{"id":37567,"date":"2003-03-26T00:00:00","date_gmt":"2003-03-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/night-in-the-ruts\/"},"modified":"2003-03-26T00:00:00","modified_gmt":"2003-03-26T00:00:00","slug":"night-in-the-ruts","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/night-in-the-ruts\/","title":{"rendered":"Night In The Ruts"},"content":{"rendered":"<p>By the time<br \/>\n<i>Night In The Ruts<\/i> came out in late 1979, Aerosmith &#8212; at<br \/>\nleast as the fans knew them, anyway &#8212; was no more. Long-simmering<br \/>\ntensions between band members had finally come to a head, and lead<br \/>\nguitarist Joe Perry had left the band.<\/p>\n<p>But the meltdown of the band had already become painfully<br \/>\nobvious on their last studio album,<br \/>\n<i>Draw The Line<\/i>.<br \/>\n<i>Night In The Ruts<\/i> is merely a continuation of that process,<br \/>\ndespite some decent moments.<\/p>\n<p>Sign of trouble number one is the inclusion of three cover<br \/>\ntunes, though Steven Tyler and crew do a respectable job on &#8220;Reefer<br \/>\nHead Woman.&#8221; What I will never understand, though, is how an<br \/>\nabsolutely abysmal track like &#8220;Remember (Walking In The Sand)&#8221;<br \/>\ncould not only make it onto this album, but be included on<br \/>\n<i>Aerosmith&#8217;s Greatest Hits<\/i>. There were much better tracks<br \/>\nthan this one that could have made the cut.<\/p>\n<p>Take &#8220;No Surprize,&#8221; for instance. A slab of hot lead to open up<br \/>\nthis disc, it is admittedly not the strongest track Aerosmith has<br \/>\never recorded, but it dares to hold out hope that there was still<br \/>\nfire in the collective bellies of Tyler, Perry, Tom Hamilton, Brad<br \/>\nWhitford and Joey Kramer. Regrettably, most of the remaining tracks<br \/>\neither stumble out of the gate or just go into perpetual<br \/>\nfree-fall.<\/p>\n<p>Some cuts, like &#8220;Chiquita,&#8221; &#8220;Three Mile Smile&#8221; and &#8220;Cheese<br \/>\nCake,&#8221; suggest that Aerosmith could still wake up from their<br \/>\ndrug-addled days and produce tracks that could kick ass, albeit not<br \/>\nas strongly as their glory days. Maybe, for the newcomer to<br \/>\nAerosmith, these tracks could instill some cheer &#8211; but for those<br \/>\nwho had followed the band since their early days, as enjoyable as<br \/>\nthese tracks may be, they pale in comparison to their true<br \/>\nhighlights.<\/p>\n<p>But when Aerosmith falls on<br \/>\n<i>Night On The Ruts<\/i>, they fall hard. Examine such tracks as<br \/>\n&#8220;Bone To Bone (Coney Island White Fish Boy),&#8221; &#8220;Think About It&#8221; or<br \/>\nthe dreadful &#8220;Mia,&#8221; the three tracks which close this disc. Flat,<br \/>\ndull and lifeless, these songs speak more about the state of<br \/>\nAerosmith in 1979 than any tell-all book could.<\/p>\n<p>\n<i>Night In The Ruts<\/i> marked a major passage in Aerosmith&#8217;s<br \/>\nhistory &#8211; and, regrettably, was one which would be stretched out<br \/>\nfor a few years. If you absolutely must own every record Aerosmith<br \/>\nhas put out, then check this one for yourself. But don&#8217;t be<br \/>\nsurprised to discover that the music lives up to the album&#8217;s<br \/>\ntitle.<\/p>\n","protected":false},"author":2,"featured_media":26338,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5636],"rating":[11204],"class_list":["post-37567","review","type-review","status-publish","has-post-thumbnail","artist-aerosmith","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37567"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37567\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26338"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37567"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37567"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}