{"id":37562,"date":"2003-03-19T00:00:00","date_gmt":"2003-03-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thrashin-machine\/"},"modified":"2003-03-19T00:00:00","modified_gmt":"2003-03-19T00:00:00","slug":"thrashin-machine","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thrashin-machine\/","title":{"rendered":"Thrashin&#8217; Machine"},"content":{"rendered":"<p>I admit the picture of the two guitarists on the back of this<br \/>\nrelease in leather and spikes made me leery of putting this release<br \/>\nin my CD player. I had visions of a terrible Judas Priest cock-rock<br \/>\nband trying to recapture their youth.<\/p>\n<p>Disappointment is a blessing. This is a five song blitz of 20:00<br \/>\nthat has me still picking up my jaw.<\/p>\n<p>This release starts out with &#8220;Death Machine,&#8221; an aggressive,<br \/>\nfast, Pantera-ish &#8220;Mouth For War&#8221;-like tempo. Then at the 2:50<br \/>\nmark, the band changes tempos and plays an interlude, a variation<br \/>\nof the melody of the fast section, before building back up to its<br \/>\nfrenzy by the 3:30 mark. But it is in that 30-plus seconds that<br \/>\nFrom Beyond made their mark in my mind. Typically, a lesser band<br \/>\nwould have played fast for the entire song and not shown that they<br \/>\nhave a sense of musicianship. At the 4:46 mark, the band launches<br \/>\ninto a syncopated section, typical of thrash bands, but it is<br \/>\nimmediately preceded by some slick hi-hat work. &#8220;Death Machine&#8221; is<br \/>\nthe right foundation to start building this release upon. It is a<br \/>\nstrong opening track.<\/p>\n<p>So after 6:37, you get to the rest of this CD, which consists of<br \/>\n3 tracks of similar style to track one. The difference I hear in<br \/>\nthis band, that makes them stand out, is that they sound like they<br \/>\nhave musical training. They have a sense of phrasing their riffs so<br \/>\nthat it sounds pleasing to the ear.<\/p>\n<p>They are able to expand the thrash genre, not just paying homage<br \/>\nto bands like Exodus or Testament here. There are individual<br \/>\ncharacteristics of this band that make them stand out. The drummer<br \/>\ndoesn&#8217;t rely on a rumbling of double-bass to establish his sound.<br \/>\nThe guitarists work together and sound like they actually composed<br \/>\ntheir parts instead of flying-by-the-seat-of-their-pants. The<br \/>\nvocalist, while not really &#8216;singing&#8217; all the time, is not annoying.<br \/>\nAnd that&#8217;s enough for me.<\/p>\n<p>The last track is a short 1:31 acoustic track, called<br \/>\n&#8220;Epilogue.&#8221; I have a problem with thrash and rock bands including<br \/>\nshort acoustic tracks at the end of their releases because they<br \/>\nseem tacked on and presented as evidence that the guitarist has<br \/>\nsome skill. Some bands, like Disarray&#8217;s &#8220;Life is Gone&#8221; are<br \/>\nsuccessful because they carry forward the theme of their CD into a<br \/>\ndifferent &#8216;voice&#8217; (the acoustic guitar).<\/p>\n<p>I&#8217;ve heard a lot of these short metal band promos. I have to say<br \/>\nthat this From Beyond release stands out with my other favorite<br \/>\nshort metal band promos like Grain and the Gooseflesh EP.<\/p>\n","protected":false},"author":10,"featured_media":26333,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6824],"rating":[5615],"class_list":["post-37562","review","type-review","status-publish","has-post-thumbnail","artist-from-beyond","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37562"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37562\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26333"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37562"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37562"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}