{"id":37542,"date":"2003-02-20T00:00:00","date_gmt":"2003-02-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/swiss-movement\/"},"modified":"2003-02-20T00:00:00","modified_gmt":"2003-02-20T00:00:00","slug":"swiss-movement","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/swiss-movement\/","title":{"rendered":"Swiss Movement"},"content":{"rendered":"<p>Over the years I&#8217;ve noticed that Daily Vault Founder Christopher<br \/>\nThelen and I invariably open our jazz reviews with the same &#8220;I have<br \/>\nno idea what the hell I&#8217;m talking about here&#8221; mea culpa. And the<br \/>\ntruth is, we don&#8217;t &#8211; it&#8217;s one of the handicaps of growing up<br \/>\nsuburban white bread in the years spanning 1975 to 1990. Jazz<br \/>\nsimply wasn&#8217;t part of our teenaged musical vocabulary.<\/p>\n<p>Thankfully, that has not prevented me in my adult years from<br \/>\nenjoying fabulous jazz albums like<br \/>\n<i>Swiss Movement<\/i>.<\/p>\n<p>Les McCann arrived at the 1969 Montreux Jazz festival in<br \/>\nSwitzerland as a pianist and bandleader with a reputation for<br \/>\nsoulful, funk-infused jazz. For his part, Eddie Harris was already<br \/>\nwell-known for his rippling, eloquent sax phrasings. Their<br \/>\nimpromptu teaming at the festival, joined by noted trumpeter Benny<br \/>\nBailey, generated one of the great live jazz albums of its day, an<br \/>\nall-to-brief set of five tracks that simply bubbles and froths with<br \/>\nthe pure joy of playing.<\/p>\n<p>It&#8217;s amusing now to have &#8220;Compared To What&#8221; plastered across the<br \/>\nairwaves as part of Coke&#8217;s latest advertising campaign, but if you<br \/>\nwant the *real* real thing, you have to come here for it. McCann&#8217;s<br \/>\ntake on it, besides featuring the only vocals on this album, is<br \/>\nsimply smoking-hot. Never mind the dated &#8217;60s lyrics; in McCann and<br \/>\nHarris&#8217; hands, this thing has a groove you could drive a truck<br \/>\nthrough, and Harris and Bailey&#8217;s horns wail triumphantly between<br \/>\nits choruses.<\/p>\n<p>Harris and especially Bailey shine even brighter on &#8220;Cold Duck<br \/>\nTime,&#8221; a Harris composition the band literally learned the day of<br \/>\nthe show. The smooth swing of the basic melody doesn&#8217;t take long to<br \/>\ndevolve into dueling solos, Harris&#8217; sax alternately juking and<br \/>\nsoaring before Bailey comes in and simply blows the crowd away with<br \/>\na trumpet solo that starts out suave and stylish and builds to a<br \/>\ncontrolled frenzy before falling back again.<\/p>\n<p>McCann&#8217;s piano work is consistently rich and effervescent,<br \/>\nnowhere moreso than on the aptly-named &#8220;You Got To Get It In Your<br \/>\nSoulness,&#8221; where his alternately playful and lyrical solo carries<br \/>\nthe first half of the song. Harris&#8217; smooth, masterful solo is again<br \/>\nthe perfect complement, segueing into a blistering trumpet run from<br \/>\nBailey and a closing full-out jam. The remaining two tracks<br \/>\n(&#8220;Kathleen&#8217;s Theme&#8221; and &#8220;The Generation Gap&#8221;) are equally<br \/>\nentertaining.<\/p>\n<p>\n<i>Swiss Movement<\/i> truly caught lightning in a bottle, turning<br \/>\nout to be the singular highlight of not one, or even two, but three<br \/>\ndistinguished jazz players&#8217; careers. I&#8217;ll be the first to concede<br \/>\nthat every well-studied jazz fan out there already has this album.<br \/>\nBut for those of you who, like me, are relative beginners, I can&#8217;t<br \/>\nsay it loud or often enough &#8212; if you are the least bit curious<br \/>\nabout what great live jazz sounds like, go get this disc. NOW.<\/p>\n","protected":false},"author":12,"featured_media":26314,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6812],"rating":[5646],"class_list":["post-37542","review","type-review","status-publish","has-post-thumbnail","artist-les-mccann-eddie-harris","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37542"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26314"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37542"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37542"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37542"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}