{"id":37466,"date":"2002-09-24T00:00:00","date_gmt":"2002-09-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/budgie\/"},"modified":"2002-09-24T00:00:00","modified_gmt":"2002-09-24T00:00:00","slug":"budgie","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/budgie\/","title":{"rendered":"Budgie"},"content":{"rendered":"<p>Budgie is one of the best forgotten hard rock bands of the 70&#8217;s,<br \/>\nperiod. Even forgotten might be a bit of an exaggeration since they<br \/>\nnever managed to gain more than cult status, particularly in the<br \/>\nUS. For years now I&#8217;ve been obsessed with discovering more and more<br \/>\nbands who were at the cutting edge of hard rock\/heavy metal during<br \/>\nits infancy in the early 70&#8217;s, after all, Black Sabbath, Led<br \/>\nZeppelin and Deep Purple couldn&#8217;t possibly have been the only heavy<br \/>\nbands at the time.<\/p>\n<p>Indeed they weren&#8217;t, and at their peak, Budgie&#8217;s music easily<br \/>\nrivaled that of the giants of the genre I just mentioned. Why they<br \/>\nnever gained even an ounce of the popularity of lesser bands like<br \/>\nUriah Heep is one of rock&#8217;s great mysteries&#8230;they were stable,<br \/>\nsuperb musicians, wrote killer tunes, and churned out a slew of<br \/>\ngreat albums for many years, so what happened? They were a highly<br \/>\ncreative band with an original sound, and most refreshing of all is<br \/>\nthat a good deal of the music is not cliched 70&#8217;s rock.<\/p>\n<p>Think Black Sabbath meets Rush in a way, with bizarre songs like<br \/>\n&#8220;Crash Course In Brain Surgery&#8221; (a song from this debut record that<br \/>\nwas strangely included on the cd release of their fourth album,<br \/>\n<i>In For The Kill<\/i>, instead). If you&#8217;re a fan of hard rock, you<br \/>\nshould love these guys&#8230;Metallica have covered a few of their<br \/>\nsongs, and that&#8217;s probably the only reason anybody even knows about<br \/>\nthem anymore; that&#8217;s how I first heard of them too. It&#8217;s time that<br \/>\nthe world finally embraced this unfairly neglected pioneering<br \/>\nband.<\/p>\n<p>The Welsh trio comes blasting out of the gates in their bid to<br \/>\nclimb to the throne of heavy superstardom with this immensely<br \/>\npowerful self-titled debut, released in 1971. You know that<br \/>\npatented really low, downtuned sludgy guitar tone unique to the<br \/>\nearly Black Sabbath albums that&#8217;s thunderously fuzzy?? It&#8217;s all<br \/>\nover this record! Was Tony Iommi moonlighting or something? Nope,<br \/>\nthat would be the other Tony, Tony Bourge, on lead guitar. Ray<br \/>\nPhilipps on drums and Burke Shelley as bassist\/vocalist\/frontman<br \/>\nrounded out the original line-up.<\/p>\n<p>This first Budgie album sounds like a<br \/>\n<i>Master Of Reality<\/i> copy&#8230;even the rhythms and the vocal<br \/>\nmelodies are astonishingly Sabbathian in nature, especially the<br \/>\nsongs &#8220;Guts&#8221;, &#8220;Nude Disintegrating Parachutist Woman&#8221;, &#8220;All Night<br \/>\nPetrol&#8221;, and &#8220;Homicidal Suicidal&#8221;. Most of the songs are epic in<br \/>\nlength, with a bunch of really long guitar solos, that while<br \/>\nawesomely played, do tend to go on longer than maybe they should.<br \/>\nThere is one section during the song &#8220;The Author&#8221; that speeds up<br \/>\nconsiderably, foreshadowing the speed metal approach popularized by<br \/>\nthe New Wave of British Heavy Metal bands of the late 70&#8217;s and<br \/>\nearly 80&#8217;s.<\/p>\n<p>Something Budgie did to stand apart from other heavy bands was<br \/>\ninclude a fair number of folky, acoustic ballads on this album,<br \/>\nresulting in a bit of a sonic rollercoaster. This is a trend they<br \/>\ncontinued on later albums. I&#8217;m not a particular fan of Budgie&#8217;s<br \/>\nsofter moments because to me they have a nasty habit of killing the<br \/>\nenergy and momentum of the more powerful tracks, and Burke<br \/>\nShelley&#8217;s voice doesn&#8217;t really seem naturally suited to balladry<br \/>\ndue to a thin, high pitched and somewhat whiny delivery. While he<br \/>\ndoesn&#8217;t really sound like Geddy Lee of Rush, he does remind me of<br \/>\nhim more than anyone else.<\/p>\n<p>To recap, despite all the heaviness contained here however,<br \/>\nBudgie isn&#8217;t quite as eerie or gloomy as Black Sabbath, but rather<br \/>\nmore surreal (as if the song titles didn&#8217;t already give that away),<br \/>\nand sandwiched in between are a couple of Neil Young style acoustic<br \/>\nfolk tracks that might make for some great contrast in some<br \/>\npeople&#8217;s eyes, but serve as distracting, boring interludes between<br \/>\nthe really meaty stuff in my opinion!<\/p>\n<p>The production is characteristically early 70&#8217;s, with that warm,<br \/>\nfuzzy low end and the high end a bit low in the mix. That hardly<br \/>\nmatters when the material is as consistently strong as it is here.<br \/>\nThe self titled debut for Budgie makes a very strong statement<br \/>\nindeed, and the band would go on to create some essential early<br \/>\n70&#8217;s metal albums. So, if you&#8217;re like me and have a burning desire<br \/>\nto seek out some of the obscure heavy bands of that particular era,<br \/>\nthen this is a great place to start.<\/p>\n","protected":false},"author":29,"featured_media":26244,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6783],"rating":[5613],"class_list":["post-37466","review","type-review","status-publish","has-post-thumbnail","artist-budgie","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37466"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37466\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26244"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37466"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37466"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37466"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}