{"id":37559,"date":"2003-03-17T00:00:00","date_gmt":"2003-03-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/slow-motion-daydream\/"},"modified":"2003-03-17T00:00:00","modified_gmt":"2003-03-17T00:00:00","slug":"slow-motion-daydream","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/slow-motion-daydream\/","title":{"rendered":"Slow Motion Daydream"},"content":{"rendered":"<p>If there&#8217;s one musical stereotype I&#8217;d like to see demolished, it&#8217;s the one that says hard rock has to be dumb. I mean, you got these big sledgehammer chords, see, and these throbbing bass lines and fat-ass drums, so the lyrics had better be either macho chest-thumping or whiny my-girlfriend-dumped-me-and-I-hate-the-world crap\u2026 right?<\/p>\n<p>Wrong.<\/p>\n<p>Hard rock is no different than any other genre; the quality of the lyrics is entirely in the artist&#8217;s hands. In the case of Everclear, that puts them mostly in the hands of a guy &#8212; vocalist\/guitarist\/songwriter Art Alexakis &#8212; who&#8217;s got something to say and the brains to say it with substance and craft.<\/p>\n<p>For evidence look no further than this album&#8217;s heaviest song, the bludgeoning &#8220;Blackjack,&#8221; a brilliant diatribe against Attorney General John Ashcroft&#8217;s police-state tactics (&#8220;Scary John \/ always knows what&#8217;s going on \/ he is everywhere&#8221;). As the multi-tracked power chords hammer away, Alexakis offers this dead-on analysis of how we got here: &#8220;This is your American dream \/ everything is simple in the \/ white and the black \/ you will never need to see the grey anymore.&#8221;<\/p>\n<p> <i>Slow Motion Daydream<\/i> is an album about life in America circa 2003. In its own alternately sardonic and idealistic way, it&#8217;s as essential a reflection of our nation today as Bruce Springsteen&#8217;s  <i>The Rising<\/i>. (The fact that Springsteen is one of Alexakis&#8217; musical idols should not come as a surprise; there may be zero musical resemblance, but the desire to communicate honestly and powerfully is very much mutual.) While  <i>The Rising<\/i> addressed mythic figures &#8212; heroes and lovers and lifelong comrades &#8212; Alexakis&#8217; focus here is more like Springsteen circa  <i>Darkness On The Edge Of Town<\/i>; he&#8217;s primarily looking at regular people living regular lives and asking themselves how the hell they got there.<\/p>\n<p>The entertaining element of Alexakis&#8217; approach is that he does his thing using the dark, twisted, irony-drenched humor that has become an essential part of young America&#8217;s character. Consider the throbbing, slamming &#8220;Volvo Driving Soccer Mom,&#8221; in which he traces a direct sociological line from slutty teenage girls to &#8220;blond-bland-middle-class-Republican-wives.&#8221; It&#8217;s an  <i>American Beauty<\/i>-like concept, the implication that conservative middle America today is engaged in the greatest collective bout of denial in recorded history.<\/p>\n<p>Beyond the social psychology of it all, though,  <i>Slow Motion Daydream<\/i> is ultimately an album about yearning, a set of songs in which nearly every narrator &#8220;just wants&#8221; one thing or another to make either the world or his own life a little more livable. Sometimes, as in &#8220;TV Show,&#8221; it gets so bad that all you want to do is make it all go away, &#8220;come home to a life that looks like a TV show&#8221; or &#8220;start all over again.&#8221; Other times, as in &#8220;Science Fiction,&#8221; the solution is to remember that &#8220;life is always getting better for awhile.&#8221; Despite these ups and downs, though, Alexakis ultimately reveals himself as neither an optimist or a pessimist, just a realist who&#8217;s as stressed and disoriented by the contradictions of life in America today as the rest of us.<\/p>\n<p>Musically, this album constantly entertains. Tracks like &#8220;Blackjack&#8221; and the opening &#8220;How To Win Friends And Influence People&#8221; burn with energy, the guitars bulked up to lightning-bolt sizzle by the rich, creative production of Alexakis and Lars Fox, who also work in some particularly choice loops and effects. (It&#8217;s hard not to chuckle, though, when they lift the bass line right out of &#8220;Ice Ice Baby&#8221; for the latter song!)<\/p>\n<p>Less frenetic tracks reveal the lasting effects of Everclear&#8217;s experimentation with &#8217;70s-style melodic rock in  <i>Songs From An American Movie<\/i>, putting greater emphasis on melody and incorporating strings very effectively on three songs. It doesn&#8217;t detract from the power and bite of Everclear&#8217;s music in the least, though; the strings that double the melody on &#8220;A Beautiful Life&#8221; just make the fat guitar lines resonate that much more.<\/p>\n<p>Last but not least, props once again go out to the all-important Everclear rhythm section of Craig Montoya (bass) and Greg Eklund (drums). There seems to be nothing these guys can&#8217;t play; whatever the mood or tempo or role they&#8217;re called on to fill in a given song, they sound great.<\/p>\n<p>With  <i>Slow Motion Daydream<\/i>, Everclear demonstrates once again that you don&#8217;t have to check your brains at the door to enjoy banging your head a little, and that melody sounds sweet at any volume.<\/p>\n","protected":false},"author":12,"featured_media":26331,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6484],"rating":[5613],"class_list":["post-37559","review","type-review","status-publish","has-post-thumbnail","artist-everclear","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37559"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37559\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26331"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37559"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37559"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}