{"id":37468,"date":"2002-09-26T00:00:00","date_gmt":"2002-09-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-poppin-wheelies\/"},"modified":"2002-09-26T00:00:00","modified_gmt":"2002-09-26T00:00:00","slug":"the-poppin-wheelies","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-poppin-wheelies\/","title":{"rendered":"The Poppin&#8217; Wheelies"},"content":{"rendered":"<p>The Poppin&#8217; Wheelies are: (a) a new boy band sponsored by the<br \/>\nAmerican Motocross Association; (b) a high-concept musical cartoon<br \/>\nwith a &#8220;Star Wars meets Josie and the Pussycats by way of<br \/>\nScooby-Doo&#8221; feel; (c) a slang term for skate punks who do a lot of<br \/>\nuppers. Now that you&#8217;ve had a chance to think about it, hold that<br \/>\nthought.<\/p>\n<p>Of all the good things that have happened musically in the year<br \/>\n2002 &#8212; a category which in my mind includes a new Springsteen<br \/>\nalbum, the ascendance of Jimmy Eat World, a terrific album from<br \/>\nSheryl Crow, and the replacement on the charts of the likes of<br \/>\nBritney Spears with the likes of Michelle Branch &#8211; my favorite may<br \/>\nstill be a development which has yet to produce any new music at<br \/>\nall. The Gin Blossoms are back.<\/p>\n<p>For those who slept through the first half of the &#8217;90s, the Gin<br \/>\nBlossoms were a five-man powerhouse pop-rock band out of Tempe,<br \/>\nArizona whose propulsive single &#8220;Hey Jealousy&#8221; conducted a gradual<br \/>\ntakeover of the charts in fall 1993. With just two major-label<br \/>\nalbums to their name (1992&#8217;s<br \/>\n<i>New Miserable Experience<\/i> and 1996&#8217;s<br \/>\n<i>Congratulations I&#8217;m Sorry<\/i>), they broke up all too soon in<br \/>\n1997. Five years later, they&#8217;re back, having toured all this spring<br \/>\nand summer, generating buzz and working on a 10th anniversary<br \/>\nreissue of NME, a DVD retrospective, and, potentially, new music<br \/>\nfor &#8217;03.<\/p>\n<p>During their four-plus year hiatus, Blossoms members worked on a<br \/>\nnumber of other projects, including the ill-fated Gas Giants, a<br \/>\npromising band featuring Gin Blossoms singer Robin Wilson and<br \/>\ndrummer Phillip Rhodes that was among the victims of the great<br \/>\nA&#038;M Records implosion of 1998. Somewhere late in the GG era,<br \/>\nRobin Wilson got an idea that he just couldn&#8217;t let go of, combining<br \/>\nhis love of Saturday morning cartoons with his affection for the<br \/>\nsimple joys of under-appreciated power-popsters like Marshall<br \/>\nCrenshaw.<\/p>\n<p>Thus were born the Poppin&#8217; Wheelies, a space-age rock band who<br \/>\ntravel the universe in their GalactaVan (a vehicle that bears a<br \/>\ndistinct resemblance to the van pictured on the cover of<br \/>\n<i>New Miserable Experience<\/i>), playing gigs on planets like Las<br \/>\nVega while being stalked by the Black Widow Comandress and her<br \/>\nrobot henchmen the Techno-Pops, who covet the Wheelies&#8217; enchanted<br \/>\nguitar.<\/p>\n<p>\n<i>The Poppin&#8217; Wheelies<\/i> is a truly odd disc, a soundtrack for a<br \/>\nTV series that hasn&#8217;t made it past the storyboard stage to date,<br \/>\nwhose booklet features vibrant full-color renderings of characters<br \/>\nwho thus far exist in Wilson&#8217;s mind alone. Still, there&#8217;s no<br \/>\ndenying the energy of the music or the joy Wilson &#8211; aided and<br \/>\nabetted by Rhodes and Gas Giants guitarist (and fellow former Gin<br \/>\nBlossom) Dan Henzerling &#8211; pours into it.<\/p>\n<p>The tracks are a buoyant mix of Wilson originals and<br \/>\nwell-executed covers. Coming in for special attention are three<br \/>\ntracks from undergound\/semi-legendary &#8217;80s power-pop genius Tommy<br \/>\nKeene. The fact that the Wheelies&#8217; lead singer\/rhythm guitarist&#8217;s<br \/>\nname is &#8220;Tommy &#8220;appears to be less than coincidental, as most of<br \/>\nthe album comes off as an admiring Keene homage. That means<br \/>\nthree-minute songs with simple, catchy guitar riffs, upbeat yet<br \/>\nsearching lyrics, and unrelenting energy.<\/p>\n<p>Wilson manages to work in a host of space-age references in<br \/>\nsongs like &#8220;Little Stars&#8221; that make you wish you had the whole<br \/>\ncartoon in front of you instead of just six pages of artwork.<br \/>\nStill, the flavor is there, as are the roots of the Blossoms&#8217;<br \/>\nguitar-heavy sound. Foreshadowing this year&#8217;s reunion, Blossoms<br \/>\nguitarist Scott Johnson drops in to put the finishing touches on<br \/>\nWilson&#8217;s fairly brilliant take on Keene&#8217;s best-known cut, the<br \/>\nringing yet melancholy &#8220;Places That Are Gone.&#8221; The fact that Wilson<br \/>\nand Blossoms guitarist\/harmony vocalist Jesse Valenzuela also<br \/>\nguested on Keene&#8217;s 2002 album<br \/>\n<i>The Merry-Go-Round Broke Down<\/i> just cements the impression<br \/>\nthat Blossoms fans have a lot to thank Tommy Keene for.<\/p>\n<p>Bottom line: while it&#8217;s a brief (36-minute) little confection<br \/>\nthat lacks the emotional heft of a Gin Blossoms album, this is a<br \/>\ntruly fun album that any Blossoms fan will want to have in their<br \/>\ncollection. Hopefully someday we&#8217;ll get to see Tommy, Danny,<br \/>\nTennessee, Otis and Cracky do their thing for real on the small<br \/>\nscreen\u2026<\/p>\n","protected":false},"author":12,"featured_media":26246,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6784],"rating":[5617],"class_list":["post-37468","review","type-review","status-publish","has-post-thumbnail","artist-the-poppin-wheelies","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37468"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37468\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26246"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37468"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37468"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37468"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}