{"id":37508,"date":"2003-01-02T00:00:00","date_gmt":"2003-01-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-2002\/"},"modified":"2003-01-02T00:00:00","modified_gmt":"2003-01-02T00:00:00","slug":"live-2002","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-2002\/","title":{"rendered":"Live 2002"},"content":{"rendered":"<p>Robin Williams is a fucking<br \/>\n<i>genius<\/i>. Let&#8217;s get that out in the open right here and now.<br \/>\nSure, in his career as an actor, he&#8217;s had a few movies which could<br \/>\nbest be described as &#8220;forgettable&#8221;, but at least they paid the<br \/>\nbills and earned Williams time in the school of life &#8211; lessons he<br \/>\nshowed paid off when he finally won an Academy Award a few years<br \/>\nback.<\/p>\n<p>But maybe I should simplify my opening statement. Let&#8217;s try that<br \/>\none more time: Robin Williams is a fucking<br \/>\n<i>comedic<\/i> genius. When you boil it all down to the bare bones,<br \/>\nWilliams is a standup comic extraordinaire, taking the modern<br \/>\nfoibles of life and making us laugh at them, no matter how tragic<br \/>\nthey might be.<\/p>\n<p>\n<i>Live 2002<\/i>, a two-CD set taken from Williams&#8217;s first tour in<br \/>\n16 years, captures that essence well &#8211; but it also reminds us that<br \/>\nWilliams is a comic who is best experienced in the flesh.<\/p>\n<p>If you saw<br \/>\n<i>Robin Williams Live On Broadway<\/i> when it aired on HBO, or you<br \/>\npurchased the DVD, you won&#8217;t have to worry about hearing the exact<br \/>\nsame show on this set. Honestly, I can&#8217;t hear anything which came<br \/>\nfrom the tour-ending show in New York &#8211; though I would have liked<br \/>\nto have had that set included on the second disc, which features<br \/>\nlocal bits from many of Williams&#8217;s stops. (More on that later.)<br \/>\nSame material, yes &#8211; though there are enough nuances in these<br \/>\nperformances which differ from the Broadway performance that will<br \/>\nkeep things interesting.<\/p>\n<p>In the wake of the deadly terrorist attacks, Williams could have<br \/>\nplayed things safe, but he dares to take the bull (or, in this<br \/>\ncase, Osama bin Laden, the anthrax scare and the numerous security<br \/>\ncrackdowns) by the horns and mocks it. The thing is, he does so<br \/>\nwith such skill that the comedy works &#8211; and undoubtedly produces<br \/>\nsome well-needed laughter.<\/p>\n<p>There are no sacred cows in Williams&#8217;s beliefs, whether it&#8217;s<br \/>\nattacking the Catholic Church and its recent scandal, mocking the<br \/>\nScottish accent and their invention of golf, or stating his views<br \/>\non Viagra and the Olympics. If you&#8217;re easily offended &#8211; well, let&#8217;s<br \/>\nface it, you wouldn&#8217;t even be on this<br \/>\n<i>site<\/i>, much less be interested in listening to nearly two<br \/>\nhours of Williams&#8217;s often crude (but wickedly funny) humor.<\/p>\n<p>The second disc is the most interesting, simply because it&#8217;s<br \/>\nmaterial that hasn&#8217;t been heard elsewhere &#8211; that is, unless you<br \/>\nwere at those particular performances. From the opening &#8220;rap&#8221; of<br \/>\n&#8220;The Grim Rapper&#8221; (in which Williams pointedly takes a look at life<br \/>\nand death, and how they all are interrelated) to the local bits,<br \/>\nWilliams sounds completely at ease in his settings &#8211; so much so<br \/>\nthat you don&#8217;t have to be a resident of Milwaukee, Atlanta or<br \/>\nChicago to understand and appreciate some of the local news that<br \/>\nWilliams turns into humor.<\/p>\n<p>\n<i>Live 2002<\/i> is proof positive that you could take Williams off<br \/>\nof the stage, but his heart has always remained in the spotlight.<br \/>\nIn the slim hope that Williams himself might be directed towards<br \/>\nthis review, I have only one question to ask him:<\/p>\n<p>What the hell took you so long to return to stand-up, Robin?<\/p>\n","protected":false},"author":2,"featured_media":26284,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6795],"rating":[5613],"class_list":["post-37508","review","type-review","status-publish","has-post-thumbnail","artist-robin-williams","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37508"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37508\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26284"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37508"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37508"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}