{"id":37486,"date":"2002-10-29T00:00:00","date_gmt":"2002-10-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/polka-party\/"},"modified":"2002-10-29T00:00:00","modified_gmt":"2002-10-29T00:00:00","slug":"polka-party","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/polka-party\/","title":{"rendered":"Polka Party!"},"content":{"rendered":"<p>After his disappointing third album<br \/>\n<i>Dare To Be Stupid<\/i>, &#8220;Weird Al&#8221; Yankovic had two choices for<br \/>\nhis fourth album: release something that would raise the bar of<br \/>\nexpectations for his kind of comedy, or put out something that<br \/>\ncould well relegate him to &#8220;Trivial Pursuit&#8221; material.<\/p>\n<p>From the cover of<br \/>\n<i>Polka Party!<\/i>, one can almost guess which route Yankovic<br \/>\ntook. If<br \/>\n<i>Dare To Be Stupid<\/i> was merely disappointing,<br \/>\n<i>Polka Party!<\/i> is almost a complete flop. One almost wishes<br \/>\nthat this one was merely a &#8220;contractual obligation&#8221; album.<\/p>\n<p>Granted, there wasn&#8217;t much in the form of popular music which<br \/>\nwas deserving of Yankovic&#8217;s style of parody in 1986 &#8211; quick,<br \/>\nwithout referencing any book or website, name a major hit from that<br \/>\nyear. &#8216;Nuff said. Yet Yankovic and his dedicated backing band<br \/>\ncontinue to hack away at the dreck that passed for pop music at<br \/>\nthis time. Unfortunately, the saying &#8220;garbage in, garbage out&#8221;<br \/>\nproves to be true.<\/p>\n<p>Yankovic tries to put a good spin on DeBarge&#8217;s &#8220;Who&#8217;s Johnny&#8221;<br \/>\nwith his tribute to Johnny Carson, &#8220;Here&#8217;s Johnny&#8221;. Yawn. Yankovic<br \/>\ntries to take an already piss-poor attempt at pop with &#8220;Ruthless<br \/>\nPeople&#8221; and turns it into &#8220;Toothless People&#8221;. Yuck. Yankovic even<br \/>\nfalls flat tackling the &#8220;hardest working man in show business,&#8221;<br \/>\nparodying James Brown on &#8220;Living With A Hernia&#8221;. It&#8217;s almost enough<br \/>\nto make you wish that death was imminent.<\/p>\n<p>Normally, Yankovic can pull his fat out of the fire when the<br \/>\nparodies fall flat through his original compositions. Yet even<br \/>\nthese can&#8217;t save<br \/>\n<i>Polka Party!<\/i> from itself. &#8220;Dog Eat Dog&#8221; has its moments as a<br \/>\nTalking Heads-style number, while &#8220;Good Enough For Now&#8221; is a<br \/>\nhalf-baked attempt at humorous country. Even the &#8220;legendary&#8221;<br \/>\n&#8220;Christmas At Ground Zero&#8221; fails to impress. (Post-9\/11 reference:<br \/>\nThe &#8220;Ground Zero&#8221; reference is to nuclear war.)<\/p>\n<p>Like its predecessor,<br \/>\n<i>Polka Party!<\/i> sounds like Yankovic is going through the<br \/>\nmotions, churning out product just to have it on the shelves.<br \/>\nRightfully so, Yankovic would take a break for a few years after<br \/>\nthis turkey hit &#8211; and would revitalize his career with his parody<br \/>\nof Michael Jackson&#8217;s &#8220;Bad&#8221;. But<br \/>\n<i>Polka Party!<\/i> seemed like it could well have been the &#8220;last<br \/>\ncall&#8221; for Yankovic, and you&#8217;d be wise to avoid it.<\/p>\n","protected":false},"author":2,"featured_media":26263,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6172],"rating":[5620],"class_list":["post-37486","review","type-review","status-publish","has-post-thumbnail","artist-weird-al-yankovic","rating-rating-f"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37486"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37486\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26263"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37486"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37486"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37486"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}