{"id":37513,"date":"2003-01-13T00:00:00","date_gmt":"2003-01-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/never-say-die\/"},"modified":"2003-01-13T00:00:00","modified_gmt":"2003-01-13T00:00:00","slug":"never-say-die","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/never-say-die\/","title":{"rendered":"Never Say Die!"},"content":{"rendered":"<p>The late &#8217;70s were not kind to the members of Black Sabbath.<br \/>\nSince their<br \/>\n<i>Sabotage<\/i> album in 1975, the group had been fighting both<br \/>\ncreative burnout and attempts to overhaul their sound. Their 1976<br \/>\nrelease<br \/>\n<i>Technical Ecstasy<\/i> was a shade better, but further<br \/>\nillustrated that Tony Iommi and crew were not the same band who did<br \/>\nearlier works like &#8220;War Pigs&#8221; and &#8220;Iron Man.&#8221;<\/p>\n<p>\n<i>Never Say Die!<\/i>, their 1978 release, suggested that the other<br \/>\nshoe had indeed fallen. Gone were the demon-invoking images that<br \/>\nmade up their early works. In were songs which dared to be<br \/>\nradio-friendly &#8211; and, in one case, even hinted at influences like<br \/>\nthe Allman Brothers Band. Whatever the case, it was a bad move &#8211;<br \/>\nthough there are even a few diamonds in the rough of this disc.<\/p>\n<p>Up until<br \/>\n<i>Reunion<\/i>, this album was notable for being the final<br \/>\nappearance of Ozzy Osbourne with Black Sabbath. Too bad he couldn&#8217;t<br \/>\nhave had better material to go out with. Sure, the title track<br \/>\nswings, and has enough groove to rival a lot of the musical output<br \/>\nof this time period. But when the first song is the most accessible<br \/>\nout of the group, you know you&#8217;re in trouble.<\/p>\n<p>Indeed, it takes much more than a cursory listen to appreciate<br \/>\nsome of the finer points of<br \/>\n<i>Never Say Die!<\/i> &#8211; and even after five listens to the first<br \/>\nfour songs, I still found myself saying, &#8220;I don&#8217;t get it.&#8221; I still<br \/>\ndon&#8217;t understand why Black Sabbath would tackle a song like &#8220;Johnny<br \/>\nBlade&#8221; or &#8220;Swinging The Chain,&#8221; and I sure as hell don&#8217;t know<br \/>\nwhat&#8217;s with the &#8220;In Memory Of Elizabeth Reed&#8221; teaser in the latter<br \/>\nhalf of &#8220;Air Dance.&#8221; Cripes, I kept waiting for Dickey Betts to<br \/>\nburst through the speakers.<\/p>\n<p>If you think that Black Sabbath was merely going through the<br \/>\nmotions, you&#8217;re not alone in that belief. Often, it sounds like<br \/>\nIommi and crew are turning in barely mediocre performances in order<br \/>\nto just get this chapter of their history behind them. As a result,<br \/>\nsemi-decent songs like &#8220;Over To You&#8221; and &#8220;Hard Road&#8221; get lost in<br \/>\nthe malaise.<\/p>\n<p>I think that&#8217;s what bothers me the most about this disc.<br \/>\n<i>Never Say Die!<\/i> Could have been a great album, something that<br \/>\nOsbourne could proudly look back on as one of the defining moments<br \/>\nof his career. Instead, it&#8217;s left as a half-baked effort which<br \/>\nmight have been best left on the cutting room floor &#8211; or, maybe, as<br \/>\nspecial unreleased &#8220;bonus tracks&#8221; for later compilations. While<br \/>\nBlack Sabbath was by no means throwing in the towel,<br \/>\n<i>Never Say Die!<\/i> Suggested that the group might want to think<br \/>\nabout saying that one little word, instead of &#8220;oops.&#8221;<\/p>\n","protected":false},"author":2,"featured_media":26287,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5638],"rating":[11204],"class_list":["post-37513","review","type-review","status-publish","has-post-thumbnail","artist-black-sabbath","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37513"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37513\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26287"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37513"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37513"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}