{"id":37520,"date":"2003-01-22T00:00:00","date_gmt":"2003-01-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blazing-arrow\/"},"modified":"2003-01-22T00:00:00","modified_gmt":"2003-01-22T00:00:00","slug":"blazing-arrow","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blazing-arrow\/","title":{"rendered":"Blazing Arrow"},"content":{"rendered":"<p>For Blackalicious&#8217; major-label debut, members Gift of Gab and<br \/>\nChief Xcel recruited some of the most prolific and promising<br \/>\nartists in hip-hop as well as rock. The amazing thing is<br \/>\nBlackalicious&#8217; lyrical and studio skills are so solid that even<br \/>\nwith high profile guests such as Ben Harper, Zach De La Rocha and<br \/>\nmembers of The Roots, a listener&#8217;s attention seldom wavers from the<br \/>\nGift of Gab and Chief Xcel.<\/p>\n<p>\n<i>Blazing Arrow<\/i> may be considered a debut album, but<br \/>\nBlackalicious members are anything but rookies; the group has<br \/>\nreleased three underground albums and spent more than 10 years<br \/>\nplaying clubs. Who says underground is just one mode?&#8221; the band<br \/>\nasks in the head-bobbing &#8220;4000 miles.&#8221; Blackalicious bucks this<br \/>\nperception by adding elements of rock, R&#038;B and soul throughout<br \/>\n<i>Blazing Arrow<\/i>.<\/p>\n<p>Some artists pass themselves off as prolific by trying to<br \/>\nincorporate as many different musical elements as they can into<br \/>\ntheir work. However, this doesn&#8217;t mean anything if an artist can&#8217;t<br \/>\npull off the genre switch. Blackalicious need not worry with<br \/>\n<i>Blazing Arrow<\/i>. &#8220;Aural Pleasure&#8221; has the soulful groove that<br \/>\nhas evaded Prince for a dozen or so releases. &#8220;First in Flight&#8221; has<br \/>\nthe funk of vintage Isaac Hayes, and most of the lyrics on the<br \/>\nalbum come close to rivaling the political bombast of old-school<br \/>\nPublic Enemy.<\/p>\n<p>Blackalicious shares much of the enthusiasm and positivity of<br \/>\nPublic Enemy when it comes to social consciousness. Oddly enough,<br \/>\ntheir positivity is one of the chief blasts I have read against the<br \/>\nalbum. Apparantly rapping about the joys of graduation didn&#8217;t cut<br \/>\nit for some critics. However, there&#8217;s plenty of gritty realism<br \/>\nspread throughout<br \/>\n<i>Blazing Arrow<\/i>. The chief message throughout the album:<br \/>\nlife&#8217;s struggles may be hard, but it is through these hardships<br \/>\nwhere people feel the most alive. The most ambitious track on<br \/>\nBlazing Arrow is the nine-minute epic &#8220;Release.&#8221; The song features<br \/>\nZach De La Rocha on the chorus, but the song is divided into three<br \/>\nparts. The most stunning part of &#8220;Release&#8221; comes midway through<br \/>\nwhen acclaimed poet Saul Williams contributes a stinging poem under<br \/>\na restrained beat.<\/p>\n<p>In 1992, Xcel befriended DJ Shadow at the University of<br \/>\nCalifornia. Shadow eventually would go on to record<br \/>\n<i>Endtroducing<\/i>, one of the landmark albums of the 1990s.<br \/>\nAlthough Blackalicious has not achieved the critical recognition of<br \/>\nDJ Shadow or the commercial success of The Roots as of yet,<br \/>\n<i>Blazing Arrow<\/i> should change this. At seventeen tracks, this<br \/>\nalbum contains little filler. The clever, rapid-fire lyrics of Gift<br \/>\nof Gab and the infectiousness of most of the tracks should find a<br \/>\nhome in many a car stereo for summers to come.<\/p>\n<p>Two thousand two was supposed to be a year when Eminem, The<br \/>\nRoots and Jurassic Five would duke it out for album of the year<br \/>\nhonors. With the release of<br \/>\n<i>Blazing Arrow<\/i>, that race got a lot more interesting. You may<br \/>\nnot see them on MTV, but<br \/>\n<i>Blazing Arrow<\/i> is a musical journey worth taking at a record<br \/>\nstore near you.<\/p>\n","protected":false},"author":7,"featured_media":26294,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6797],"rating":[5613],"class_list":["post-37520","review","type-review","status-publish","has-post-thumbnail","artist-blackalicious","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37520"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37520\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26294"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37520"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37520"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37520"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}