{"id":37521,"date":"2003-01-23T00:00:00","date_gmt":"2003-01-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/keely-swings-basie-style-with-strings\/"},"modified":"2003-01-23T00:00:00","modified_gmt":"2003-01-23T00:00:00","slug":"keely-swings-basie-style-with-strings","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/keely-swings-basie-style-with-strings\/","title":{"rendered":"Keely Swings Basie-style With Strings"},"content":{"rendered":"<p>Keely Smith is known as the &#8220;Queen Of Swing,&#8221; and indeed she has<br \/>\nhad a long and storied career in swing and jazz vocalist, including<br \/>\ndiscovery by and a marriage to Louis Prima. Influenced by such<br \/>\nsources as Ella Fitzgerald and Nat King Cole, Smith&#8217;s work is<br \/>\nsmooth, sweet jazz; music to dim the lights and sip cocktails by.<br \/>\nOn<br \/>\n<i>Keely Swings Basie-Style With Strings<\/i>, she sweetens up her<br \/>\nswing sound with a 22-piece string section and an 18-piece brass<br \/>\nband, and it works really well.<\/p>\n<p>This is the third in Smith&#8217;s &#8216;tribute&#8217; series of recordings. On<br \/>\neach of them, she has done a series of songs in the style of a<br \/>\ngiven performer; not necessarily songs that they themselves<br \/>\nrecorded, but songs as they might have recorded them. This is a bit<br \/>\ntough to get your brain around in concept, but in practice it works<br \/>\njust fine; it occasionally results in combinations that seem<br \/>\ninitially odd (Count Basie does the old Motown\/James Taylor hit<br \/>\n&#8220;How Sweet It Is,&#8221; for example) but which work in execution. More<br \/>\nimportantly, Smith is having fun. Because Smith self-finances her<br \/>\nown recordings, she keeps the right to choose her songs and set up<br \/>\nthe recordings as she wants &#8212; so this is all what she wanted to<br \/>\ndo, and it shows. The joy and the love in these songs is<br \/>\npalpable.<\/p>\n<p>Production and engineering on the recording is flawless. The<br \/>\nbrass sound is fat and round, contrasting well with the crisp bite<br \/>\nof the string section. Smith&#8217;s vocals are a wonder in and of<br \/>\nthemselves; while it&#8217;s impolite to discuss a lady&#8217;s age, suffice it<br \/>\nto say that there&#8217;s a young woman&#8217;s fire and power in her fluid,<br \/>\nlanguid delivery. The backing musicians are all excellent.<\/p>\n<p>Songs of particular note include the sweet and wondrous<br \/>\n&#8220;Happiness Is A Thing Called Joe&#8221;; Smith&#8217;s take on the classic &#8220;I<br \/>\nCan&#8217;t Stop Loving You&#8221;; a unique cover of Frankie Valli&#8217;s &#8220;Can&#8217;t<br \/>\nTake My Eyes Off Of You&#8221;; and a kick-out-the-stops romp through<br \/>\n&#8220;Take The A-Train.&#8221; I also confess to being a sucker for the<br \/>\nspoken-word, announcer-style intro and outro on the record.<\/p>\n<p>\n<i>Keely Swings Basie-Style With Strings<\/i> is a brilliant piece<br \/>\nof work. Fans of jazz and swing shouldn&#8217;t miss it.<\/p>\n","protected":false},"author":18,"featured_media":26295,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6798],"rating":[5646],"class_list":["post-37521","review","type-review","status-publish","has-post-thumbnail","artist-keely-smith","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37521"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37521\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26295"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37521"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37521"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}