{"id":37551,"date":"2003-03-05T00:00:00","date_gmt":"2003-03-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-datsuns\/"},"modified":"2003-03-05T00:00:00","modified_gmt":"2003-03-05T00:00:00","slug":"the-datsuns","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-datsuns\/","title":{"rendered":"The Datsuns"},"content":{"rendered":"<p>Picture this. An upstart band from a historically non-descript<br \/>\nrock n&#8217; roll breeding ground gets turned loose touring a club scene<br \/>\nthousands of miles away from home with nothing more than a handful<br \/>\nof singles to their name. No album. No label support to write home<br \/>\nabout. No promises of success. With gigs lined up in a handful of<br \/>\nU.S. cities followed by a short tour of the U.K., the band finds<br \/>\nitself being asked to perform live for a John Peel BBC session show<br \/>\nand quickly turns the momentum from that performance into billings<br \/>\non the upcoming Reading and Leeds Festivals&#8230;&#8230;.<\/p>\n<p>True story. The year was 2002. The band? Cambridge, New<br \/>\nZealand&#8217;s very own garage rock golden boys, The Datsuns.<\/p>\n<p>And only then did the month of August roll around providing the<br \/>\nworld with the band&#8217;s first full-length album, inconspicuously<br \/>\ntitled<br \/>\n<i>The Datsuns<\/i>.<\/p>\n<p>Seems like a fairy tale story in the era of the major-label<br \/>\nhomogenizing of rock n&#8217; roll. Major-label focus group subjugation?<br \/>\nHa ha. Let&#8217;s not kid ourselves, as that would only spoil the story.<br \/>\nThese guys tested themselves the old-fashioned way, by taking their<br \/>\nproduct straight to the people, by gigging relentlessly around the<br \/>\nglobe until sold-out shows became the norm.<\/p>\n<p>So have these guys reinvented rock n&#8217; roll with a new sound?<br \/>\nHardly. If the fact that The Datsuns are part of the current<br \/>\nonslaught of garage-rock bands seems too trendy, never mind &#8212;<br \/>\nbecause they have become the white-hot buzz of the underground<br \/>\nscene with a good old-fashioned grassroots approach that actually<br \/>\nseem to defy all trends.<\/p>\n<p>Some critics would say that these New Zealanders begged,<br \/>\nborrowed, and stole their way to amassing the 10-song collection of<br \/>\ntracks on their self titled debut. Sure they &#8220;borrow&#8221; the signature<br \/>\nDeep Purple keyboard sound of Jon Lord on the tracks &#8220;At Your<br \/>\nTouch&#8221; and &#8220;In Love&#8221;. And yes, they blatantly &#8220;steal&#8221; Kiss drummer<br \/>\nPeter Criss&#8217; opening drum beat from &#8220;Love Gun&#8221; halfway through<br \/>\ntheir &#8220;What Would I Know&#8221; track. The critics may even be right in<br \/>\narguing that The Datsuns run guitar solos through their amps in a<br \/>\nway that would make MC5 members proud. But the band surely begs<br \/>\npardons from their rock n&#8217; roll forefathers with regard to these<br \/>\nsins, and vocalist Dolf Datsun at least croons and wails over these<br \/>\nriffs like few vocalists before him. In addition, his bandmates<br \/>\nprovide the necessary guitar hooks and subtle backing vocals to<br \/>\nblend the overall sound into a rather captivating aural<br \/>\nexperience.<\/p>\n<p>So do The Datsuns rely on hype to get through the day? No way.<br \/>\nIf &#8220;garage rock&#8221; being trendy today ever evolves into the next<br \/>\n&#8220;grunge&#8221; movement of the new millennium, efforts like this album<br \/>\nwill go a long way towards defining the sound in the history<br \/>\nbooks.<\/p>\n","protected":false},"author":27,"featured_media":26323,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6817],"rating":[5646],"class_list":["post-37551","review","type-review","status-publish","has-post-thumbnail","artist-the-datsuns","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37551"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37551\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26323"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37551"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37551"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37551"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}