{"id":37572,"date":"2003-04-03T00:00:00","date_gmt":"2003-04-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/race-to-the-bottom\/"},"modified":"2003-04-03T00:00:00","modified_gmt":"2003-04-03T00:00:00","slug":"race-to-the-bottom","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/race-to-the-bottom\/","title":{"rendered":"Race To The Bottom"},"content":{"rendered":"<p>Post 9\/11 Western xenophobia could make acceptance of this album<br \/>\nunlikely without first taking the masses of asses back to first<br \/>\ngrade like we did with MLK in the 1960&#8217;s. If tracks like<br \/>\n&#8220;Scientism&#8221; didn&#8217;t alienate you in the nineties they certainly can<br \/>\ntoday as you visualize United Airlines Flight 175 meeting you at<br \/>\nyour front window while this spins.<\/p>\n<p>Social and political hypotheses aside,<br \/>\n<i>Race To The Bottom<\/i> is called a &#8220;soundtrack to life&#8221; by the<br \/>\nartist, so if you put down your grievances (which Asmar has naught<br \/>\nto do with anyway), and your palette becomes unbiased again, you&#8217;ll<br \/>\nhear the levels of sound he spent more than a year assembling from<br \/>\nscores of different musicians, emcees, tapes, breakbeats, and<br \/>\nsources I&#8217;m not yet privy to. Play this for a friend and note their<br \/>\nconfused glance first at you, then the speakers themselves.<br \/>\nCavernous dub reggae and DJ Premier hip-hop production mixes with<br \/>\nBrazilian rhythms and Middle Eastern vocals peacefully and<br \/>\ncasually.<\/p>\n<p>The thirteen tracks all congeal naturally enough to make you<br \/>\nwonder why it&#8217;s not been attempted before. Yes, the Middle Eastern<br \/>\nvoices do stand out significantly, and could be where some listener<br \/>\nsecurity ends &#8212; at first. After you&#8217;ve moved away from the recent<br \/>\npast, though,<br \/>\n<i>Race To The Bottom<\/i> will reward you with new shades of melody<br \/>\nyou initially mistook for dissonance. Are these &#8220;versions&#8221; of songs<br \/>\nfrom another dimension, or the future staring you in the face? And<br \/>\nif this is indeed a &#8220;follow-up&#8221; release, why don&#8217;t you own its<br \/>\npredecessor?<\/p>\n","protected":false},"author":35,"featured_media":26343,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6828],"rating":[5646],"class_list":["post-37572","review","type-review","status-publish","has-post-thumbnail","artist-andre-afram-asmar","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37572"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37572\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26343"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37572"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37572"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37572"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}