#8221; breaks out<br \/>\nof the thin sound with a driving, bass-heavy sound, and &#8220;House<br \/>\nCarpenter&#8221; is a great cover of a traditional band.<\/p>\n<p>In the long run, though,<br \/>\n<i>This Side<\/i> suffers from a shallow sophomore slump. There are<br \/>\ntimes where Nickel Creek shows the brilliance they captured on<br \/>\ntheir first CD, but there just aren&#8217;t enough of them.<\/p>\n","protected":false},"author":18,"featured_media":26228,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6448],"rating":[5612],"class_list":["post-37449","review","type-review","status-publish","has-post-thumbnail","artist-nickel-creek","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37449"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37449\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26228"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37449"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37449"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37449"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}